Augustus Osborne Lamplough R.W.S. Art

The artwork is in plain Ikea frame behind plexi Unframed size: 36x48 cm, Framed 42.5x52.5 cm Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - Th...

Original vintage gouache painting on poster board by Emma Heinzelmann (Hungarian, born 1930). Hungarian Peasant art, children fairytale themes, in psychedelic pop colors of the era.This painting that depicts figures including a crowned pig, and a princess in a bed. Artist signature above bed. Housed in chrome mid century frame. Framed: 19.5 X 25.5 image is 14.75 X 21.25. Emma Heinzelmann ( Nyírbátor , March 14 , 1930 - ) Munkácsy Prize-winning Hungarian graphic designer and illustrator. Heinzelmann is a Hungarian children's book illustrator and graphic poster artist, who started her career during the 1950’s. She has a very unique drawing style that resembles children’s book illustrations. Working in psychedelic pop colors of the era. She Initially she studied to be a costume designer but she soon turned to graphic design. She graduated in 1950 from the clothing design department at the Junior High School in Török Pál Street which operated under the name Szépmíves Lyceum from 1946 to 1950. His master was György Farkas, a ceramicist, painter and sculptor. She creates her compositions using mainly watercolor and gouache paint. She often worked on illustrations for children’s books, since her style fits their themes. Her posters show the same playful Hungarian Folk Art style. She has produced artwork in almost all areas of applied graphics. posters, commemorative cards, designed album covers, postcards, advertising graphics, slide films, animation and cartoons. Her drawings were published in Dörmögő Dömötör and Kisdobos among others as well as in children's magazines. An entire generation of children grew up with her book illustrations, reading the fairy tales of Wilhelm Hauff or Hans Christian Andersen. Her story books and drawings are known well beyond our borders. She illustrated nearly 80 storybooks. She is a contemporary of Maurice Sendak and William Steig. Her work is of the same genre as the iconic Polish Cyrk poster artists. In her original fine art graphics grotesque and bitter elements often prevail, her figures are playfully ironic. Her drawings are made in a variety of ways, from pencil drawings to watercolor painting to collage techniques, from decorative spot effects to lace-like line drawings. She is no stranger to a kind of Art Nouveau influence, but it is always individual. It was never beautiful, but over the years its color scheme changed, thus confirming the lines of József Somogyi quoted earlier. She had several individual exhibitions, and for more than 10 years as a member of the Papp-Gábor group, her works could be seen in Dorottya Street. In 2009 , the book of art historian András Székely was published by Holnap Könyvkiadó under the title Emma Heinzelmann: fairy tales in the drawing. Awards and recognitions Lot Prize (International Poster Biennale, Warsaw) (1972) Ministry of Culture Award (1977, 1979) Brno Graphic Biennale (Bronze Award) (1980) Worker's Award (1984) Children's Book of the Year Award (1984) IBBY Andersen Diploma (1988) Hamburg Lifetime Achievement Award (1990) Albert Star Award (1992) Noémi Ferenczy Award (2005) Munkácsy Award (1984) Solo Exhibitions: Thought Bookstore, Budapest (1965) Cultural Center, Nyíregyháza (1974) Little Gallery, Komárom (1982) Art Gallery, Budapest. (1990) Vác (2010) Selected group exhibitions: International Children's Book Fair and Exhibition, Bologna (1971-1975) International Graphic Biennale, Brno (1966-1985) BIB (Children's book illustration biennial), Bratislava (1970-1985) XXXVI. Venice Biennale, Venice (1972) ARC. International Poster Biennale, Warsaw (1972) International Poster Triennale (B) (1972-1974) Weekdays, graphic exhibition, (1975) Calligraphy and typography, Institute of Cultural Relations, Budapest (1977) "Falrahányt pea", graphic exhibition, Institute of Cultural Relations, Budapest.(1978) International Poster Triennale (B) (1978) National Poster Exhibitions, Art Gallery, Budapest (1978)(1980) International Poster Exhibition (IR) (1979) Slide films: Fairy tales with Emma Heinzelmann's drawings: Under the Shore (1981) Goose Party (1981) Take a Little Trumpet (1982) The Bremen Town...

MALCAH ZELDIS Reclining Woman Wine and Cigarettes gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Matted to 13 X 1...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Ben Zion Magal (1908 - 1999) Ben Zion Magal was born in 1908 in Kishinev - Russia and there, years later, graduated from the Art Academy. He arrived to Erertz Israel together with hi...

Original Illustration for published children's book "Burdock Field" - "Lopianowe Pole" by Grazyna Rigall, signet by artist, It is in a plain Ikea fra...

MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Fr...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

"The Sadness of Mr. lapin After the Artist Left" Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

'Cherry Blossoms in Japan', pencil, ink and gouache on card stock, French School (Mid 20th Century). Cherry blossoms (Sakura) symbolise springtime, a time of renewal and the fleeting...

Bungalow (fauvist painting of New York scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Country Scene Samuel Grunvald was a Hungarian born American WPA artist known for abstract, landscape and seascape paintings. Arrived in the USA from Hungary in 1921 and settled in New York City where he studied at the Art Students League. Grunvald worked for the Federal Art Project, taught at Colony House in NYC. Member: Art Guild, Watercolor Society, New York Watercolor Club. exhibited at Montross Gallery, NYC, World House Galleries, NYC, Leonard Hutton Gallery, NYC, Associated American Artists Gallery and the A.C.A. Gallery. Gunvald's work spanned many modern American movements from the WPA to Abstract Expressionist painting. He was a member of the American Watercolor Society and the Brooklyn Society of Artists. He exhibited with both of these organizations and at the Brooklyn Museum of Art. He was involved the the WPA being a Federal Arts Project artist. A number of prominent Jewish artists participated in this New Deal program among them Ben Shahn, Joseph Solman, William Gropper, Philip Guston Adolph Gottlieb, Mark Rothko, Milton Avery, Ben Shahn, the Soyers (Isaac, Moses, and Raphael), and many others Grunwald exhibited alongside other popular artists such as Paul Klee, Jean Arp, Max Ernst and Charles Burchfield. He also taught and lectured on art and easel painting, Federal Art Project, NYC. His work is included in the collections of the Museum of Modern Art and The Jewish Museum, New York. Americana. The Catskills became a major resort destination for Jewish New Yorkers in the mid-20th century. Borscht Belt is an informal term for the summer resorts of the Catskill Mountains in Sullivan and Ulster counties in upstate New York which were frequented by Ashkenazi Jews. At its peak of popularity, about 500 resorts operated in the region. Later changes in vacationing patterns have led most of those travelers elsewhere, although there are still bungalow communities and summer camps in the towns of Liberty, Bethel, Monticello and Fallsburg catering to Orthodox Jewish populations. Borscht Belt, The term, which derives from the name of a beet soup popular with people of Eastern European origin, can also refer to the Catskill region itself. In August, 1969, the Catskills were the site of a music and art festival in the town of Bethel, which had originally been planned for Woodstock, New York. Thirty-three of the best-known musicians of the era appeared during a sometimes rainy weekend in front of nearly half a million concertgoers. The event, featuring liberal drug use and nudity, exemplified the counterculture of the 1960s and 1970s. Select Exhibitions A.C.A. Gallery Associated American Artists Gallery, 1936-1955 American Watercolor Society, 1932-1942 New York Watercolor Club, 1935-1937 Humanist Art...

The Market, (fauvist painting of NYC scene) 1940's. image is 10X 11.5 inches. Hand signed lower right Lower East Side Tenements Pushcart Market Samuel Grunvald was a Hungarian born American WPA artist known for abstract, landscape and seascape paintings. Arrived in the USA from Hungary in 1921 and settled in New York City where he studied at the Art Students League. Grunvald worked for the Federal Art Project, taught at Colony House in NYC. Member: Art Guild, Watercolor Society, New York Watercolor Club. exhibited at Montross Gallery, NYC, World House Galleries, NYC, Leonard Hutton Gallery, NYC, Associated American Artists Gallery and the A.C.A. Gallery. Gunvald's work spanned many modern American movements from the WPA to Abstract Expressionist painting. He was a member of the American Watercolor Society and the Brooklyn Society of Artists. He exhibited with both of these organizations and at the Brooklyn Museum of Art. He was involved the the WPA being a Federal Arts Project artist. A number of prominent Jewish artists participated in this New Deal program among them Ben Shahn, Joseph Solman, William Gropper, Philip Guston Adolph Gottlieb, Mark Rothko, Milton Avery, Ben Shahn, the Soyers (Isaac, Moses, and Raphael), and many others Grunwald exhibited alongside other popular artists such as Paul Klee, Jean Arp, Max Ernst and Charles Burchfield. He also taught and lectured on art and easel painting, Federal Art Project, NYC. His work is included in the collections of the Museum of Modern Art and The Jewish Museum, New York. Americana. Select Exhibitions A.C.A. Gallery Associated American Artists Gallery, 1936-1955 American Watercolor Society, 1932-1942 New York Watercolor Club, 1935-1937 Humanist Art...