Corine Lescop Abstract Paintings

Imaginary Horse, 2020, acrylic, oil, pastel and graphite on canvas. Spider, web, flower, blue, black, yellow, pink, abstract. Custom framed in a white floating frame

A summer meadow strewn with wild flowers, re-interpreted to create an effect like a tapestry or sampler. Mixed media but mainly oil, on canvas. Framed in a white tray frame - framed ...

Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils with diamond dust glass to...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold textured paint, thick oils, mixed media and, pieces of glass to add a very contemporary, elegant feel. The way the paint blends and washes into other colors gives it a very elegant feel. This style is focused on the simplicity of beauty in the moment; the artist creates a translucent but very colorful pallet with thick use of paint, evoking a result which is clean, fresh and modern. This piece is from the artists Dripping Dots...

Oil, acrylic, and mixed media on canvas

Three Gifts is a beautiful oil and mixed media painting on canvas, realized by the Italian artist Marco Amici in 2002. Original Title: Tre Doni Title and monograms are written by t...

Gregg Robinson, American (born 1948) Canvas mounted on wood board work of art depicts geometric shapes and forms with a lacquered high gloss finish. Hand signed lower left and dated 1995. Dimensions: 24 X 24 X 1.75 in. GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. His prints have been published by GalleryOnline, publishers of Per Arnoldi, Ricardo benaim, Pierre Marie Brisson, Simon Bull, Fanch Ledan, Claude Gaveau and Laurent Schkolnyk and more. SELECT CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska Airlines...

Oil, Gesso, & Recycled Plastic on Canvas 70 x 36 in (178 x 91 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discretio...

Just A Mess, 2018, acrylic, oil and pastel on wood panel, green, pink, abstract, custom framed in a white floating frame.

Oil, Gesso, & Recycled Plastic on Canvas 68 x 62 in (173 x 157 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discreti...