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John Taylor Arms On Sale

Old Hoadley House
By John Taylor Arms
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category

1910s American Modern Landscape Prints

Materials

Etching

The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

The Gothic Spirit
The Gothic Spirit
H 11.63 in W 7 in D 0.5 in
From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category

1920s American Modern Landscape Prints

Materials

Aquatint, Etching

Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category

20th Century American Modern Landscape Prints

Materials

Etching

Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Black and White Etching -- Rodez
By John Taylor Arms
Located in Troy, NY
This detailed etching depicts Notre Dame in France. The foreground shows an alleyway, with cracking and peeling buildings, plants climbing the walls, and a shifting stone road. Each ...
Category

1920s Realist Landscape Prints

Materials

Etching, Paper

A Gable in the Grande Rue, Lisieux
By John Taylor Arms
Located in New Orleans, LA
This image is the 3rd etching created by Arms. It was printed byGrederick Reynolds in an edition of 116. Referenced as Fletcher #3 the image is the second in his Gable series. Lis...
Category

1910s American Modern Landscape Prints

Materials

Etching

St. Mary's Church in Bibury, England
By John Taylor Arms
Located in New Orleans, LA
This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The An...
Category

1910s American Modern Landscape Prints

Materials

Etching

Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
By John Taylor Arms
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category

1920s American Modern Landscape Prints

Materials

Etching

Puerta del Obispo ( Romanesque Spanish Cathedral)
By John Taylor Arms
Located in New Orleans, LA
This image is by America's greatest etcher, John Taylor Arms. The Spanish cathedral in Zamora is an impressive example of Romanesque architecture located on the hilltop by the river ...
Category

1930s American Modern Landscape Prints

Materials

Etching

La Colegiata Toro (Romanesque Santa Maria la Mayor/Zamora province Spain)
By John Taylor Arms
Located in New Orleans, LA
John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. ...
Category

1930s American Modern Landscape Prints

Materials

Etching

Stone Tapestry, San Isidoro, Leon
By John Taylor Arms
Located in Palm Springs, CA
Signed and dated in pencil, inscribed " Ed 100 I." In excellent condition, except for tape remains at upper margin corners on verso. Also called South Portal of The Collegiate Church...
Category

1930s Landscape Prints

Materials

Etching

American Cathedral (The Woolworth Building).
By John Taylor Arms
Located in Storrs, CT
American Cathedral (The Woolworth Building). 1921. Etching. Fletcher 107. 17 x 6 5/8 (sheet 21 1/2 x 9 1/8). Edition 75. Provenance: estate of David Llewellyn Reese, New York. An ext...
Category

1920s American Modern Landscape Prints

Materials

Etching

Rio del Santi Apostoli, Venice.
By John Taylor Arms
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher 226 catalog state .ii. 8 x 6 (sheet 9 3/4 x 14 1/4). Edition 100 (+ 10 trial proofs). Italian series #4. Illustrated: Dorothy ...
Category

1920s American Modern Landscape Prints

Materials

Etching

Shadows of Venice. (Il Ponte di Rialto, Venezia)
By John Taylor Arms
Located in Storrs, CT
1930. Etching and aquatint. Fletcher catalog 229 state g ii. 10 1/8 x 12 (sheet 11 5/8 x 16 1/2). Italian Series, plate #16. Edition 140 (+ 14 trial proofs). Illustrated: Dorothy Noy...
Category

1930s American Modern Landscape Prints

Materials

Etching, Aquatint

The Balcony (Venetian Gateway).
By John Taylor Arms
Located in Storrs, CT
The Balcony (Venetian Gateway). 1931. Etching. Fletcher catalog 237 state iii. 8 1/16 x 5 1/16 (sheet 12 5/8 x 10 1/16). Edition 110 (plus 34 trial proofs). Italian series #21. Publi...
Category

1930s American Modern Landscape Prints

Materials

Etching

People Also Browsed

Rare Signed Alvin Loving Poster Exhibition at William Zierler Gallery
Located in New York, NY
Framed, signed poster by Alvin Loving (1935-2005). Below is an excerpt from an online source. Detroit-born Loving earned an MFA from the University of Michigan in 1965. He began ...
Category

Vintage 1970s Modern Posters

Materials

Chrome

Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
By Frederick Mershimer
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in the artist's Winter Series,...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

French Abstract Surrealist Color Lithograph Andre Masson
By André Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...
Category

20th Century Surrealist Abstract Prints

Materials

Lithograph, Offset

MCM Burke Brunswick Tulip Side Table Style Saarinen Gray Base Faux Woodgrain Top
By Burke, Inc., Brunswick Co.
Located in Topeka, KS
Handsome vintage MCM (a.k.a.) Mid-Century Modern Burke Division for Brunswick Tulip side table style of Eero Saarinen comprised of a wood grain laminate top with back beveled edge an...
Category

Mid-20th Century American Mid-Century Modern Side Tables

Materials

Aluminum

'Pulitzer Fountain, Evening" — 1940s American Modernism, New York City
By Ellison Hoover
Located in Myrtle Beach, SC
Ellison Hoover, 'Pulitzer Fountain, Evening', lithograph, circa 1940, edition c. 40. Signed in pencil. A fine, atmospheric impression, on cream wove paper; the full sheet with margin...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Lithograph

Modern American Industrial Landscape
Located in Buffalo, NY
An original woodblock print dated 1965, titled "Our Town" but signed illegibly.
Category

1960s American Modern Figurative Prints

Materials

Woodcut, Paper

'En Plein Soleil' from the French Set, 'Douze eau-fortes d'apres Nature'
By James Abbott McNeill Whistler
Located in Myrtle Beach, SC
James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres Nature), etching, 1858, edition 61, 4th state of 4, Kennedy 15. Signed in the plate, lo...
Category

