Oscars

Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)

Edition of 40 77.5 x 58.5 cms (30 1/2 x 23 ins)

Signed and dated oil on original canvas by French post impressionist painter Paul Madeline. This beautiful work depicts a mill on the bank of a river - water cascading over the rocks...

MORINO HIROAKI TAIMEI (b.1934) Two-handled Double-lipped Flower Vase, Aubergine with Gold and Green, 2004 Stoneware 9.75 x 8.5 x 7.25 inches With artist signed tomobako PROVENANCE ...

An underwater photograph of a naked young woman with a sward. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with metallic fi...

Artist Proof Signed and numbered by Al Satterwhite AVAILABLE SIZES: 11 x 14 in., AP $4,000 16 x 20 in., AP $8,000 24 x 36 in., AP $14,000 36 x 54 in., AP $17,000 48 x 72 in., AP $20...

Gregory Block's (US based) "Wonder Woman" is an original, handmade mixed media artwork that depicts the wonder woman symbol made entirely of aluminum. Gregory was born in Kansas Ci...

Jakub Malinowski – Born in 1985. He is a graduate of the Faculty of Painting at the University of Arts in Poznań. He is engaged in painting and drawin...

Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for her figurative works made from Post-it notes and sculptures created from layers of glass panels, Özmenoğlu aims to make the viewer rethink familiar concepts, objects, and imagery using everyday items. Works such as Beauty Balloon Pink with Triangles (2020) exude playfulness and uniqueness in their recontextualization of mundane objects. In works like post-it leaves (2019), she prints images on sticky notes...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

A cedar, black paint, and graphite powder mixed media abstract piece by Joe Brubaker.

Claes Oldenburg framed drawing on matboard picturing a woman hanging from some kind of wire or rope, held up by a pulley. The Hanging Woman is a recurring motif in Oldenburg's work, ...

Gregory Block's (US based) "Viscous Hibiscus" is an original, handmade oil painting that depicts a pink glazed donut topped with black sprinkles. Gregory was born in Kansas City, M...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition is a visual road trip from Los Angeles to Las Vegas. These paintings stem from Moore’s personal travels and open up a collective conversation about wanderlust. In these works, she revisits her former home of Los Angeles to shed a new light in juxtaposition to the bare California desert and the opulence of Las Vegas. This exhibition reflects a shift to new subject matter as well as a new artistic chapter that has been evolving within her work over the last two years. Moore’s process has progressed to become larger in scale, and more delicate in detail. This series of paintings offer trompe de l’oeil moments in combination with gestural brush stokes that reveal the artists hand. With a more increased focus on architectural elements, this exhibition amplifies features that were often muted in her earlier landscapes. With the exhibition title “All Those Who Wander”, Moore is leaving an option for the viewer to place themselves in the wanderlust narrative, or to observe it from afar. Moore believes we have a collective desire to explore and, in turn, we often daydream about our travels. This often creates a dream-like quality to our memories which results in a romanticized narrative within our minds. The reality of a place often doesn’t matter, it’s the memory of our experience there that sticks with us. We often like to sit a little longer with the most romantic and the most opulent visuals we have in our minds. Beginning with Los Angeles noir, the viewer is introduced to old Hollywood architecture blended with images reflecting the known edginess of the city. Familiar Hollywood landmarks are explored in a new light and we are left with a subtle sense of nostalgia as the viewer moves through the works. The bright desert landscapes lead into the “in between”; these are the lands that are on the way to somewhere else. Just as important as the beginning or the end, the transitional parts of a road trip often leave space for the most enriching moments of pause and reflection. The series finds a finishing point with the bright, opulent Neon Boneyard...

