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Chris Kenyon Painting

Blue Velvet, ca. 2017
By C. Dimitri
Located in Brooklyn, NY
unfinished is his first instinct of painting. There are social-political implications: Democracy is an
Category

2010s Abstract Abstract Paintings

Materials

Oil, Plexiglass, Mixed Media

Blue Velvet, ca. 2017
H 15.99 in W 12.01 in D 2.01 in

Recent Sales

I Almost Went Crazy When Mario Got Busted (Lumieres), text, bright color
By C. Dimitri
Located in Brooklyn, NY
informs the imagery. The unfinished is his first instinct of painting. There are social-political
Category

2010s Abstract Animal Paintings

Materials

Oil, Masonite, Ink, Panel

Living on 9th Street (Migration), pattern, butterfies, nature, square format
By C. Dimitri
Located in Brooklyn, NY
. It informs the imagery. The unfinished is his first instinct of painting. There are social
Category

2010s American Modern Animal Paintings

Materials

Masonite, Ink, Oil, Panel

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C. Dimitri for sale on 1stDibs

C.Dimitri has received fellowships in painting from the Vermont Studio Center and the RI State Council on the Arts. He is represented by Tabla Rasa gallery in Brooklyn. A staff illustrator for The Rumpus and a cartoonist for Entropy magazine, he has contributed drawings to the Kenyon Review, Bomb Magazine, and the streets of Providence, RI. Two of his climate change graph paintings are in the permanent collection of the Boston Public Library. Dimitri's background in literature, philosophical and aesthetic modernity informs his work. Experimental modernism is an influence.

Finding the Right abstract-paintings for You

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

Draw your guests into abstract oil paintings across different eras and countries of origin. On 1stDibs, you’ll find an expansive range of abstract paintings along with a guide on how to arrange your wonderful new wall art.

If you’re working with a small living space, a colorful, oversize work can create depth in a given room, but there isn’t any need to overwhelm your interior with a sprawling pièce de résistance. Colorful abstractions of any size can pop against a white wall in your living room, but if you’re working with a colored backdrop, you may wish to stick to colors that complement the decor that is already in the space. Alternatively, let your painting make a statement on its own, regardless of its surroundings, or group it, gallery-style, with other works.