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Antonio Frasconi Landscape Prints

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Artist: Antonio Frasconi
Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category

1960s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

View of Venice II - Bacino
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...
Category

1960s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

View of Venice I - San Giorgio
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
Category

1960s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

NIGHT FLIGHT
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio. NIGHT FLIGHT. Color Woodcut, 1958. Edition of 20. Signed and dated, numbered 10/20, and inscribed "imp," all in pencil. 19 x 34 inches,...
Category

1950s Antonio Frasconi Landscape Prints

Materials

Woodcut, Alkyd

Monterey Fisherman [and] Monterey Fisherman 2.
By Antonio Frasconi
Located in New York, NY
Diptych. This two sheet color woodcut was created by Antonio Frasconi in 1951. Edition 8. Each image size 19 7/16 x 16 7/16" (49.4 x 418 cm) plus margins. Signed and titled in p...
Category

Mid-20th Century American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

Related Items
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
By Utagawa Yoshitora
Located in Middletown, NY
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
Category

Early 19th Century Edo Antonio Frasconi Landscape Prints

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Handmade Paper, Watercolor, Woodcut

1870 View of Proposed Brooklyn Bridge and New York City
By Theodore R. Davis
Located in Alamo, CA
This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870. The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition. This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...
Category

Late 19th Century Naturalistic Antonio Frasconi Landscape Prints

Materials

Woodcut

'Laguna Cove' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...
Category

1930s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

Japanese Woodblock - Street Scene
Located in Houston, TX
Lively Japanese woodblock print featuring street life. Ink on paper, circa 1860. Original artwork on paper displayed on a white mat with a gold ...
Category

1860s Antonio Frasconi Landscape Prints

Materials

Woodcut, Paper

Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category

Late 19th Century Edo Antonio Frasconi Landscape Prints

Materials

Handmade Paper, Watercolor, Woodcut

Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...
Category

2010s American Modern Antonio Frasconi Landscape Prints

Materials

Engraving, Mezzotint

'Pulitzer Fountain, Evening" — 1940s American Modernism, New York City
By Ellison Hoover
Located in Myrtle Beach, SC
Ellison Hoover, 'Pulitzer Fountain, Evening', lithograph, circa 1940, edition c. 40. Signed in pencil. A fine, atmospheric impression, on cream wove paper; the full sheet with margins (1 1/2 to 4 5/16 inches), in excellent condition. Archivally matted to museum standards, unframed. Image size 12 1/2 x 9 5/8 inches (318 x 244 mm); sheet size 16 1/4 x 12 1/4 inches (413 x 311 mm). ABOUT THE SUBJECT The Pulitzer fountain was commissioned as a bequest by Joseph Pulitzer, newspaper publisher and founder of the Columbia School of Journalism. Designed by Austrian sculptor Karl Bitter...
Category

Mid-20th Century American Modern Antonio Frasconi Landscape Prints

Materials

Lithograph

Hendrik Glintenkamp, (Farmyard)
By Hendrik Glintenkamp
Located in New York, NY
More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...
Category

1920s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

Fountain of Sea Horses, Rome — Early 20th Century
By Rudolph Ruzicka
Located in Myrtle Beach, SC
Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...
Category

1910s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

'Hill' — 1930s American Modernism
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

THE THAW
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...
Category

1910s American Modern Antonio Frasconi Landscape Prints

Materials

Color, Woodcut

A. Ross Pittman, Summer Home
Located in New York, NY
This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to make prints in 1936 in Trenton, New Jersey. However, scene of his home state remain...
Category

1930s American Modern Antonio Frasconi Landscape Prints

Materials

Woodcut

Previously Available Items
BREAKERS
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio (American, born Argentina, 1919-2013). BREAKERS. Woodcut in colors, 1969. Edition of 50. Signed, titled, dated, and numbered 12/50 in pencil. 7 x 4 5/8 inches. In e...
Category

1960s Antonio Frasconi Landscape Prints

Materials

Woodcut

The Sun & the Wind
By Antonio Frasconi
Located in Soquel, CA
Amazing woodcut print with whimsical, dynamic portrayal of the sun and the wind by American-Uruguayan artist Antonio Frasconi (1919-2013). Edition number, signature and date signed in pencil lower margin. Presented in an archival mat with vintage, rustic giltwood frame. Art has undergone professional conservation. Image, 16.5"H x 11.88"W. In 1953, Time magazine called Antonio Frasconi America’s foremost practitioner of the ancient art of the woodcut. Four decades later, Art Journal called him the best of his generation. Mr. Frasconi was patient and meticulous in his art. . Before producing a woodcut titled “Sunrise — Fulton Fish Market” in 1953, he spent three months wandering Lower Manhattan’s wharves and the holds of fishing boats. He spent hour upon hour studying “just how a man lifts a box,” he said. He said the capricious nature of wood governed many artistic decisions. He loved the hands-on experience of working with wood, some of which he gathered from the beach in front of his home, which he built, in South Norwalk, Conneticut. The medium of wood offer to Frasconi a very interactive process: "... often you must surrender to the grain, find the movement of the scene, the mood of the work, in the way the grain runs.” Growing up in Uruguay, he dropped out of art school, Circulo de Belles Artes, at age 12 because he was bored with copying from plaster casts of classical sculpture and became a printer’s apprentice. On his own, he made posters deriding Franco and Hitler, which he signed “Chico.” In 1945, he came to New York on a one-year scholarship to study at the Art Students League. The next year he had a show at the Brooklyn Museum. He then studied at The New School for Social Reasearch and later taught there. After moving to California, he worked as a gardener and as a guard at the Santa Barbara Museum of Art, where he had an exhibition. Frasconi was a Guggenheim Fellow in 1952. In 1959 he was a runner-up for the Caldecott Medal from the U.S. children's librarians, which annually honors the illustrator of the best American picture book for children. Thus "The House That Jack Built," which he also wrote, is retrospectively termed a Caldecott Honor Book. In 1962 Frasconi won a Horn Book...
Category

1950s Expressionist Antonio Frasconi Landscape Prints

Materials

Paper, Ink, Woodcut

The Sun & the Wind
The Sun & the Wind
H 20.38 in W 17.57 in D 0.57 in

Antonio Frasconi landscape prints for sale on 1stDibs.

Find a wide variety of authentic Antonio Frasconi landscape prints available for sale on 1stDibs. You can also browse by medium to find art by Antonio Frasconi in woodcut print, alkyd paint, paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Antonio Frasconi landscape prints, so small editions measuring 24 inches across are available. Customers who are interested in this artist might also find the work of Schomer Lichtner, Emilio Sanchez, and Arnold Ronnebeck. Antonio Frasconi landscape prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,300 and tops out at $6,400, while the average work can sell for $4,500.

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