Constance de Rothschild Art

Robert Philipp, 'Portrait of a Young Man', color pastel and wet brush, c. 1967. Signed in pencil, lower right. A fine, painterly drawing, on cream laid Michallet drawing paper. The artist's tack holes in the four sheet corners, in very good condition. Image size 19 x 11 1/2 inches (483 x 292 mm); sheet size 19 x 12 3/8 inches (483 x 314 mm). Archivally matted to museum standards, unframed. Provenance: Art Students League, from the artist’s personal portfolio. ABOUT THE ARTIST Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir. In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis...

Artist's Self-Portrait in Pastel on Paper Bright yellow and ochre make up this self-portrait in chalk pastels by Michael William Eggleston (American, 20th Century). Unsigned, but acquired with a collection of the artist's work. Mat size: 30"H x 24"W Paper size: 24"H x 18"W Presented in a new soft peachy cream mat with foam core backing. Michael William Eggleston (American, 20th Century) is a San Francisco...

This intimate work by Camille Pissarro represents a period of significance for the Impressionist master. The early 1880s was a time of great experimentation for the artist, after he spent much of the preceding decade devoted to landscape painting. Shifting focus, he embarked on a series of works in a range of media dedicated to the human figure - particularly peasant women. In watercolor, gouache, pastel, and print, Pissarro captured the rural female and the minute moments of domestic life. Depicting a peasant woman tying her scarf, Paysanne Nouant son Foulard displays the harmony of color and composition that typifies his work of the 1880s. Composed of a symphony of color and strokes of paint, the work exemplifies the plein air technique of Pissarro's best Impressionist canvases. A true master of his art, no other artist successfully chronicled rural peasant life quite like Pissarro. Counted among the most respected artists of the 19th century and widely considered the father of Impressionism, Pissarro’s works experienced a surge in interest in the early 2000s. This is reflected in Pissarro’s new auction record of over $32.1 million, set at a 2014 Sotheby’s auction in London, which far surpassed his previous record of $14.6 million. Born in St. Thomas in the Danish West Indies, Pissarro was sent to school in Paris at the age of 11, where he first displayed a talent for drawing. In 1855, having convinced his parents of his determination to pursue a career as an artist rather than work in the family shipping business, he returned to Paris where he studied at the Académie Suisse alongside Claude Monet. At the outbreak of the Franco-Prussian War in 1870, Pissarro moved to England. With Monet, he painted a series of landscapes around South-East London and studied English landscape painters in the museums. When he returned home to Louveciennes a year later, Camille discovered that all but 40 of the 1500 paintings he had left there - almost 20 years of work - had been vandalized. In 1872, Camille settled in Pontoise where he remained for the next 10 years, gathering a close circle of friends around him. Gauguin was among the many artists to visit him there and Cézanne, who lived nearby, came for long periods to work and learn. In 1874, Pissarro participated in the first Impressionist exhibition...

Portrait of Young Woman is a splendid pastel drawing realized by an anonymous artist who signed in an unreadable way on the lower left. The state of preservation is very good, except for a tiny lighter area in the upper part of the drawing. The young woman is portrayed on top of a hill, with lush vegetation behind her and a gate with a big house in the background. She is wearing an elegant black mantle...

Red and green pastel portrait study of four faces in different poses, one male and one female, by Visionary artist Clayton Anderson (American, b. 1943). Signed and dated "Clayton 197...

Untitled Portrait figurative, no date. Reverse by Celso Castro-Daza Pencil and watercolor or archival paper Image size: 40 H in. x 59 in. W On the back of the painting: Desnudo con...

Foxglove Rabbit Augury (Circular Pastel Drawing on Indian Handmade Cotton Paper by Kahn & Selesnick) 22 inch diameter, unframed pastel, conte crayon on paper ...

Poncho Jueves 26 de Mayo, "Requiem por la condesa Nubia Brashi", 2016 Pencil on archival paper Image size: 59 H in. x 40 in. W On The back of the painting: Carlos. Martes 24 de May...

French, Mid Century, pastel and crayon portrait of an elegant young lady by Gourdon. Signed and dated bottom left. Trade label to the back board. Presented in period deep 'tray' frame. This seems to be an early work by the artist and hence it carries his name rather than his later more distinctive signature 'Aslan'. Alain Gordon was one of two brothers, his sibling Michel also went on to achieve notable success with his distinctive 'comic' style. Alain Gourdon...

Marie Laurencin (French, 1885 – 1956) Portraits of Pauline Laurencin, the artist’s mother with a further study of a child on the reverse Pencil and pastel on paper Signed and dated ‘...

Charcoal and pastel on paper Sight: 16 1/2 x 11 1/2 in. Framed: 24 1/2 x 20 1/4 x 1 2/3 in. Signed lower right Inscribed verso

The Figures Sketches is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen and pa...