Enzo Mari Putrella
2010s Italian Mid-Century Modern Centerpieces
Steel, Iron
21st Century and Contemporary Italian Modern Centerpieces
Iron
People Also Browsed
21st Century and Contemporary Swedish Mid-Century Modern Table Lamps
Textile
21st Century and Contemporary Mexican Mid-Century Modern Table Lamps
Textile, Wood
21st Century and Contemporary Italian Mid-Century Modern Stools
Oak, Walnut, Wood
Vintage 1970s German Mid-Century Modern Sectional Sofas
Fabric, Upholstery, Plastic, Fiberglass
21st Century and Contemporary Italian Modern Vases
Stainless Steel
Vintage 1960s Italian Abstract Sculptures
Lucite
Mid-20th Century Italian Mid-Century Modern Decorative Bowls
Art Glass
21st Century and Contemporary Italian Modern Toys
Oak
Vintage 1960s Italian Desks and Writing Tables
Plastic
Mid-20th Century German Mid-Century Modern Vases
Vintage 1960s Italian Mid-Century Modern Cabinets
Steel
Mid-20th Century Italian Mid-Century Modern Armchairs
Leather
Mid-20th Century German Mid-Century Modern Vases
Porcelain
Mid-20th Century German Mid-Century Modern Vases
Porcelain
Vintage 1960s Italian Modern More Desk Accessories
Rubber, Rosewood
20th Century German Scandinavian Modern Tableware
Recent Sales
Vintage 1950s Italian Modern Decorative Bowls
Steel
Vintage 1950s Italian Minimalist Sculptures
Resin
Enzo Mari for sale on 1stDibs
Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers.
Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.
In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.
Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.
Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.
Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated.
The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.
On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.