Skip to main content

Christine Ravaux Abstract Prints

Belgian, 1961-2021

Christine Ravaux is a Belgian artist, who uses nature in much of her work, which is both hyper-realistic and abstract in pattern. She was born in Charleroi, in 1961. She studied printmaking at the Royal Academy of Fine Arts, in Brussels and the Etterbeek Academy of Arts, where she learned more specifically, the black-way in the workshops of Mauritius Pasternak and Anne Dykmans. She received the Prix du Hainaut, in 1994 and the prize of the 1997 annual competition in the artistic creation of the Royal Academy of Letters, Sciences and Beaux-Arts of Belgium. Ravaux's mezzotints mirror her surroundings. She has portrayed the black hills that dot the landscape of the Belgian mining city, in which she lives and has captured the shadows and shapes created by the grasses and trees of her own backyard. Her close-up look, at the ordinary things around her, is just as effective when viewed as abstract compositions of form and light. Her work was awarded the first prize at “IBIZAGRAFIC ’92”, the prestigious Spanish Biennial, which prompted a solo exhibition of her mezzotints and the publication of a monograph. In 1994, she was selected for inclusion in “Intergafia ’94”, World Award Winners Gallery in Katowice, Poland.

to
7
11
5
4
2
11
Overall Height
to
Overall Width
to
9
2
4
7
16
544
433
206
179
11
11
Artist: Christine Ravaux
Three Leaves
By Christine Ravaux
Located in New Orleans, LA
Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...
Category

Early 2000s Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Bois Dormant
By Christine Ravaux
Located in New Orleans, LA
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...
Category

Late 20th Century Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Early 2000s Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Deux Fois Rien (double or nothing)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Deux Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted w...
Category

Early 2000s Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Surf I
By Christine Ravaux
Located in New Orleans, LA
Shades of blacks and grays to suggest the power of the surf. Christine Ravaux is a Belgian artist who uses nature in much of her work which is both hyper-realistic and abstract in p...
Category

Late 20th Century Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Bout a Bout (Translation: From End to End)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Bout a Bout which is signed by pencil. This impression is #4 of 35 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...
Category

Early 2000s Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Peau d' Ame ( Body and Soul)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Peau d' Are which is signed by pencil. This impression is #2 of 15 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with ...
Category

Early 2000s Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Contre Sens (against the Grain)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created this mezzotint which translates to the phase "against sense". This impression is #7 of 20 Shades of blacks and grays on a fallen branch create a pleasing p...
Category

Late 20th Century Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

Branche Horizontale (horizontal branch lying on patterns of grass and leaves)
By Christine Ravaux
Located in New Orleans, LA
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...
Category

Late 20th Century Modern Christine Ravaux Abstract Prints

Materials

Mezzotint

One
By Christine Ravaux
Located in New Orleans, LA
This is impression #12 of 25 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . the black h...
Category

21st Century and Contemporary Abstract Christine Ravaux Abstract Prints

Materials

Mezzotint

Two
By Christine Ravaux
Located in New Orleans, LA
This is #12 of an edition of 25. Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . the bla...
Category

Early 2000s Abstract Christine Ravaux Abstract Prints

Materials

Mezzotint

Related Items
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category

Early 20th Century American Modern Christine Ravaux Abstract Prints

Materials

Drypoint, Etching

Waterfall I (de-accessioned from the Denver Art Museum)
By David Shapiro
Located in New York, NY
David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaquerelle...
Category

1970s Contemporary Christine Ravaux Abstract Prints

Materials

Drypoint, Mezzotint, Etching

Farmyard
By Herbert Gordon Warlow
Located in Storrs, CT
Farmyard. c. 1925. Etching and drypoint. 5 1/2 x 11 (sheet 10 x 15 1/4). Edition 75, #54. A rich impression with plate tone printed on cream wove paper. Signed and numbered in pencil...
Category