Hand Embellished Pigment Print with Silkscreen Varnish Edition of 20 Print size 100 x 69 cm (39 x 27 Inches) Framed Size 109 x 79cm (43 x 31 Inches) This Print is Offered Framed in a Simple Walnut Frame Strange Tracey source all works directly from the Publisher Provided with a certificate of authenticity from the Publisher The Connor Brothers art work explores the boundary between truth and fiction, and raises questions about how we construct meaning from experience. the artist punch a hole in our every day construction of reality, allowing us to catch a glimpse of an altogether larger world with infinitely more possibilities. The Connor Brothers first entered the art scene as American twins. Twins Franklyn and Brendan Connor were brought up within a secretive and highly controversial cult known as ‘The Family’. Born out of the hippy movement in 1968 and founded by David Berg ‘The Family’ was an extreme Christian cult whose members believed in something called ‘The System’. Other children brought up within the cult include the actors River and Joaquin Phoenix...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition is a visual road trip from Los Angeles to Las Vegas. These paintings stem from Moore’s personal travels and open up a collective conversation about wanderlust. In these works, she revisits her former home of Los Angeles to shed a new light in juxtaposition to the bare California desert and the opulence of Las Vegas. This exhibition reflects a shift to new subject matter as well as a new artistic chapter that has been evolving within her work over the last two years. Moore’s process has progressed to become larger in scale, and more delicate in detail. This series of paintings offer trompe de l’oeil moments in combination with gestural brush stokes that reveal the artists hand. With a more increased focus on architectural elements, this exhibition amplifies features that were often muted in her earlier landscapes. With the exhibition title “All Those Who Wander”, Moore is leaving an option for the viewer to place themselves in the wanderlust narrative, or to observe it from afar. Moore believes we have a collective desire to explore and, in turn, we often daydream about our travels. This often creates a dream-like quality to our memories which results in a romanticized narrative within our minds. The reality of a place often doesn’t matter, it’s the memory of our experience there that sticks with us. We often like to sit a little longer with the most romantic and the most opulent visuals we have in our minds. Beginning with Los Angeles noir, the viewer is introduced to old Hollywood architecture blended with images reflecting the known edginess of the city. Familiar Hollywood landmarks are explored in a new light and we are left with a subtle sense of nostalgia as the viewer moves through the works. The bright desert landscapes lead into the “in between”; these are the lands that are on the way to somewhere else. Just as important as the beginning or the end, the transitional parts of a road trip often leave space for the most enriching moments of pause and reflection. The series finds a finishing point with the bright, opulent Neon Boneyard...

This painting is in excellent condition and has only been shown in a gallery setting. From the artist: "This work depicts a Presidential talent show, with Bill Clinton receiving his scores for his saxophone judges, while Hillary (as a nutcracker) stands looking like a judge as well. The painting is really about two things. First, how we turn politics and campaigns into talent show contests, with the media/television personalities standing in as judges before we even get to the actual election. Secondly, it's called "America had Talent" because we always think past presidents were better than current ones. The Greek vase in the center is a reminder that none of this is new, this type of treatment of leaders and elections has been going on for millennia- (Judgement of Paris). And the hydrangeas, as with all of the hydrangeas in my work, represent the transience of the situation depicted when placed in relevance to overall time. " Pat Hobaugh...

Oil on canvas.

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

The artwork will be sent unframed Linocut print „Murmurations 4/2” 2021 Linocut colorful print technique Linocut from 2 matrices Limited edition, print unique number 2/12 Paper Fabri...

Gregory Block's (US based) "Wolverine" is an original, handmade mixed media artwork that depicts the wolverine symbol made entirely of aluminum. Gregory was born in Kansas City, Mi...

MINEGESHI SEIKO (b.1952) Large Vessel, 2005 Celadon glaze with crackle layers 10.5 x 14 x 14 inches With artist signed tomobako PROVENACE Artist's Studio...

Developed in London in 2019 and 2020, this project focuses on the idea of dreaming, and although the emerging compositions are closed and defined they are also very dynamic and vibra...

A cedar, black paint, and graphite powder abstract mixed media piece by Joe Brubaker.

Gregory Block's (US based) "Voodoo Bubble" is an original, handmade oil painting that depicts a pink glazed donut topped with bubble gum. Gregory was born in Kansas City, Missouri,...

KAZUO TAKIGUCHI (b.1953) Amoeboid Brown, 2003 Stoneware 7 x 17 x 22 inches With artist signed tomobako Provenance Artist's studio Eric Zetterquist, NYC Private collection, MA His sculptural process is both complicated and highly creative. Using pulleys...

Portrait of Philip Andreevich Malavin.1879.Paper, lithography, 32x23 cm with minor defects. Leon Bakst. (1866-1924)

Jakub Malinowski – Born in 1985. He is a graduate of the Faculty of Painting at the University of Arts in Poznań. He is engaged in painting and drawin...

Full title: Call Him; The A-M-P-L-I-F-I-C-A-T-I-O-N of the soul [ PREMATURE sprinkling/preventable Death] — easy sunrise Ima-Abasi Okon graduated from the Communication Design MA ...

