Avraham Goldberg Paintings

The girl in the city. 1964, oil on cardboard, 76.5x41.5 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Paintin...

Reflections on the ballet. 1970, canvas, cardboard, oil, 60x80 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the ...

Portrait Oil on cardboard, 100x92 cm The central focus of the artwork is a woman seated gracefully, elegantly adorned in a beautiful blue dress. Her presence dominates the composit...

'The Chess Match', oil on cardstock paper, by Raymond Debiève (1973). Rich colours, bold, painterly brush strokes and an unusual subject for a work of art, Debiève has created this s...

'Portrait of Young Woman', oil on board, German School (circa 1960s). A sensuous mid-century portrait of a young woman painted in the style of expressionists / cubists of the era. Un...

English mid century oil painting Portrait of a Miniature Poodle Kate Gray was a British animal portrait painter during the last half of the 20th century. She also painted flower subj...

This incredibly striking portrait, painted in a fiery palette captures an intimate moment between the artist and sitter who were lovers. Philip Core (1951-1989) Portrait of Adrian Ffooks, 4th/7th regiment Signed and dated 1987 to the reverse Oil on board 30 x 17¾ inches without the frame 35 x 23 inches with the frame Provenance: Gifted as a wedding present to Kit Hesketh-Harvey by his future wife. The artist was a friend of the couple and they had introduced Core to FFooks. Kit Hesketh Harvey co-wrote the screenplay (with James Ivory) for E.M.Forster’s Maurice and he had called upon Ffooks, who was renowned for his horsemanship, to be a stunt double for the equestrian scenes in this iconic film. Philp Core grew up in New Orleans, the son of a well-to-do family. At just seven he won the Vieux Carré Open Artists Competition. He was sent to a military academy, and from 1963 to the Middlesex School in Concord, Massachusetts. He attended Harvard University, where he won a number of art and literature prizes. As a schoolboy he self-published a booklet of drawings Palm Fronde Alphabet. An interest in Aubrey Beardsley and fin de siècle artists and writers, led to him spending time in Paris working with Philippe Jullian on his book The Symbolists, before returning to Harvard to complete an honours thesis on Belgian symbolist Fernand Khnopff. He graduated in 1973. Under the pseudonym Féllippé Fecit, he produced a series of erotic drawings for the poet John Glassco for his book Squire Hardman, and in 1968 in the Japanese style for The Temple of Pederasty, a free adaption by Glassco of a work by Japanese expatriate writer Ken Sato. Of this time, George Melly...

LONE Oil on Board Size: 52 x 44.5 cm (including frame) A very well done mid-century modernist portrait composition, executed in oil onto board. A single seated figure sits alone, l...

'Grand Prix Racer II', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One (or Grand Prix) racing are depicted in this thrilling ...

'Grand Prix Racer', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One racing are depicted in this thrilling mid-century...

'Seated Woman', oil on board, by François Diana (circa 1970s). This work of sumptuous colour and sensuous subject matter elicits an immediate response. ...

Ron Gorchov Historic Self Portrait, 1955-1959 Oil painting on board Hand signed in paint on the upper recto and dated 1955-9 Frame included: held in original vintage artist's frame This work was exhibited at the Sager Reeves Gallery in Columbia, Missouri in their Masters Exhibit in December, 2022, and is reproduced as a full page in their exhibition catalogue. A copy of this catalogue accompanies the artwork. In 2019, the year before Ron Gorchov passed away, Stephen Truax, director of Cheim & Read, his then gallery, passed along details of this extraordinary painting to Gorchov's studio to be included in the forthcoming catalogue raisonne. When shown the work, Gorchov remembered it well, but was amazed that the painting was still in existence after so many years. This historic early self-portrait, done over a period of four years, from 1955-1959, starting when he was only 25 years old reveals Gorchov's distinctive and sophisticated sense of color and form. This is one of the artist's earliest works, and very few works by Gorchov from this era ever appear on the market or are known to remain in existence. It should be in any museum or career retrospective. This work was gifted by the artist to Elthea Rembrandt Peale...