Daniela Padilla Mainero Art

Charcoal drawing on light gray-blue colored paper. The drawing depicts a young man sitting with the hand on forehead. the position is probably meant to express the feeling of regret,...

Lovers Draw – Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This i...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

This Mac Mechem's drawing features a seated nude man draped in a small loincloth. Sitting in a wood-crafted chair, his gaze fixed downward as though he were brooding over some bad news. Despite the defeatist posture, his physique radiates a stark contrast—the sculpted body exudes strength and athleticism through pronounced abdominal lines, robust thighs, and defined biceps. Both hands rest passively on his knees, amplifying the sense of resignation portrayed in the artwork. The artist signed in the lower right part of the artwork. Mac Mechem, a figurative contemporary painter...

"Blues" Female Nude, part of "Nude in Interior" series, inspired by Matisse. Ultramarine tempera on colored paper. Size 27.5x19.5in / 70x50cm . See the other nudes from the sam...

Graphite pencil on paper, signed and dated (middle right), 22cm x 20cm, (51cm x 46cm framed). (This work was kept by the artist for his personal collection. This was the only tonal d...

Pencil on paper, initialled (lower right), 23cm x 17cm, (38cm x 32cm framed). (Provenance: from the collection of the artist Michael Leonard (British 1933-2023). The picture is frame...

Drawing on paper, 1975 FRANCISZEK STAROWIEYSKI (b.1930- d.2009) studied paitning at Academy of Fine Arts in Kraków and Warsaw (1949-1955). He specialized in poster, drawing, paintin...

An original animation drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original pencil drawing from the 1970s. it is from the estate of the film producer Dan Hunn. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...

Graphite pencil on paper, 18.5cm x 19cm, (framed 50cm x 42cm). (Provenance: from the artist.) Leonard is probably best known for his portrait of HM Queen Elizabeth, in the National ...

Pen and ink, ink wash and pencil on paper, signed and dated (lower right), 38cm x 29cm (65cm x 55cm framed). This penetrating and wonderfully executed self-portrait, is all the mor...

Provenance: This piece was deaccessioned from the Bass museum in Miami Beach florida. This piece is a good museum example of Exquisite corpse, also known as exquisite cadaver (from the original French term cadavre exquis), A method by which a collection of words or images is collectively assembled. This example is by Manuel Saez, Xisco Mensua and Guillermo Paneque. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see only the end of what the previous person contributed. The technique was invented by surrealists. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. In the beginning were Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and André Breton. Other participants probably included Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, and Paul and Nusch Éluard. Henry Miller often partook of the game to pass time in French cafés during the 1930s. Manuel Sáez (born 6 March 1961) is a Spanish, self-taught artist. Since 1984, he has been living and working in Valencia. The Enciclopedia Universal Ilustrada Europeo-Americana describes Manuel Sáez as among the most important painters of the turn of the 21st century owing to his simultaneously sensual and psychological approach to the world of objects, landscapes, figures and portraits. As a resident fellow of the Spanish Fine Arts Academy in Rome in 1990, Sáez elaborated a series of portraits called Biografia no autorizada In 1991 Sáez held his first important show at the Fundació La Caixa. in Valencia In 1996 he presented his first retrospective, Colección Exclusiva 1984-1995, in the Club Diario Levante of Valencia, as well as the Madrid Circle of Fine Arts, the Salas Verónicas of Murcia, the Castellón Delegation and the Brocense of Cáceres. In 2000 Sáez exhibited in Mexico City's Museo Rufino Tamayo and in the Instituto Valenciano de Arte Moderno (IVAM) in Valencia. In 2008 Sáez's work could be seen at the Sala Parpalló in Valencia. In 2003-04, Dispersions was exhibited at the Bass Museum of Art in Miami. In 2007, Sáez's work is featured in the Valencian Institute of Modern Art's (IVAM) El Pop Art en la Colección del IVAM ("Pop Art in the IVAM Collection") in Valencia.[12] Xisco Mensua Initially studied at Escuelas Virtèlia, but followed an atypical school career due to illness. Began to paint in 1978. Took a course in painting at the Escola d’Arts i Oficis (Valencia), where he had lived since the age of eight. Lived in Barcelona from 1982 to 1987, studying art at the Escola Eina for the first two years. Returned to Valencia and began exhibiting in 1990. Produced works in co-operation with Fernando Ros and Mim Juncà, as well as designing stage sets for the theatre. Now forms part of the Jacques Moran collective. Through drawing, Mensua creates a fictional world in an exercise in which he transfigures common references, whether intimate or biographic, political or social. Guillermo Paneque Seville, 1963 Spanish painter. He completed his artistic training at the Faculty of Fine Arts in Seville, Director and founder, along with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It is in the mid-eighties when his work is made known within the Andalusian artistic scene, through the production of small format paintings populated with references and symbols from the religious and everyday environment that the author mixes with a playful sense and with erotic characters that reveal a clear rejection of the Andalusian artistic tradition. His work evolves towards a formal synthesis and an iconographic cleansing in the line of conceptual art. He has starred in numerous solo exhibitions and participated in important collectives, among which include: Aperto 86 at the Venice Biennial (1986), Spain 87. Dynamiques and Interrogations (1987) at the Musée d'Art Moderne de la Ville in Paris, Spanish natures...