Love Nest

Rug Number 33011 Size 2' 11" X 4' 1" Design Turkoman Collection Antique/Vintage Material Wool Texture Pile Weave Origin Iran Age Antique/Vintage

- Good original condition with minor signs of use - Item has been cleaned - Height: 0.5 cm.

Navajo rug flat woven rug tapestry beige Measures: 4' x6' (3'11" x 5'7") 119cm x 170cm Circa 1920 "The woolen rug has a white background color on which are three stylized figures on each side of a center cornstalk. All are surrounded on three sides by a "guardian "figure - one side is the head and the body - the other side are the legs. The rug is a Navajo Yei rug...

Materials were key elements of modern lighting design, and nothing speaks mid-century modern more than the combination of metals, such as brass and glass. At its most basic level, mi...

Beautiful 1940s black crepe dress with gold sequin applique. Shoulder pads help hold the shape of the top gathered sleeve and a hip drape deta...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Clifford...

Mid 20th Century American Navajo Rug ( 2' 3'' x 3' 3'' - 68 x 99 )

This is a fantasic Italian made scagliola center table with a separate gilded iron Hollywood Regency base. The top comes off and the top looks like its ma...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

PABLO PICASSO (1881-1973) QUATRE PROFILS ENLACÉS (A.R. 88) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (underneath) white earth...

Beautiful gilded silver brooch by Sigurd Persson, in the form of two large leaves. Elegantly made with attention to detail in the veins and billowing form.

Super charming 1940s high back lounge chair in the style of Mogens Lassen with very sculptural organic shape and harmonious proportions. Slightly splayed front legs typical of Lassen...

Gorgeous pair of Trabert & Hoeffer Mauboussin 14 karat yellow gold, emerald and diamond retro earclips, circa 1940s. Each designed as a flower centering upon a cluster of emerald cab...

Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector. Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education." Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art. During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser...

14k white gold 1 carat tw diamond ring with vintage and antique diamonds set in a marquise shape. The center European cut diamond measures about 4.5mm. Th...

Birds by Jankel Adler (1895-1949) Oil and ciment on canvas 61.4 x 46.4 cm (24¹/₈ x 18¹/₄ inches) Signed lower right, Adler Executed in 1948 Provenance Galerie Charles Lienhard, Zürich, 1959 Gimpel Fils Gallery, London Denham Gallery, UK Exhibitions John Denham Gallery, Jankel Adler, June 9th - June 23rd 1996 Jankel Adler was born in Lodz, Poland and lived a life of wandering. In 1912 he moved to Belgrade where he began training as an engraver with his uncle and then went to Germany in 1914 where he lived for a time with his sister in Barmen. There he studied at the college of arts and crafts with Professor Gustav Wiethücher. Between 1918 and 1921 he moved between Lodz and Germany until in 1922, he settled in Düsseldorf where he became a teacher at the Academy of Arts, and became acquainted with Paul Klee, who influenced his work. A painting by Adler received a gold medal at the exhibition “German art Düsseldorf” in 1928. In 1933, with the rise of Hitler’s Nazi regime, he left Germany for Paris. With the outbreak of World War II in 1939, he volunteered for the Polish army...

Jeanne D' Arc on horseback by Georges Rouault. Color Print number 4004 published by New York Graphic Society, Fine Art Publishers circa 1940. It is mounted in a gold-painted frame wi...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Father, Daughter and Horse by Orovida Pissarro (1893-1968) Oil on canvas 60 x 73 cm (23 ⅝ x 28 ¾ inches) Signed a...

Beautiful classic 1930s-1940s wingback chair produced by Master Cabinetmaker Frits Henningsen, Denmark. Slid mahogany stained beechwood. Very elegant design that fits superbly into a...

Art Deco narrow bar with 2 doors and bottle compartment walnut and chrome

A Game of Cards by Orovida Pissarro (1893-1968) Oil on canvas 59 x 72 cm (23 ¹/₄ x 28 ³/₈ inches) Signed and titled upper right Orovida 1949 Artist biography Orovida Camille Pissarr...

- good original condition - framed has added been afterwards

This is a Gustavian style 3 drawer chest, its been restored and repainted with Milk Paints "Oyster White".

"Corralled Horse", is an etching on paper by western artist Ethel Magafan (1916-1993) of a single dark horse standing outside in a wooden fenced corral. Presented in a custom frame, outer dimensions measure 19 x 23 inches. Image size is 10 x 14 inches. This is marked as an Artist Proof Piece is in very good condition - please contact us for a detailed condition report. Provenance: Estate of Artist, Ethel Magafan Expedited and international shipping is available - please contact us for a quote. About the Artist: Ethel Magafan Born 1916 Died 1993 The daughter of a Greek immigrant father and a Polish immigrant mother who met and married in Chicago, Ethel Magafan, her identical twin sister Jenne and their elder sister Sophie grew up in Colorado to which their father relocated the family in 1919. They initially lived in Colorado Springs where he worked as a waiter at the Antlers Hotel before moving to Denver in 1930 to be head waiter at the Albany Hotel. Two years later during the Great Depression Ethel and Jenne experienced at sixteen the tragic loss of their father who had encouraged their artistic aspirations. He was proud when Ethel, a student at Morey Junior High School, won top prizes in student poster contests sponsored by the Denver Chamber of Commerce and the Denver Post. At East High School in Denver she and Jenne contributed their art talents to the school’s and by their senior year were co-art editors of the Angelus, the 1933 yearbook. At East they studied art with Helen Perry, herself a student of André Lhote in Paris and the Art Institute of Chicago. Her decision to abandon an arts career to teach high school students served as an important example to Ethel and Jenne, who early on had decided to become artists. In a city-wide Denver competition for high school art students Ethel won an eighteenweek art course in 1932-33 to study at the Kirkland School of Art which artist Vance Kirkland had recently established in the Mile High City. Perry encouraged the Magafan twins’ talent, exposing them to the work of Matisse, Picasso and Cézanne and introducing them to local artists and architects like Frank Mechau and Jacques Benedict whom she invited to speak in her high school art classes. She paid the modest tuition for Ethel and Jenne to study composition, color, mural designing and painting at Mechau’s School of Art in downtown Denver in 1933-34. In the summer of 1934 and for a time in 1936 they apprenticed with him at his studio in Redstone, Colorado. When they returned to Denver in 1934 with no family breadwinner to support them, their mother insisted that they have real jobs so they worked as fashion artists in a Denver department store. When Jenne won the Carter Memorial Art Scholarship ($90.00) two years later, she shared it with Ethel so that both of them could enroll in the Broadmoor Art Academy (now the Colorado Springs Fine Arts Center) where they studied with Mechau. When the scholarship money ran out after two months, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions. At the Fine Arts Center Ethel also studied with Boardman Robinson and Peppino Mangravite, who hired her and Jenne in 1939 to assist him in his New York studio with two murals commissioned for the post office in Atlantic City, New Jersey. Like their Denver high school art teacher, Robinson also stressed the need to draw from nature in order to "feel" the mountains, which later become the dominant subject matter of Ethel’s mature work after World War II. Mechau trained her and her sister in the complex process of mural painting while they studied at the Colorado Springs Fine Arts Center, teaching them the compositional techniques of the European Renaissance masters. This also involved library research for historical accuracy, small scale drawing, and Page 2 of 4 the hand-making of paints and other supplies. Ethel recalled that their teacher "was a lovely man but he was a hard worker. He drove us. There was no fooling around." Her apprenticeship with Mechau prepared her to win four national government competitions, beginning at age twenty-two, for large murals in U.S. post offices: Threshing – Auburn, Nebraska (1938), Cotton Pickers – Wynne, Arkansas (1940), Prairie Fire – Madill, Oklahoma (1940), and The Horse Corral – South Denver, Colorado (1942). In preparation for their commissions Ethel and her sister made trips around the country to pending mural locations, driving their beat-up station wagon, dressed in jeans and cowboy boots with art supplies and dogs in tow. She and Jenne combined their talents in the mural, Mountains in Snow, for the Department of Health and Human Services Building in Washington, DC (1942). A year later Ethel executed her own mural, Andrew Jackson at the Battle of New Orleans, January 8, 1814, for the Recorder of Deeds Building, also in Washington, DC. Her first mural commission, Indian Dance, done in 1937 under the Treasury Department Art Project for the Senate Chamber in the United States Capitol, has since disappeared. Ethel and her sister lived and worked in Colorado Springs until 1941 when their residence became determined by the wartime military postings of Jenne’s husband, Edward Chavez. They moved briefly to Los Angeles (1941-42) and then to Cheyenne, Wyoming, while he was stationed at Fort Warren, and then back to Los Angeles for two years in 1943. While in California, Ethel and Jenne executed a floral mural for the Sun Room of the Beverly Hills Hotel and also painted scenes of the ocean which they exhibited at the Raymond and Raymond Galleries in Beverly Hills. While in Los Angeles they met novelist Irving Stone, author of Lust for Life, who told them about Woodstock, as did artists Arnold Blanch and Doris Lee (both of whom previously taught at the Colorado Springs Fine Arts Center school. In summer of 1945 Ethel, her sister and brother-in-law drove their station wagon across the country to Woodstock which became their permanent home. A year later Ethel married artist and musician, Bruce Currie, whom she met in Woodstock. In 1948 with the help of the GI Bill they purchased an old barn there that also housed their individual studios located at opposite ends of the house. The spatial arrangement mirrors the advice she gave her daughter, Jenne, also an artist: "Make sure you end up with a man who respects your work…The worst thing for an artist is to be in competition with her husband." In 1951 Ethel won a Fulbright Scholarship to Greece where she and her husband spent 1951-52. In addition to extensively traveling, sketching and painting the local landscape, she reconnected with her late father’s family in the area of Messinia on the Peloponnese peninsula in southern Greece. At the same time, her sister Jenne accompanied Chavez on his Fulbright Scholarship to Italy where they spent a productive year painting and visiting museums. Shortly after returning home, Jenne’s career was cut tragically short when she died of a cerebral hemorrhage at age thirty-six. It deeply affected Ethel whose own work took on a somber quality for several years conveyed by a darkish palette, as seen in her tempera painting, Aftermath (circa 1952). In the 1940s Ethel and her sister successfully made the important transition from government patronage to careers as independent artists. Ethel became distinguished for her modernist landscapes. Even though Ethel became a permanent Woodstock resident after World War II, from her childhood in Colorado she retained her love of the Rocky Mountains, her "earliest source of my lifelong passion for mountain landscape." She and her husband began returning to Colorado for annual summer camping trips on which they later were joined by their daughter, Jenne. Ethel did many sketches and drawings of places she found which had special meaning for her. They enabled her to recall their vital qualities which she later painted in her Woodstock studio, conveying her feeling about places remembered. She also produced a number of watercolors and prints of the Colorado landscape that constituted a departure from the American Scene style of her earlier paintings. Her postwar creative output collectively belongs to the category of landscape abstractionists as described by author Sheldon Cheney, although to a greater or lesser degree her work references Colorado’s mountainous terrain. She introduced a palette of stronger pastels in her paintings such as two temperas, Evening Mountains from the 1950s and Springtime in the Mountains from the early 1960s. In 1968 she was elected an Academician by the National Academy of Design in New York. Two years later, based on results of her many summer trips to Colorado, the U.S. Department of the Interior invited her to make on-the-spot sketches of the western United States, helping to document the water resources development and conservation efforts by the Department of the Interior. Her sketches were exhibited at the National Gallery in Washington, DC, and then sent on a national tour by the Smithsonian Institution. Similarly, her previous work as a muralist earned her a final commission at age sixty-three for a 12 by 20 foot Civil War image, Grant in the Wilderness, installed in 1979 in the Chancellorsville Visitors Center at the Fredericksburg National Military Park in Virginia. In the 1970s, too, she taught as Artist-in-Residence at Syracuse University and at the University of Georgia in Athens. Her many awards include, among others, the Stacey Scholarship (1947); Tiffany Fellowship (1949); Fulbright Grant (1951-52, in Greece with her husband); Tiffany Fellowship (1949); Benjamin Altman Landscape Prize, National Academy of Design (1955); Medal of Honor, Audubon, Artists (1962); Henry Ward Granger Fund Purchase Award, National Academy of Design (1964); Childe Hassam Fund Purchase Award, American Academy of Arts and Letters (1970); Silver Medal, Audubon Artists (1983); Champion International Corporation Award, Silvermine Guild, New Canaan, Connecticut (1984); John Taylor Award, Woodstock Artists Association, Woodstock, New York (1985); Harrison Cady...

