Skip to main content

Antoine-Louis Barye Animal Prints

French, 1796-1875

The son of a goldsmith, Parisian born Antoine-Louis Barye was a sculptor of animal subjects and acclaimed, not only for his apparent skill but as the founder of what became known as the French Animaliers School. Among his patrons were representatives of the state government and royalty, including the Duke of Orleans and the Dukes of Luynes, Montpensier and Nemours.

Well compensated financially, Barye was able to buy the best of materials and hire the country's most skilled foundry craftsmen. The foundry he hired was owned by Ferdinand Barbedienne and casts from this period were stamped with the letters, FB. However, he did not make a lot of money from his work because he was such a perfectionist that often he would not sell his work because he thought it was not "quite right." In 1848, he declared bankruptcy and his molds and plaster casts were sold along with the copyrights.

Barye's specialty was aroused, angry-seeming wild game such as lions and tigers and elephants, but he also did equestrian groups and mythology figures. In order to do realistic depictions of animal anatomy, he spent much time at the Jardin des Plantes in Paris. His early training was as an apprentice to a metal engraver, but being drafted in the army in 1812 ended that education. In 1832, he had established his studio, and unique at that time was his method of cold stamping his bronze casts so that each one had a special number. He had his first entry, The Milo of Croton, in the Paris Salon in 1819, winning a second prize. In 1831, a work regarded as a masterpiece, Tiger Devouring a Gavial, was in the Salon and purchased for the Luxembourg Gardens, which is now in the Louvre. However, many of his subsequent Salon submissions were rejected and so angered him that between 1836 and 1851, he refused to submit entries. In 1851, he again exhibited at the Salon with Jaguar Devouring A Hare, and this work, like the 1831 entry, was placed in the Luxembourg Gardens and eventually in the Louvre.

In spite of problems with the Salon, Barye received many accolades for his work, and the period of 1837–48 was considered the most productive time of his career. However, in 1848, when he lost control of his work and it was reproduced by others including Martin and Barbedienne, the sculptures, according to some art professionals, are not as skillfully executed. In 1848, after his bankruptcy, Barye became director of Casts and Models in the Louvre, until 1850, when he was replaced by Emmanuel Fremiet. It was a very difficult time for him. However, within a few years, he began receiving accolades for the quality and uniqueness of his work, and people began appreciating the powerful images of his sculpture, especially the wildlife in their natural surroundings. In 1854, he was appointed Master of Zoological Drawing in the Musée National d'Histoire Naturelle and held this position until his death in 1875.

to
3
2
1
3
3
1
2
Overall Height
to
Overall Width
to
3
3
2
2
3
50
289
248
211
125
1
1
1
Artist: Antoine-Louis Barye
Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)
By Antoine-Louis Barye
Located in SANTA FE, NM
Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...
Category

1880s French School Antoine-Louis Barye Animal Prints

Materials

Ink, Etching, Paper

Antoine Louis-Barye "Walking Lion" Antique Engraving by Firmin Gillot ca. 1870
By Antoine-Louis Barye
Located in SANTA FE, NM
"Walking Lion" Antoine Louis-Barye (France, 1775-1895) Antique Engraving by Firmin Gillot Circa. 1870 11 1/3 x 7 3/4 (21 3/8 x 17 1/2 frame) inches This is "Walking Lion," along with "Walking Tiger...
Category

1870s Realist Antoine-Louis Barye Animal Prints

Materials

Black and White

Antoine Louis-Barye "Walking Tiger" Antique Engraving by Firmin Gillot ca. 1870
By Antoine-Louis Barye
Located in SANTA FE, NM
"Walking Tiger" Antoine Louis-Barye Antique Engraving by Firmin Gillot Circa. 1870 11 1/3 x 7 3/4 (21 3/8 x 17 1/2 frame) inches This is "Walking Tig...
Category

1870s Realist Antoine-Louis Barye Animal Prints

Materials

Black and White

Related Items
SWIFT FOX - GREAT PLAINS WINTER
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: A wildlife painter whose work often has sparrows, Michael Dumas...
Category

Late 20th Century Realist Antoine-Louis Barye Animal Prints

Materials

Lithograph, Paper

Lizard Tongues and Tears, nude male and lizard, mostly monochromatic w green
By Jenny Toth
Located in Brooklyn, NY
The image is 8 x 8 inches, and the paper it is printed on is 15 x 13.5 inches. This is a quirky and tender image of a naked man sitting on the floor holding a giant iguana on his la...
Category

