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Clarence Holbrook Carter Landscape Paintings

American, 1904-2000
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers, scores of awards and solo exhibits, and streams of praise flowing from pens of the top art critics. Over the course of his 60+ year career Carter evolved from an exceptionally fine American Scene painter capable of evoking deep reservoirs of mood, into an abstractionist with a strongly surrealist bent. While his two bodies of work seem at first to be worlds apart, owing to their different formal vocabularies, they, in fact, explore virtually the same subject: the nexus between life and death and the transition from earth to spirit. The early work finds its expressive power through specific people, events, and landscapes—most of which are drawn from his experiences growing up in the river town of Portsmouth, Ohio—while the later work from the 1960s on evokes potent states of being through pure flat shape, color and form that read as universals. As his primary form he adopted the ovoid or egg shape, endowing it with varying degrees of transparency. Alone or in multiples, the egg moves through Carter’s landscapes and architectural settings like a sentient spirit on a restless quest. Born and raised in southern Ohio along the banks of the mercurial Ohio River and its treacherous floods, Carter developed a love of drawing as a child, and was encouraged by both his parents. He was self-directed, found inspiration all around him, and was strongly encouraged by the fact that his teenage work consistently captured art prizes in county and state fairs. Carter studied at the Cleveland School of Art from 1923-27, where he trained under painters Henry Keller, Frank Wilcox and Paul Travis. Returning to Cleveland in 1929, Carter had his first solo show, and through Milliken taught studio classes at the Cleveland Museum of Art from 1930-37. In 1938, he moved to Pittsburgh to teach at the Carnegie Institute of Technology until 1944. Carter’s American Scene paintings of the ’30s and ’40s, which launched his artistic star, are the works for which the artist remains best known. During and immediately after World War II, Clarence Carter realized his attraction to bold pattern, dramatic perspective and eye-catching hard-edged design was a poor fit with the prevailing style of Abstract Expressionism. Fortunately, these same hallmarks of his style were prized within the realm of commercial art. Around 1964 Carter acknowledged a need to break from the confines of representational painting. Once Carter had found a potent symbol in the egg, he used it to create an astounding body of imagery for the rest of his life. Among the most ambitious of all his later paintings were his Transections, a theological term meaning to cross, specifically between life and death.
(Biography provided by WOLFS)
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Artist: Clarence Holbrook Carter
National City Bank of New York, 55 Wall Street, Painting by Clarence Carter
By Clarence Holbrook Carter
Located in Long Island City, NY
A watercolor painting by Clarence Holbrook Carter circa 1950. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scene...
Category

1950s Modern Clarence Holbrook Carter Landscape Paintings

Materials

Paper, Watercolor

Trees at Bloom
By Clarence Holbrook Carter
Located in Los Angeles, CA
Trees at Bloom, 1939, oil on canvas, 32 x 24 inches, signed lower right About the Painting Trees at Bloom was painted when Clarence Holbrook Carter lived in Pittsburgh and served as an instructor in the Department of Painting and Design at the Carnegie Institute of Technology (now Carnegie-Mellon University), a position he held from 1938 through 1944. It depicts a thick forest at the base of distance hills just outside the city. During his tenure in Pittsburgh, Carter was deeply influenced by not only the industrial might of the steel mills and iron forges of the city, but also the beauty of the surrounding landscape. As Frank Anderson Trapp noted in his book on the artist, for Carter “the terrain itself had its own special vitality, with its craggy, wooded hills threaded with ravine and watercourses . . . . the signs of industrial blight that were unalleviated in some parts of the country were there relieved by the geological variety of the parent landscape, and by the irrepressible presence of its natural growth, which softened the whole.” Trapp continues, “in his scenes of rural situations, Carter had a special gift for rendering those elements convincingly.” With the profusion of flowering trees which diffuse the light and the red cardinals darting from one branch to another, Trees at Bloom portrays the “irrepressible presence of nature” that Trapp describes. About the Artist Together with Charles Burchfield, Clarence Holbrook Carter was Ohio’s premiere American Scene painter and later an innovative magic realist. The son of a no-nonsense public-school administrator, Carter was born in 1904 outside of Portsmouth, Ohio, a small town in the heart of the Ohio River...
Category

1930s American Modern Clarence Holbrook Carter Landscape Paintings

Materials

Oil, Canvas

Pipeline
By Clarence Holbrook Carter
Located in Long Island City, NY
A watercolor painting by Clarence Holbrook Carter from 1955. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes...
Category

1950s Modern Clarence Holbrook Carter Landscape Paintings

Materials

Gouache, Paper

Oil Well, Modern American Painting by Clarence Carter
By Clarence Holbrook Carter
Located in Long Island City, NY
An acrylic painting by Clarence Holbrook Carter from 1979. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes. Signed on lower right corner, framed in elegant silver wooden frame. Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: Oil Well...
Category

1970s Modern Clarence Holbrook Carter Landscape Paintings

Materials

Acrylic, Paper

On the Great Lakes
By Clarence Holbrook Carter
Located in Long Island City, NY
A watercolor painting by Clarence Holbrook Carter from 1953. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes. Signed on lower right corner, framed in elegant silver wooden frame. Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: On the Great Lakes...
Category

1950s Modern Clarence Holbrook Carter Landscape Paintings

Materials

Paper, Watercolor

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Clarence Holbrook Carter landscape paintings for sale on 1stDibs.

Find a wide variety of authentic Clarence Holbrook Carter landscape paintings available for sale on 1stDibs. You can also browse by medium to find art by Clarence Holbrook Carter in paint, paper, watercolor and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Clarence Holbrook Carter landscape paintings, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of Henry Martin Gasser, Harold Vincent Skene, and Enid Smiley. Clarence Holbrook Carter landscape paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $7,500 and tops out at $30,000, while the average work can sell for $24,000.

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