Early 20th Century Modern Christine Ravaux Abstract Prints

Materials

Drypoint, Etching

'Tribal Coast', Expressionist Woman artist, Museum of Modern Art, Guggenheim
By Ynez Johnston
Located in Santa Cruz, CA
Signed lower right, 'Ynez Johnston' (American, b. 1920) and dated 1964; additionally inscribed 'imp' lower right, titled lower center 'Tribal Coast' with number and limitation, 198/210', lower left. Framed Dimensions: 21.25 H x 26.5 W x 1.5 D Inches Born in Berkeley, California, Johnston first studied drafting, painting and printmaking at the University of California with Worth Ryder, Erle Loran and Margaret Peterson...
Category

1960s Modern Christine Ravaux Abstract Prints

Materials

Paper, Engraving

Manhattan Nocturne
By Armin Landeck
Located in Storrs, CT
Manhattan Nocturne. 1938. Etching and drypoint. Kraeft 70. 7 1/8 x 11 7/8 (sheet 10 1/2 x 15 1/4). Edition 100. Presentation Print of the Society of American Etchers, 1938. Provenanc...
Category

1930s American Modern Christine Ravaux Abstract Prints

Materials

Drypoint, Etching

Manhattan Nocturne
Manhattan Nocturne
H 15.63 in W 20.38 in D 0.5 in
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)
By Louis Conrad Rosenberg
Located in Storrs, CT
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing. Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed. The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...
Category

1920s American Modern Christine Ravaux Abstract Prints

Materials

Drypoint

Approaching Storm
By Armin Landeck
Located in Storrs, CT
Approaching Storm, Manhattan. 1937. Drypoint. Kraeft 65. 9 1/8 x 8 3/8 (sheet 15 3/4 x 14 7/8). Edition 100. Provenance: Estate of David Llewellyn Re...
Category

1930s American Modern Christine Ravaux Abstract Prints

Materials

Drypoint

Approaching Storm
Approaching Storm
H 17.75 in W 16 in D 1 in
Labyrinth
By William Crozier
Located in Llanbrynmair, GB
’Labyrinth’ By William Crozier Medium - Carborundum printmaking, collagraph process Edition - 47/80 Signed - Yes Size - 509mm x 407mm Date - 2007 Condition - Excellent. 10 out of 10....
Category

21st Century and Contemporary Abstract Expressionist Christine Ravaux Abstract Prints

Materials

Lithograph, Mezzotint

Labyrinth
Labyrinth
H 15.75 in W 20.08 in
Rooftop
By Armin Landeck
Located in Storrs, CT
Rooftop. 1941. Engraving. Kraeft 84. 4 7/8 x 8 7/8 (sheet 8 7/8 x 12 3/4). Edition 100. Provenance: estate of David Llewellyn Reese, New York. A rich impression printed on white wove...
Category

1940s American Modern Christine Ravaux Abstract Prints

Materials

Engraving

Rooftop
Rooftop
H 10.25 in W 14 in D 0.5 in
Mornings with Judd (Second state)
By Peter Milton
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category

1970s American Modern Christine Ravaux Abstract Prints

Materials

Engraving, Etching, Archival Paper

A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category

19th Century Modern Christine Ravaux Abstract Prints

Materials

Drypoint, Etching

A Sunset in Ireland.
A Sunset in Ireland.
H 5.5 in W 8.5 in D 0.5 in
The Rialto
By James Abbott McNeill Whistler
Located in New York, NY
A superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...
Category

Late 19th Century American Impressionist Christine Ravaux Abstract Prints

Materials

Drypoint, Etching

Christine Ravaux abstract prints for sale on 1stDibs.

Find a wide variety of authentic Christine Ravaux abstract prints available for sale on 1stDibs. You can also browse by medium to find art by Christine Ravaux in engraving, mezzotint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the modern style. Not every interior allows for large Christine Ravaux abstract prints, so small editions measuring 3 inches across are available. Customers who are interested in this artist might also find the work of Richard Florsheim, Antonio Cremonese, and Schomer Lichtner. Christine Ravaux abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $75 and tops out at $250, while the average work can sell for $175.

Recently Viewed

View All