'Victor, Colorado', 1942 oil painting on masonite by Martyl Suzanne Schweig (1918-2013). This classic Colorado landscape was painted overlooking a ghost town with the Rocky Mountains visible across the background, completed in rich tones of green, gold, and brown. This painting was completed on a trip with fellow artist, Adolph Dehn...

This striking ring holds round cut garnets totalling approx 1.5ct and a moonstone at the centre. All the stones sit in 9carat gold claws. Ring Size: M or 6 1/4 Cluster Diameter: 1...

A stunning Retro ring with diamonds and spinels surround (easily removed) set in 18k gold.

18 karat pink and white gold emerald and diamond Retro cocktail ring, circa 1940. Charming Retro cocktail ring of geomet...

A 14 karat yellow, rose, and white gold Hamilton watch with square white dial signed Hamilton, with 17 jewel stem wind and set movement within a 14...

A gorgeous, and one of a kind piece set of multi-gemstone earrings. This lovely and exotic pair features five different stunning colored precious gemstones, such as Amethyst, Diamond...

- Made in Czechoslovakia - Made of wood, fabric. - Good, original condition. - Seat height 43 cm.

Jacques Adnet red leather & iron hook France, circa 1940's Wall mounted iron hook Frame is wrapped in fire engine red leather Signature contrast stitching L...

The Capek brothers are one of the world's most famous artists from the former Czechoslovakia. Josef Capek was a painter and in 1949 the Komenius publishing house published his collection The Happy Year, containing 12 paintings from 1929-1935, as an educational publication. This last one is called The Snowman...

An impressive sculptural two tone 18k gold Retro tank bracelet with French assay and import marks, circa 1940's. The 18k yellow and white gol...

