Anadora Lupo Side Chairs

A side/filler chair made in solid ashwood by bending wood. Three of the legs have been made using the wood-turning technique to adopt an abstract natural wave-like design. It has bee...

Made from rolled aluminum — in a non-directional satin finish — and sheepskin, the Magna chair, designed by Charles Constantine, takes its inspiration from...

Beautiful designed tripod chair or stool that used to be often placed in a corner. Looks very good in a brutalist, minimalist interior where it is...

A stool with multiple uses, made by welding small sheets of metal. This is how the projects of the Foliae collection are born, sculptural objects, between art and design, which come ...

Stainless Steel Cosmic Chair by Mati Sipiora Dimensions: D 57 x W 45 x H 77 cm Materials: Polished Stainless Steel. Finish: Polished stainless steel or glossy powder coating paint. ...

A wonderfully sculptural teak wood stool featuring a curved seat. The mix of wood textures and shades adds to its charm. Its neutral color and minimalist shape make it suitable for a...

A wonderfully sculptural mango wood stool with angular legs and a curved seat. To achieve its rich black pigment the wood was burnt multiple times and...

We are very pleased to offer a pair of sculptural chairs inspired in the works of Spanish painter Pablo Picasso, circa the 1970s. One of the most influential artists of the Twentieth...

Hygge stool by Collector Materials: structure in solid oak wood. Upholstered in Pierre Frey fabric. Legs: Travertino Dimensions: 45 x H 44 cm Hygge collection is inspired by contemp...

A wonderfully sculptural stool with a curved seat and hand hewn detailing. Its rich black pigment was achieved through burning the wood three times. The stool's neutral pigment and s...

This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

A wonderfully sculptural mango wood stool with angular legs and a curved seat. Its neutral color and minimalist shape make it suitable for any space.