1850s Impressionist Figurative Prints

Materials

Etching

Guardians of the Spire; Amiens Cathedral Number 2
By John Taylor Arms
Located in Middletown, NY
Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 x 9 7/8 inches (171 x 252 mm...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Etching, Drypoint

Sailboats in the Swedish Archipelago Painting by Justus Lundegård, Oil on Canvas
Located in Stockholm, SE
Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to...
Category

Early 20th Century Impressionist Landscape Paintings

Materials

Canvas, Oil

"A Summer Afternoon" Wilson Irvine, Old Lyme Connecticut, American Impressionism
By Wilson Henry Irvine
Located in New York, NY
Wilson Irvine A Summer Afternoon, circa 1915 Signed lower left Oil on canvas 25 x 30 inches Provenance: Gift of the artist, c. 1930 Private Collection, Iowa, c. 1930 By Descent, Pri...
Category

1910s American Impressionist Landscape Paintings

Materials

Oil, Canvas

From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category

1930s American Modern Landscape Prints

Materials

Etching, Aquatint

Kent Hagerman, (United States Air Force, Fairchild XC-120 Packplane)
By Kent Hagerman
Located in New York, NY
Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Etching

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in t...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Scuola Italiana, Santa Maria d'Antiochia
Located in Balerna, TI
Scuola Fiorentina Santa Maria d'Antiochia olio su tela Secolo XVIII cm 85,5X63,3; con cornice cm 105X64X7.
Category

18th Century Italian School Interior Paintings

Materials

Oil, Canvas

New Harbor, Maine
Located in Wiscasett, ME
Atmospheric mid-century painting of Mid-coast Maine. Oil on artist panel, signed in the lower right and. dated and inscribed on the reverse. Parker Gamage (1882-1960) A New Harbor, ...
Category

1950s American Realist Landscape Paintings

Materials

Oil

New Harbor, Maine
New Harbor, Maine
H 16.5 in W 20.5 in D 1 in

Recent Sales

Light and Shade, Taxco Mexico
By John Taylor Arms
Located in New Orleans, LA
"Light and Shade" is an etching, 1946, edition: 279, Fletcher 394, signed and inscribed by artist and printed by David Strang. It received First Prize for Graphic Art at National Ac...
Category

1910s American Modern Landscape Prints

Materials

Etching

Palazzo dell' Angelo, Venice Italy (#19 Italian Series)
By John Taylor Arms
Located in New Orleans, LA
"Palazzo dell' Angelo" is a prize winning image from the Chicago Society of Etchers and the Art Institute of Chicago. It is referenced as Fletcher 233 and illustrated in "Hill Towns...
Category

1930s American Modern Landscape Prints

Materials

Etching

Valley of the Savery, Wyoming (upper Little Snake River)
By John Taylor Arms
Located in New Orleans, LA
"The Valley of the Savery" on the Upper Little Snake River in southeastern Wyoming is depicted in an etching by John Taylor Arms in an edition of 135. This image received the Eyre M...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching

Porta del Paradiso (The Door to Paradise, Venice Italy
By John Taylor Arms
Located in New Orleans, LA
"Porto del Paradiso" is in the collection of the Corcoran Museum of the National Gallery of Art, the Library of Congress, the Cleveland Museum, and New York Public Library. This ima...
Category

1930s American Modern Landscape Prints

Materials

Etching

Lily
By John Taylor Arms
Located in New York, NY
This etching and aquatint by John Taylor Arms and created in 1920. It was printed in an edition of 100. This impression is inscribed "Artist Proof" - meaning it is outside of the e...
Category

1920s American Realist Still-life Prints

Materials

Etching, Aquatint

Lily
Lily
H 12.5 in W 9.5 in D 0.94 in
Destroyers in Wet Basin, USS Radford at Federal Shipbuilding and Drydock, NJ
By John Taylor Arms
Located in New Orleans, LA
The USS Radford, the USS Quick and the USS Mervine are all depicted in a South Kearney, New Jersey drydock in this etching created by John Taylor Arms. Fletcher reference is #377. F...
Category

1940s American Modern Landscape Prints

Materials

Etching

Apple Tree
By John Taylor Arms
Located in Storrs, CT
Apple Tree (The Blighted Tree, Fairfield or La Pommier). 1920. Etching. Fletcher 67. 7 7/8 x 7 1/16 (sheet 11 5/8 x 9). Edition 75 (+ 2 trial proofs). A fine impression printed on t...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Apple Tree
Apple Tree
H 20 in W 16 in D 2 in
Venetian Mirror, The Grand Canal, Venice
By John Taylor Arms
Located in New Orleans, LA
This depiction of Venice's Grand Canal features three Renaissance palaces: the Ca' Rezzonico, the Ca' Foscari, and, across the canal, the Palazzo Balbi. John Taylor Arms created the ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching

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John Taylor Arms On Sale For Sale on 1stDibs

Surely you’ll find the exact john taylor arms on sale you’re seeking on 1stDibs — we’ve got a vast assortment for sale. When looking for the right john taylor arms on sale for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, black and white. Artworks like these — often created in etching, drypoint and engraving — can elevate any room of your home. A large john taylor arms on sale can prove too dominant for some spaces — a smaller john taylor arms on sale, measuring 3.88 high and 3 wide, may better suit your needs.

How Much is a John Taylor Arms On Sale?

A john taylor arms on sale can differ in price owing to various characteristics — the average selling price for items in our inventory is $800, while the lowest priced sells for $135 and the highest can go for as much as $5,800.

John Taylor Arms for sale on 1stDibs

John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.