Wonderful gold plated drop clip on earrings, featuring red and milk glass beads. Measuring length 5.5 cm / 2.16 inches. There is wear to the gold plating. This is a beautiful and st...

Charles Paine (1895-1967) Army Map of England (1944) Lithograph 99 x 75 cm Published for the National Savings Committee in London, the Scottish Savings Committee in Edinburgh, and ...

1940’s French estate bank of drawers – eight drawers 1940’s French estate bank of drawers – eight drawers. A crudely made solid chest of pitch pine French drawers original throughou...

An exceptional coffee table in gilt wrought iron with distressed mirror plate top by the renowned designer Rene Drouet 1899 -1993. The heavy wrought iron base with ring details and visible bole beneath the gilt on the legs and edges, still coupled with its original mirror plate, this sought after coffee table is absolutely stunning to look at, and of super proportions. Rene Drouet Starting his design life as a student at l’Ecole Boulle in Paris, Drouet then took up an apprenticeship with master designer Maurice Dufrene at Galeries Lafayette, followed by a period of time at Decoration Interieure Mobilier and then on to the studio that was run by Jean Domin. Taking the skills and experience gained during these years as an apprentice, Drouet went on to design and create furniture and install complete interiors, including the apartment of Charles Boyer...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Two Figures by the Sea by Georges Manzana Pissarro (1871 - 1961) Colour crayon and pencil on paper 20.3 x 26 cm (...

Hand-knotted wool pile on a cotton foundation. Circa 1940 Dimensions: 6'2" x 12'9" Origin: Iran Condition: Excellent Field Color: Black Border color: Cherry-Red ...

LaCloche gold brooch of a toucan bird made out of yellow gold, chalcedony, and coral. Made in France, it is a unique piece of jewelry with a creative fauna design. Marked: LaCloche /...

Antique English Farmhouse Country drop leaf dining table.

Antique Tulip Enamel 1.18 Total Carat Weight Diamonds Cluster Ring 14k Gold The ring features natural old mine diamonds approx G/H color & VS/SI clarity....

Beautiful Danish three-seat sofa from the 1940s. Similar stance and proportions and seen in Mogens Lassen's iconic designs with his signature rounded armrests but the piece is unmark...

Beautiful and unique settee that seem to draw on famous designs from Kaare Klint and Frits Henningsen. The settee is most likely by Ole Wanscher who made...

Very rare loung chair from ca 1940 in birch (or maybe elm) with new off-white fabric to both cushions. The pegs / stems at the backrest are made of bambu and the seat cushion is held...

A stoneware round vase, bisque surface, interior glazed and with a strong blue abstract intaglio glazed decoration, typical of Grotell's Cranbrook Academy...

Pair of silver plated brass candle holders designed by Aldo Tura for Macabo in the late 1940s. Manufacture's mark impressed on the base. Visible oxidation patina of the plating. As y...

Very charming loveseat from the 1940's in the style of Alfred Christensen. Maker and Designer is unknown but the style is very similar to designs by Fritz Hansen and Alfred Christens...

Cartier brooch with a flower motif. The flower's petals are made out of citrine while its stem and leaves are made out of 14 karat yellow gold. There is a single round cut diamond at...

Tiffany & Co. 14 karat yellow gold pocket watch, with Movado movement. Made in Switzerland. Serial no. 550273. Marked: Tiffany & Co. / Swiss made / 1...

A bright portrait of a woman in pageant dress before a St. Louis skyline and riverboat.

Hand-knotted wool pile on a cotton foundation. Circa 1940 Dimensions: 5'1" x 13'1" Origin: Iran Condition: Excellent Field Color: Red Border Color: Red Acce...

Hand-knotted wool pile on a cotton foundation. circa 1940 Dimensions: 9.11" x 13.3" Origin: Iran Condition: Excellent Field color: red Border color: red Acce...

This is a fantastic, entirely original, stamped Maison Jansen commode in very good condition for its age. This 1940-50s era features gorgeous bronze ormolu and a beautiful slab of va...

Hand knotted wool pile on a cotton foundation. circa 1940 Dimensions: 9'7" x 12'8" Origin: Iran Condition: Excellent Field color: Burgundy Border color: Navy-Blue...

Hand-knotted wool pile on a cotton foundation. Circa 1940 Dimensions: 10'1" x 13'9" Origin: Iran Condition: Excellent Field Color: Midnight-Blue Border Color: M...

Hand-knotted wool pile on a cotton foundation. Signed by weaver, circa 1940. Dimensions: 9'8" x 12'7". Origin: Iran. Condition: Excellent with low pile Field color: r...

Hand-knotted wool pile on a cotton foundation. Circa 1940 Dimensions: 5'5" x 12'8" Origin: Iran Condition: Excellent Field Color: Rust Border Color: Rust Acce...