Bradshaw Crandell Art
to
6
1
6
6
1
1
1
4
1
Overall Height
to
Overall Width
to
5
5
5
2
1
1
1
7
1
2
2
7
6,886
3,210
2,514
1,217
4
4
3
2
1
Artist: Bradshaw Crandell
Cosmopoilitan Magazine Cover, February 1942
By Bradshaw Crandell
Located in Fort Washington, PA
Signature: Cosmopoilitan Magazine Cover, February 1942
Category
1940s Bradshaw Crandell Art
Materials
Pastel
Player's Navy Cut Cigarette Advertisement
By Bradshaw Crandell
Located in Fort Washington, PA
Signature: Unsigned
Category
20th Century Bradshaw Crandell Art
Materials
Board, Oil
Bathing Beauty (Carole Lombard)
By Bradshaw Crandell
Located in Fort Washington, PA
Date: 1930s
Medium: Pastel on Thick Paper
Dimensions: 30.00" x 22.00"
Signature: Signed Lower Left
Crandell (1896-1966) was the undisputed "artist of the stars," befriending and immortalizing Hollywood's most beautiful starlets in his portraits. Among his subjects were Bette Davis, Judy Garland, Carole...
Category
1930s Bradshaw Crandell Art
Materials
Paper, Pastel
Carole Lombard Holding Compace, Cosmopolitan Magazine Cover
By Bradshaw Crandell
Located in Fort Washington, PA
Date: 1935
Medium: Pastel
Dimensions: 25.50" x 22.00"
Signature: Signed Lower Left
Carole Lombard Holding Compact
Cover of Cosmppolitan Magazin...
Category
1930s Bradshaw Crandell Art
Materials
Pastel
First Mate, Saturday Evening Post Cover
By Bradshaw Crandell
Located in Fort Washington, PA
Date: 1928
Medium: Pastel on Paper
Dimensions: 25.00" x 20.00"
Signature: Signed Lower Right
Cover of The Saturday Evening Post, July 7 1928
Category
1920s Bradshaw Crandell Art
Materials
Paper, Pastel
Original World War Two Recruitment Poster Make A Date With Uncle Sam USCG Spars
By Bradshaw Crandell
Located in London, GB
Original vintage World War Two recruitment poster for the USCG United States Coast Guard Women's Reserve (known as SPARS from the Latin USCG motto Semper Paratus...
Category
1940s Bradshaw Crandell Art
Materials
Paper
Sweet Caporal Cigarettes 'Majorette' Illustration
By Bradshaw Crandell
Located in Fort Washington, PA
Medium: Charcoal and Wash on Board
Dimensions: 30.00" x 19.00"
Signature: Signed Lower Right
Category
Mid-20th Century Bradshaw Crandell Art
Materials
Charcoal, Board
Related Items
Constellation - XXI Century, Contemporary Linocut & Woodcut Print, Abstract
By Maria Stelmaszczyk
Located in Warsaw, PL
MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting
Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...
Category
Early 2000s Contemporary Bradshaw Crandell Art
Materials
Paper, Linocut, Woodcut
Nocturn - XXI Century, Mixed Media Landscape Print, Muted Colors, Warm Tones
By Krzysztof Wieczorek
Located in Warsaw, PL
KRZYSZTOF WIECZOREK (1954-2021)
Studied at the Faculty of Graphic Arts at the National School of Fine Arts. He received his diploma from the atelier of prof. Leszek Rózga in 1977.
...
Category
21st Century and Contemporary Bradshaw Crandell Art
Materials
Intaglio, Paper, Oil, Acrylic
Antique Dog Portrait of "Mignonne" dated 1876 by Louis Eugène Bourgeois
Located in SANTA FE, NM
Antique Dog Painting of "Mignonne" dated 1876
Louis Eugène Bourgeois (French 1831-1878)
Pastel on cardboard
Signed lower left "E. Bourgeois"
Inscribed upper right "Mignonne."
Rever...
Category
1870s Realist Bradshaw Crandell Art
Materials
Pastel, Cardboard
French Art Deco Society Portrait, Beauty in a Hat
Located in Cotignac, FR
A French art deco pastel portrait by Louis-Jean Beaupuy. The work is signed and dated bottom right. Presented in carved and gilded wood frame.
Beaupuy has captured all the charm and...
Category
Mid-20th Century Art Deco Bradshaw Crandell Art
Materials
Paper, Crayon, Pastel
H 27.96 in W 21.66 in D 0.79 in
Egea, an edge - XX Century, Abstract Etching Print, Colorful
By Leszek Rózga
Located in Warsaw, PL
Etching on paper, épreuve d'artiste, 1973
LESZEK RÓZGA (1924-2015).
He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art...
Category
1990s Abstract Bradshaw Crandell Art
Materials
Etching, Paper
Late 19th century oil on board portrait of a lady with book and lace
Located in Oostende, BE
Unsigned oil on board painting painting of a 19th century woman holding a book and dressed with a lace hat and collar. The level of det...
Category
Late 19th Century Realist Bradshaw Crandell Art
Materials
Oil, Board
H 30.71 in W 26.38 in D 1.58 in
Portraits of the Hon. Mary Shuttleworth and Anna Maria, 9th Baroness Forrester
By Daniel Gardner
Located in London, GB
THE HON. MARY SHUTTLEWORTH, NÉE COCKBURN (D. 1777)
and her sister
ANNA MARIA, 9TH BARONESS FORRESTER (D. 1808)
Pastel and gouache on paper laid on canvas, on their original backb...
