Betty Guy Art

Watercolour on paper circa 1910 but French Impressionist painter Henri Duhem depicting figures in a boat with one holding a fishing rod. The light is low and the clouds are reflectin...

A lovely watercolour on paper circa 1905 by French Impressionist painter Henri Duhem depicting a woman in a blue dress taking a stroll along the path beside a stream. The trees and f...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

Watercolour on paper circa 1910 by Henri Duhem of a sky over a village at sunset. Signed upper left. This painting is not currently framed but a suitable frame can be sourced if requ...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival photographic paper using archival inks What loo...

A fine impression with good margins published by Associated American Artists.

A fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...

Samuel Chamberlain, 'Soaring Steel', drypoint, 1929, edition 100, Chamberlain and Kingsland 79. Signed, titled, and numbered '64/100' in pencil. Annotated '48.00' in pencil, in the artist's hand, bottom right margin. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 3/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed. The subject of the print is the construction of the Daily News Building in Chicago, Illinois. Image size 12 1/4 x 9 1/2 inches (311 x 241 mm); sheet size 15 1/2 x 12 3/8 inches (394 x 314 mm). Impressions of this work are held in the collections of the Art Institute of Chicago, Boston Public Library, Crystal Bridges Museum of American Art, Museum of Modern Art, New York Public Library, University of Michigan Museum of Art, Smithsonian American Art Museum, and the Western Australia Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm...

A lovely watercolour on paper circa 1920 by Henri Duhem depicting a gate in a hedgerow with a field and farm buildings beyond, all lit up by the light of the moon. Signed lower right...

Bertha Landers, 'Mountain Trees', etching and drypoint, c. 1938, edition not stated but small. Signed and titled in pencil. A fine, richly-inked impres...

Watercolour on paper circa 1910 by Henri Duhem depicting a man fishing in a boat on the river accompanied by his dog. Signed lower left. This painting is not currently framed but a s...

Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...