Albert Lorey Groll Art

Nice example from important American tonalist artist Bruce (Robert Bruce) Crane (1857 - 1937). Oil on canvas. Signed. Framed.

An antique oil painting in its original ornate gold leaf frame. This tonalist painting depicts figures against a dramatic sunset. The work is signed illegibly lower left. It ap...

Oil on canvas of a Italian Rural scene by this well known and much exhibited artist. Cetaldo In The Rain catches the atmosphere of a gentle rain on a hot summers day. Anna Hornby (1914 - 1996) studied art in Florence with landscape and flower painter Aubrey Waterfield in 1934, and later that year enrolled at the Byam Shaw School of Art in London where she studied under Francis Ernest Jackson...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

An early 20th century nocturne by Hudson Mindell Kitchell (1864-1944), Sunset, 1910 features a figure sitting beneath a tree beside a body of w...

This piece, "August Afternoon", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a traditional marshy green landscape just before dusk. Cool afternoon light surro...

George Henry Smillie (1840 - 1921) Stone Wall, Autumn, 1879 Oil on canvas 9 1/2 x 15 inches Signed and dated lower right Provenance: Skinner, Boston, September 19, 2014, Lot 389 The career of George Smillie (1840-1921) followed the arc of nineteenth-century U.S. landscape painting. Trained in the Hudson River School tradition, Smillie successfully adapted to changing U.S. tastes and growing interest in European trends. In the late 1800s, he moved to tonalist paintings full of brushwork and influenced by French Barbizon painting. By the end of his career, he had lightened his palette to produce works similar to those of the U.S. impressionists. Yet in all styles, he was never less than competent, and his tonalist work is among the best produced in the United States. Like many nineteenth-century painters, George Smillie’s artistic training began with the study of printing. His father, James Smillie...

This piece, "Across the Marsh", by artist Dennis Sheehan is a 18x24 oil painting on canvas featuring a marshy green landscape at dusk. This moody painting shows tree line at the hori...

Wonderful 19th Century tonalist painting of Flat Top Mountain in the Rocky Mountains by unknown artist (American, late 19th-20th Century). Unsigned. Unframed. Size: 16"H x 24"W. T...

"Navajos at Rest" is an oil on canvas painting by Edgar Alwin Payne. The painting is signed at the lower right, "Edgar Payne". The framed piece measures 25 1/4...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

This piece, "Changing Seasons", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a marshy green landscape in hazy autumn light. Changing foliage highlights the trees in colors of rusted reds and ochres, reflecting in the water below. About the artist: Dennis Sheehan's work is often described as reminiscent of the great masters of the Barbizon School, in France in the 19th century, and the American Tonalist. Born in Boston in 1950, he has works in major public and private collections, including the White House. His work has been featured in many publications including the featured cover of American Artist. Dennis Sheehan received his training in the best traditions of the Boston School, studying at the Vesper George School of Art and the Montserrat School of Visual Art. He also studied with two of R.H. Gammell's former students, Robert Cormier...