Barbara Barron Wall Decorations

Maria Kipp Woven Fiber Art and Carved Teak Sun Wall Hanging Sculpture USA, 1960s A stunning Maria Kipp woven fiber art and carved teak sun wall hangi...

Artist crafted natural fiber wall art tapestry / macrame. 1980s. Unsigned.

Art glass organic sculpture, contemporary work of art by an American artist, who studied with some of the most esteemed glass masters in Murano, entitled: release. The idea of setting free imagination and creativity is magically embodied through the medium of blown glass in the representation of soaring butterflies in vibrant colors flowing out freely on the wall. This sculpture as a whole comprises seven butterflies in the sequence...

WALLACE NUTTING (1861-1941) - Pair of fine antique hand colored black and white New England landscape photographs - each mounted with sepia borders to backboards - near matching gilt...

Artist made woven wall hanging of attached panels with oversized ceramic beads on a driftwood hanger, circa 1960s. Artist unknown, although signed with initials.

- Czechoslovakia, 1950 - Museum of decorative Arts in Czech republic - suitable for framing - photographed by Illek and Paul jr

The versatility of our butterfly composition explains why this fanciful grouping is a favorite among designers. We made envisioning how these whimsical butterflies enhance a space ea...

Vintage circa 1980s Barbara Demery trompe l'oeil ceramic wall sculpture resembling a piece of gathered striped fabric. Stripes are peach and blue with a oatmeal colored background. T...

Monumental Sunspots brutalist wall sculpture by Silas Seandel Torch-cut, welded, and patinated mixed metals, brass copper bronze and steel Can be easily wall-mounted vertically or horizontally...

Julius Shulman. Untitled, 2006 C-print. Measures: 19 ¾ in. x 16 in. Signed by Julius Shulman & Juergen Nogai on verso. Edition: 50 (not individually numbered). Unframed.

Large tufted object with cut out detail. Handmade in Copenhagen by the designer using 100% wool. The organic shape and softness of the wool adds textur...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...