Andy Warhol Figurative Photography

A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

This is a vintage silver gelatin photo of either Stan Lee or John Romita (I believe it is Romita but I am not sure) overlayed with a comic strip in a surrealist style. John Romita is an American comic-book artist best known for his work on Marvel Comics' The Amazing Spider-Man and for co-creating the character The Punisher. He was inducted into the Will Eisner Comic Book Hall of Fame in 2002. He graduated from Manhattan's School of Industrial Art in 1947, having attended for three years after spending ninth grade at a Brooklyn junior high school Among his instructors were book illustrator Howard Simon and magazine illustrator Ben Clements, and his influences included comics artists Noel Sickles, Roy Crane, Milton Caniff, and later, Alex Toth and Carmine Infantino, as well as commercial illustrators Jon Whitcomb, Coby Whitmore, and Al Parker. Romita entered the comics industry in 1949 on the series Famous Funnies. "Steven Douglas up there was a benefactor to all young artists", Romita recalled. "The first story he gave me was a love story. It was terrible. All the women looked like emaciated men and he bought it, never criticized, and told me to keep working. He paid me two hundred dollars for it and never published it — and rightfully so". Romita was working at the New York City company Forbes Lithograph in 1949, earning $30 a week, when comic-book inker Lester Zakarin, a friend from high school whom he ran into on a subway train, offered him either $17 or $20 a page to pencil a 10-page story for him as uncredited ghost artist. "I thought, this is ridiculous! In two pages I can make more money than I usually make all week! So I ghosted it and then kept on ghosting for him", Romita recalled. "I think it was a 1920s mobster crime story". The work was for Marvel's 1940s forerunner, Timely Comics, which helped give Romita an opportunity to meet editor-in-chief and art director Stan Lee. Romita ghost-penciled for Zakarin on Trojan Comics' Crime-Smashers and other titles, eventually signing some "Zakarin and Romita". Romita went on to draw a wide variety of horror comics, war comics, romance comics and other genres for Atlas. His most prominent work for the company was the short-lived 1950s revival of Timely's hit character Captain America, in Young Men #24–28 (Dec. 1953 – July 1954) and Captain America #76–78 (May–Sept. 1954).[21] Additionally, Romita would render one of his first original characters, M-11 the Human Robot, in a five-page standalone science-fiction story in Menace #11 (May 1954). While not envisioned as an ongoing character, M-11 was resurrected decades later as a member of the super-hero team Agents of Atlas. He was the primary artist for one of the first series with a black star, "Waku, Prince of the Bantu" — created by writer Don Rico and artist Ogden Whitney in the omnibus title Jungle Tales #1 (Sept. 1954). The ongoing short feature starred an African chieftain in Africa, with no regularly featured Caucasian characters. Romita succeeded Whitney with issue #2 (Nov. 1954). In the mid-1950s, while continuing to freelance for Atlas, Romita did uncredited work for DC Comics before transitioning to work for DC exclusively in 1958. "I was following the DC [house] style", he recalled in 2002. "Frequently they had another artist do the first page of my stories. Eventually I became their romance cover...

A photograph by Andy Warhol. "Grace Jones and Steve Rubell" is a Post-War silver gelatin print by American Pop Artist Andy Warhol. The artwork is unsigne...

A photograph by Andy Warhol. “Andy Warhol and Janice Dickenson” is a silver gelatin print by American Pop Artist Andy Warhol. The artwork is numbered AWL254 by the Andy Warhol Founda...

Mick Jagger Photograph by Leni Sinclair: This elegant, silhouette of Rolling Stones legend, Mick Jagger was shot by the legendary Detroit photog...

Jimi Hendrix, Detroit, 1968, photographed by legendary music photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist. Hand signed, titled & dated in ink within the low...

A rare, intimate photo of the legendary David Bowie taken at New York's Kit Kat Club in 1999 during a private VH1 event, by celebrated downtown photographer, Fernando Natalici. Dime...

Jean-Michel Basquiat Photograph by Nick Taylor of Gray: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. "Basquiat knew funk, jazz and what was up. How many people were equally versed in Miles Davis and Funkadelic, Charlie Parker and Bootsy Collins, Thelonious Monk and the JBs?" (Glenn O'Brien, 'Gray Matters,' GQ, 2011) Archival Inkjet Print. 11 x 14 inches (including borders). Edition of 50. Arrives signed, titled and numbered by Taylor on the reverse. Excellent overall condition. Provided directly by artist. Lot 180 Gallery NY is an authorized dealer rep of Nick Taylor. Related exhibitions featuring this work: Basquiat: Boom for Real; Barbican London; September 2017-January 2018. Museum of the City of New York (NY, New Music: 1980-1986): 2021. Montreal Museum of Fine Arts (Seeing Loud: Basquiat and Music): 2022. Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named "DJ High Priest" by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Exhibitions: Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present) Literature/Catalog Raisonne: Basquiat: Boom For Real (Eleanor Nairne/Dieter Buchart) Jean-Michel Basquiat: King For A Decade (Taka Kawachi) Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez) For further history on Basquiat & his group Gray, please see: "Gray Matters," by Glenn O'Brien (GQ magazine, 4/21/11) "We formed a band: Jean-Michel Basquiat and the New York noise underground," The New Statesman, 9/29/17 "Bowie, Bach and Bebop: How Music Powered Basquiat" (New York Times 9/22/17) Glenn O'Brien, "Gray Matters," GQ Magazine April, 2011: "Gray’s approach to music was having heard music, to approach instruments and sound systems the way one would pick up a strange machine and try to intuit its operation and function. Since Basquiat didn’t know guitar technique, it seemed like a good idea to play one with a steel file. Michael Holman discovered that you could achieve a very nice effect by pulling masking tape off the skin of a snare drum... And then there was the clarinet that Basquiat liked to walk around with, that was as much a scepter and wand as wind instrument. This utterly charming 27-track album is chock full of the road not taken, which sounds so right just now. It is refreshingly stripped of flagrant virtuosity but it is conceived brilliantly, played perfectly, and arranged impeccably... If a wine can have notes of chocolate, leather, licorice, and tobacco, then this record can have notes of William DeVaughn, Willie Hutch, Marcel Duchamp, Larry Coryell, the Modernaires, Sergio Mendez...

Photographer Fernando Natalici James White, aka James Chance shot at The Mudd Club, NY 1979, the epicenter of the 70s New York downtown art scene. James Wh...

Artist: ​Horst P. Horst (1906-1999) Title: Coco Chanel, Paris, 1937 Year: 1937 Medium: Silver Gelatin Print Size: 14 x 11 inches Condition: Excellent Inscripti...

Prince & The Revolution Photograph 1980 by Leni Sinclair: Prince alongside his first guitarist Dez Dickerson shot by Leni Sinclair, 2016's Kresge Foundation's Eminent Artist (See The Guardian UK Photo Section, Jan. 28, 2016). Archival inkjet print. 11 x 14 inches. Hand signed, titled & dated in ink across the margins. Some minor corner bending; in otherwise very good overall condition. Obtained directly from artist. Lot 180 is an authorized dealer rep of photographer Leni Sinclair. About Leni Sinclair: Sinclair is a recognized leader of the 1960s-70s counter cultural movement in Detroit, which she amply documented through vivid and dramatic photography. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra...