Johnnie Walker Statue
21st Century and Contemporary European Modern Signs
Fiberglass
People Also Browsed
21st Century and Contemporary Australian Victorian Games
Gold
Vintage 1930s Italian Jars
Crystal
Vintage 1930s Italian Scientific Instruments
Glass
Antique 17th Century Japanese Edo Furniture
Cedar
Antique Early 1900s French French Provincial Books
Fabric
Antique Early 19th Century Victorian Desk Sets
Oak
Vintage 1970s French Mid-Century Modern Porcelain
Porcelain
Vintage 1920s Early Victorian Signs
Metal
Antique 19th Century Ceramics
Ceramic
Vintage 1930s American Art Deco Figurative Sculptures
Fabric, Rubber, Wood
Vintage 1920s American Jars
Porcelain
Antique Late 19th Century Italian Ceramics
Ceramic
Antique Late 19th Century European Black Forest Apothecary Cabinets
Brass
Early 20th Century French Folk Art Signs
Zinc
Mid-20th Century British Models and Miniatures
Plastic
Antique 19th Century Italian Apothecary Cabinets
Glass, Walnut
A Close Look at modern Furniture
The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”
Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.
Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.
It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.
Finding the Right signs for You
Vintage and antique signs are popular collector’s items loved not only for the charm and pops of color they add to a space but also for the unique story each one has to tell. An interesting sign can help set the mood for a room and spark dozens of lively conversations.
Before and during the 18th century, many European peasants and colonists in the Americas couldn’t read, so shopkeepers, in an effort to promote their goods and services, hung trade signs with limited amounts of text.
Indeed, symbols and representational physical objects comprised early-day advertising efforts. In lieu of painted words on a wooden board, trade signs made use of handmade three-dimensional symbols to indicate the function of the shop. The iconic red, white and blue pole could be found outside barbershops, while a figural trade sign mounted to an apothecary’s storefront might be a mortar and pestle sculpted from bronze in order to indicate to passers-by that inside there were apothecary cabinets full of remedies for common ailments and a druggist to carefully dispense them.
As literacy rates improved, signs evolved into rectangular, round or square shapes that featured text. Short and sweet, early iterations were characterized by a mere few words, such as “tavern,” “boarding room” or “apothecary.”
During the 19th century, proprietors endeavored to render their signs more appealing. This meant the introduction of more color, font types and other pictorial representations. After the Civil War ended, logos, branding and advertising became increasingly more important, and the design of signage evolved. Trade signs were still in use during the 20th century, and you will likely find hand-painted tin eyeglasses for an optometrist’s office or an oversize bowling pin that likely had a home in the front window of a bowling alley.
Today, collectors and art aficionados alike collect and display antique and vintage signs. Old signs hearken back to a long-gone era, infusing any interior with warmth and nostalgia.
A vintage sign can help anchor a room — think of decorating with signs as you would arranging any kind of wall art. A large-scale sign in particular can prove a distinguishing feature in a living room or dining room, a focal point so prominent that it might lessen the burden of introducing any additional decorative elements to this particular space. Smaller signs work wonders too — pepper sparsely decorated corners with small colorful signs or add a humorous or graphic element to your gallery-style hang with a small text-based sign or two.
On 1stDibs, find metal, wood and glass antique and vintage signs that span a number of styles, including mid-century modern, industrial and folk art.