Category
18th Century Old Masters Bradshaw Crandell Art
Materials
Gouache, Pastel
Pastel Portrait of a Circus Clown
By Samuel Brecher
Located in Hallowell, ME
Pastel Portrait of a Circus Clown
Samuel Brecher, American, (1897 - 1982)
This portrait of a clown is pastel on paper, is fully signed by Samuel Brecher and dated 1943.
This pastel painting of a clown measures 21.5 inches tall by 15.5 inches wide.
Matted in the frame the pastel portrait measures 33.5 inches tall by 26.5 inches wide.
Samuel Brecher was born in Boryslaw, Austria, a town near the Carpathian Mountains...
Category
1940s Bradshaw Crandell Art
Materials
Paper, Pastel
Rare Modernist Hungarian Rabbi Pastel Drawing Gouache Painting Judaica Art Deco
By Hugó Scheiber
Located in Surfside, FL
Rabbi in the synagogue at prayer wearing tallit and tefillin.
Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter.
Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment.
However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920.
A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York.
Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change.
The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934.
He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950.
Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including:
"The Nell Walden Collection," Kunsthaus Zürich (1945)
"Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950)
"Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964)
"Ungarische Avantgarde," Galleria del Levante, Munich (1971)
"Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978)
"L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980)
"Ungarische Avantgarde in der Weimarer Republik," Marburg (1986)
"Modernizmus," Eresz & Maklary Gallery, Budapest (2006)
"Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007)
Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses.
He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...
Category
Early 20th Century Modern Bradshaw Crandell Art
Materials
Paper, Charcoal, Pastel, Watercolor, Gouache
French Genre Scene in Parisian park 19th Century Oil painting
By Emile Tabary
Located in Stockholm, SE
Signed by Émile Tabary. Lively scene in in a parisian park, pictured moment of city life of the late 19th century. In this painting, some irony and humor are very subtly felt. One of...
Category
Late 19th Century Realist Bradshaw Crandell Art
Materials
Oil, Cardboard
Free Shipping
H 36.6 in W 30 in
Koichi Sakamoto ( 1932 ) Thatched Cottages - Mezzotinto Etching , 11/80 - Japan
By Koichi Sakamoto
Located in Meinisberg, CH
Koichi Sakamoto
(Japanese, 1932)
Thatched Cottages with Mountains beyond
• Mezzotinto etching, sheet ca. 35 x 55 cm
• Plate ca. 20 x 39.5 cm
• Signed bottom right
• Edition 11/80 (...
Category
Mid-20th Century Naturalistic Bradshaw Crandell Art
Materials
Pigment, Paper
Free Shipping
H 13.78 in W 21.66 in
Boissier, Portrait of a Young Man, 1802, Pastel signed and dated
By Boissier
Located in Paris, FR
Boissier (painter and portraitist active at the end of the 18th century)
Portrait of a young man
Signed and dated "Boissier f(ecit) 1802" on the lower right
Pastel on paper transfere...
Category
Early 1800s Old Masters Bradshaw Crandell Art
Materials
Pastel
Previously Available Items
Portrait of a Lady
By Bradshaw Crandell
Located in Fort Washington, PA
Medium: Oil on Canvas
Dimensions: 42.00" x 32.00"
Signature: Signed Lower Left
Bradshaw Crandell was photographed in his studio while painting this portrait
Photographed by P...
Category
Mid-20th Century Bradshaw Crandell Art
Materials
Canvas, Oil
Rita Hayworth & Glen Ford, Movie Poster Illustration
By Bradshaw Crandell
Located in Fort Washington, PA
Date: 1948
Medium: Pastel on Board
Dimensions: 26.00" x 36.00"
Signature: Signed Lower Left
This is the original artwork for the 1948 half sheet poster "The Loves of Carmen"
Category
1940s Bradshaw Crandell Art
Materials
Board, Pastel
Beautiful Woman in Large Hat, Cosmopolitan Cover
By Bradshaw Crandell
Located in Fort Washington, PA
Date: 1940
Medium: Pastel on Paper
Dimensions: 20.00" x 17.00"
Signature: Signed Lower Right
Cosmopolitan Cover ca. 1940;
Crandell held the coveted space of the cover of Cos...
Category
1940s Bradshaw Crandell Art
Materials
Paper, Pastel
Blonde Woman in Green Equestrian Garb
By Bradshaw Crandell
Located in Fort Washington, PA
Medium: Pastel on Board
Dimensions: 24.00" x 18.50"
Signature: Signed Lower Right
Likely a Magazine Cover
Category
Mid-20th Century Bradshaw Crandell Art
Materials
Board, Pastel
Cigarette Advertisement
By Bradshaw Crandell
Located in Fort Washington, PA
Approximate Date: 1940's
Medium: Oil on Canvas
Signature: Unsigned
Size: 21.70" x 14.00"
1940's cigarette advertisement.
Category
1940s Bradshaw Crandell Art
Materials
Canvas, Oil
Bradshaw Crandell art for sale on 1stDibs.
Find a wide variety of authentic Bradshaw Crandell art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Bradshaw Crandell in crayon, pastel, board and more. Not every interior allows for large Bradshaw Crandell art, so small editions measuring 1 inch across are available. Customers who are interested in this artist might also find the work of Jaro Fabry, Ernest Hamlin Baker, and Marjorie May Blake. Bradshaw Crandell art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,190 and tops out at $65,000, while the average work can sell for $6,200.