2010s Feminist Antoine-Louis Barye Animal Prints

Materials

Paper, Ink, Etching, Watercolor

Jean Picart Le Doux Unicorn Lithograph Hommage a la Licorne Mid Century
By Jean Picart Le Doux
Located in FR
Jean Picart Le Doux Lithograph Unicorn Mid Century Hommage a la Licorne Jean Picart Le Doux, 1902-1982 French Jean Picart Le Doux, born in Paris January 31, 1902 and died in 1982, w...
Category

Mid-20th Century French School Antoine-Louis Barye Animal Prints

Materials

Lithograph

Woman with Three Goats
By Nevzat Akoral
Located in San Francisco, CA
This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...
Category

Mid-20th Century Realist Antoine-Louis Barye Animal Prints

Materials

Linocut

La Pique (The Pike)
By Pablo Picasso
Located in Fairlawn, OH
La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...
Category

1950s French School Antoine-Louis Barye Animal Prints

Materials

Lithograph

La Pique (The Pike)
La Pique (The Pike)
H 19.75 in W 25.88 in D 2 in
WHITE OWL
By Claudio D'Angelo
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category

Late 20th Century Realist Antoine-Louis Barye Animal Prints

Materials

Lithograph, Paper

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
By Eugène Delacroix
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category

Early 19th Century Realist Antoine-Louis Barye Animal Prints

Materials

Drypoint, Etching, Laid Paper

'Foul Rope (Left)' — early American rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil. Signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). Archivally matted to museum standards, unframed. ABOUT THE ARTIST Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the western landscape, admirers referring to him as ‘The Sagebrush Rembrandt’. The son of impoverished Southern aristocrats, Leigh took his first art training at age 14 from Hugh Newell at the Maryland Institute where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator in New York City for Scribner's and Collier's Weekly Magazine, and he also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, his primary interest being the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926 he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in a number of popular magazines including Life, the Saturday Evening Post, and Colliers. For many years, his work was handled exclusively in New York by Grand Central Art Galleries at the Biltmore Hotel. In 1953 Leigh was elected into the National Academy of Design as an Associate member, becoming a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody in the early part of the century. These years, between 1910 and 1921, when he often painted in the Carter Mountain vicinity, were considered pivotal to his artistic development and his devotion to the western landscape. Leigh's work is held in many museum collections of American western art...
Category

1920s Realist Antoine-Louis Barye Animal Prints

Materials

Etching

Finger Parrot, monochromatic print bold graphic, surreal bird, hands
By Jenny Toth
Located in Brooklyn, NY
This is an artist proof (one of a kind) aquatint of a parrot made up of fingers, and beautiful insects cascading to her right. She has a human ear on one side. The images is 6 x 6 ...
Category

2010s Contemporary Antoine-Louis Barye Animal Prints

Materials

Paper, Ink, Archival Ink, Aquatint

BLACK BEAR IN THE CHICKCHOCS
By Claudio D'Angelo
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category

Late 20th Century Realist Antoine-Louis Barye Animal Prints

Materials

Lithograph, Paper

Goat Herder's Wife
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Goat Herder’s Wife, 1928, lithograph, signed in pencil lower right and titled and numbered (64/100) in pencil lower left margin [with the inscription ”Bidd...
Category

1920s Realist Antoine-Louis Barye Animal Prints

Materials

Lithograph

Conversations at the Bar - Figurative Animal Etching
Located in Soquel, CA
1970's modernist anthropomorphic animals at a bar by Stephen Martin (American, 20th Century). Several animals sit at a bar, with a few in the b...
Category

1970s Contemporary Antoine-Louis Barye Animal Prints

Materials

Ink, Paper, Etching

Antoine-louis Barye animal prints for sale on 1stDibs.

Find a wide variety of authentic Antoine-Louis Barye animal prints available for sale on 1stDibs. You can also browse by medium to find art by Antoine-Louis Barye in etching, ink, paper and more. Not every interior allows for large Antoine-Louis Barye animal prints, so small editions measuring 17 inches across are available. Customers who are interested in this artist might also find the work of Leon Danchin, Mari Kloppel, and Francois Nicolas Martinet. Antoine-Louis Barye animal prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,436 and tops out at $2,975, while the average work can sell for $2,975.
Questions About Antoine-Louis Barye Animal Prints
  • 1stDibs ExpertApril 5, 2022
    Antoine-Louis Barye was famous for his sculptures involving animals, which notably included Hercules Sitting on a Bull, Poised Stag and Lion With a Snake, among others. He was born in France and lived from 1795 to 1875. Shop a range of authentic Antoin-Louis Barye sculptures from top sellers on 1stDibs.

Recently Viewed

View All