Cosimo Cavallaro Art

Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyperbaroque scul...

Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyperbaroque sculptures summon the baroque’s conj...

Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyperbaroque sculptures summon the baroque’s conj...

Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

This Buddha head sculpture is a 3D print contemporary take on the traditional Buddha image. The statue can be hanged directly on the wall. It is a limited edition of 25 pieces. The s...

Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyperbaroque sculptures summon the baroque’s conjunction of the transcendental and the ephemeral; playing elegantly with shapes that veer towards abstraction, and that combine organic cuverneality with the fortrights arrangements of modern formalism. The aim is for these works to open up spaces of potentiality and transformation; To use extroversion and introversion to resonate with the possibility of constructing a future reality according to our shared dreams and desires; To ensue that these constructions and convictions are as real and magnificent as anything. Tartuffe was created in partnership with Mariana Custodio...

Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyperbaroque sculptures summon the baroque’s conjunction of the transcendental and the ephemeral; playing elegantly with shapes that veer towards abstraction, and that combine organic cuverneality with the fortrights arrangements of modern formalism. The aim is for these works to open up spaces of potentiality and transformation; To use extroversion and introversion to resonate with the possibility of constructing a future reality according to our shared dreams and desires; To ensue that these constructions and convictions are as real and magnificent as anything. Tartuffe was created in partnership with Mariana Custodio...

Mariko’s Arion is an unique monumental contemporary horse sculpture made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extre...

Mariko’s sculptures are unique and monumental contemporary pieces made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extreme...

Mariko’s sculptures are unique and monumental contemporary pieces made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extreme...

Mariko’s sculptures are unique and monumental contemporary pieces made of resin and reinforced with an inside metallic structure, finished with a bi-component urethane paint, extreme...

The four life size figurative sculptures in Monuments of a Perfect Future are derived from low brow culture narratives, detailing stories of extra-terrestrial travel, heroic tales originating from science fiction, and mythology rooted in comic book narratives. Presenting a collision of high art materials (bronze, steel, wood) with pop culture imagery, this body of sculpture examines the division between high art and popular culture. This series of new sculptures originate from research conducted while attending San Diego Comic-Con (2013) as well as deriving inspiration from the master figurative sculptors Augustus Rodin and Gian Lorenzo Bernini. Monumentality speaks in the language of absolutes; the exhibition Monuments of a Perfect Future subverts the idea of absolutes through undermining monumental motifs with irony, humor and pathos. Ultimately, these works examine the tragic failure of the characters represented, as well as the failed myth of unending progress promised by modernism and technological advancement. Brandon Vickerd is a Toronto based sculptor and Professor of Visual Arts at York University. He received his BFA from the Nova Scotia College of Art and Design (1999) and his MFA from the University of Victoria (2001). In the past several years his exhibited projects have been diverse in form and content, including site specific interventions, public performances and object based sculpture. Projects such as Dance of the Cranes (Toronto, 2009) and Dance of the Cranes, Requiem for Architecture (Brooklyn, 2012) are community based projects outside the gallery that seek to transform the cityscape into a stage for performance. These performances consist of choreographed dances executed by high-rise construction cranes perched upon condo developments while viewers watch from the street bellow. Public works such as Satellite and Northern Satellite are similar attempts to engage the public in a discourse about our conflicting ways of understanding landscape. In gallery exhibitions he engages the audience through employing the language of monumental figurative sculpture subverting dominant cultural narratives by creating monuments to popular culture characters (Dead Astronaut...