Edition of 50 60.3 x 61 cms (23 3/4 x 24 ins)

The artwork will be sent unframed Linocut print „Stone cairn 3” 2021 Reduction linocut print technique Limited edition, print unique number 2/7 Paper Fabriano Rosaspina Paper size 40...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

This artwork titled "Pierrot" 1984 is an original colors lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 81/100 in pencil by the artist. Published by Michel Caza, Paris, France. The image size is 20.75 x 26.25 inches, sheet size is 24.75 x 33 inches. With the stamp of the artist at the lower left corner, and the printer's at the lower right corner. It is in excellent condition, has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Jakub Malinowski – Born in 1985. He is a graduate of the Faculty of Painting at the University of Arts in Poznań. He is engaged in painting and drawin...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

after Salvador DALI (1904-1969) Butterfly suite : Les Alpes, 1969 Lithograph and heliogravure after original compositions by Dali Printed signature in the plate bottom right Larger ...

Robert SAVARY Paris : Near Canal Saint Martin, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent condition

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Claude et Paloma”. The original painting was completed in 1950. In the 1970’s after Picasso’s...

Dina Brodsky is a contemporary realist miniaturist, painter and curator. She was educated at University of Massachusetts, Amherst and the New York Academy of Art...

Raoul DUFY (after) Admiral and officers Stone lithograph after a painting (Mourlot workshop) Signed in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

Cemetery. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pub...

Bride. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction public...

This artwork titled "Juchiteca's Platicando (Juchitecan Women Talking) 1985 is an original colors lithograph on Wove paper by Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 72/150 in pencil by the artist. The size is 22.75 x 30 inches. It is in excellent condition, 2 small pieces of hanging tape remaining on the back at the top edge of the sheet from previous framing. About the subject: This print, Juchitecas Platicando (Juchitecán Women Talking), depicts three statuesque women from the city of Juchiteca in the state of Oaxaca in southeastern Mexico. Juchiteca is a largely matriarchal society, in that women control the economy and hold positions of power. It is also home to a large Zapotec population, indigenous to the land that became Mexico. Francisco Zúñiga lived within the community of Juchiteca for a period of time and adopted the women of the area as one of the central motifs of his artwork, both on paper and in sculpture. Through his selective coloring, Zúñiga highlights the women’s clothing, including their recognizable huipiles or tunics, conveying the pride in locally made textile art About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein, André Breton and Antonin Artaud. Then as now, Mexico City was a major world capital with the infrastructure necessary to exhibit and expose new aesthetic concepts. For all these reasons it was the most obvious destination of choice for Zuñiga. In Mexico he worked with the painter Manuel Rodríguez...

Art Sz: 12 1/2"H x 16"W Frame Sz: 18 3/4"H x 22"W c1938 Conte Crayon w/ Gouache

Original minimalist acrylic painting by Karli Henneman. Executed in hard-edge technique. Artist Statement: Karli Henneman is a Los Angeles based artist exploring abstraction throu...

Vintage exhibition poster commemorating James Rosenquist's 1974 exhibition at Dundee City Art Gallery, Scotland. A flashy red border complements an abstract black and white image reproducing Rosenquist's 1972 lithograph Zone, which is based on the artist's 1961 painting with the same title. "Text reads: Rosenquist Prints. Dundee City Art Gallery Albert Square Dundee DD1 IDA April 13th - May 11th 1974 Open Weekdays 10am-5pm Closed Sundays Admission Free. A Scottish Arts Council exhibition organised in association with the Petersburg Press...

Artist: James, Clarence Title: Space Africans Date: 2022 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" Signature: Signed by Artist on Verso Editi...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

Hand-made folk art bird, constructed from bottle cap, cork, plastic beads, zinc, rattan, wood, sheet metal, string and wire

Hand-made folk art bird, constructed from bottle cap, cork, plastic beads, zinc, rattan, wood, sheet metal, string and wire

'Renée's Dream' no. 1 (Days of Heaven) - 2005 26 x 32 cm, Lumas Edition of 100, Artist Proof 4/4. Archival C-Print, based on the Polaroid Artist inventory 8088. Signature Label and...

Daniel Rothbart, Visitors, 1948-2021, printed on Epson Cold Press Bright paper with archival ink, 24 x 16.35 in. (61 x 41.5 cm.), edition of 3 with two APs, signed and numbered.

Dowry. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction public...

Alberto Murillo It is hard to truly stand out as a painter of abstracts, but Tampa based artist Alberto Murillo has a unique vision. Murillo creates dramatic fields of color with vi...

In strangers. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fictio...

Sun and moon. 1994. Paper, linocut, 25x33 cm imprint size 13x25 cm total page size 25x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...