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For 18th-century young British noblemen, no education was complete without a year on the Grand Tour. Although it had no official route, the Grand Tour focused on places foundational to European art, literature and architecture, including sites in France, Germany, Switzerland and, most importantly, Italy. It was an opportunity not just to witness the roots of the classics they had studied but also to take some of it home. Grand Tour furniture was among the souvenirs.

Grand Tour furniture ranged from marble architectural models replicating ancient wonders to actual antiquities often taken illicitly, leaving a legacy of looting still being unraveled today. Other items reflected the artistic richness of the Renaissance cities and other destinations. In Italy, this included scagliola tables and pedestals mimicking marble as well as tabletops and wall panels embedded with pietra dura hard stone mosaics.

Furniture was also developed to display Grand Tour purchases in the owner’s home, presenting them as a cultivated and well-traveled person. Mahogany collector’s cabinets held objects like intaglio moldings of coins and seals while others had specialized drawers that framed pietra dura panels.

Many objects were specifically produced for Grand Tour collectors. Often accompanied by retinues on journeys lasting months or years, the elite travelers, the wealthiest of whom extended their trips to Egypt and the Holy Land, required artful personal mementos befitting the experience. For example, Grand Tour micromosaics — small artworks, most not more than two inches wide — arose from the entrepreneurial impulses of artisans who had trained in the Vatican’s workshops.

Grand Tour journeys would help inform a range of decorative styles such as neoclassical, Rococo and Adam style. (Architect and designer Robert Adam toured Italy and France for five years.) The Grand Tour flourished at a time of economic prosperity and political stability, but the French Revolution in 1789 brought it to an end. Yet as the tradition faded in popularity in England, the rising wealth of the United States led to an increase in tourism across the Atlantic and a similar passion for collecting to show one’s worldliness.

Find a collection of Grand Tour decorative objects, wall decorations, lighting and other furniture on 1stDibs.

For centuries, candles have been used in religious ceremonies such as Hanukkah, provided light to work or read by and more. During meals, the soft glimmer of candles adds warmth to a dinner table that no lighting solution could possibly imitate. With the right antique or vintage candleholder, candles can elevate a table setting or just help support your efforts to create a romantic atmosphere in any room.

When you combine the distinctive glow of a candle with a candleholder that matches the color scheme and decor you’ve painstakingly put together, the result can feel like magic. Finding the candleholder that best meets your needs can be daunting because you’re essentially bringing a piece into your home that is as important as the candle itself. Unsurprisingly, venturesome designers over the years have crafted innumerable alternatives to the traditional form of candleholders, and today a broad array of these decorative objects can be found on 1stDibs, whether they’re 19th-century candleholders made of silver or sleek mid-century modern glass candleholders for an understated accent to your dining area.

Try a tabletop orb candleholder from Lynne Meade Ceramics for a distinctive interpretation of this long-loved furnishing. An alluring pair of Georg Jensen stainless-steel candleholders, featuring pronounced organic curves, or Art Nouveau–informed natural-world motifs, on the other hand, can bring a dose of sculptural elegance to your living room.

If you’re more inclined to opt for antique or vintage pieces, find a collection that includes everything from simple wood taper candleholders to elaborate candelabras of gilt bronze or cut glass on 1stDibs now.