Doris Warner Landscape Paintings

This artwork makes part of my small collection of abstract paintings created in various vivid tones. This collection was created for contemporary interior decoration to bring a to...

Antibes. c. 1940. Oil on canvas laid down on board.x 8 7/8 x 9/8 . Fresh, bright colors. Signed E.D. Roth, lower left. Housed in an elegant 12 1/2 x 13 3/4 gold frame. Antibes is a...

Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...

An oil painting of the wetlands of Sag Harbor. Hues of greens, blues, whites and purples, make up this almost abstract landscape composition. Painted from life, at Noyac bay. Painting dimensions: 36 x 24 inches Framed dimensions: 40 x 28 inches Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...

This landscape of the Adirondacks shows and autumnal scene with the foliage in bright colors of, yellow, red, and coral. The mountains of the Adirondacks are in the background. Two p...

"Rising Moon" is a serene contemporary impressionist seascape in blue and purple Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was...

"Pretending Glitter" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes t...

About the artist: As an American artist, Wright’s travels have taken him to paint and/or teach throughout the United States and visiting over a dozen National Park sites in addition...

"Beach Scene Ogunquit Maine 04.02.1996" is oil beach scene with a warm pastel palette. It is set in a rustic, hand made gold frame from Pisa Italy, as pictured. The figures depicted ...

"Springtime" is an original tempera on board painting of a Colorado mountain landscape painting by Ethel Magafan circa 1960. Abstracted mountain landscape with trees, painted in colors of green, purple, golden yellow, red, orange, blue, black and white. Presented in a custom hardwood frame, outer dimensions measure 23 ¼ x 50 x 2 inches. Image size is 30 x 48 inches. Provenance: Private collection, Maine Acquired in the early 1960s, by descent through the family to the present owner About the Artist: Jenne and Ethel Magafan were identical twins, born in Chicago to a Greek immigrant father and a Polish mother. Due to health concerns about their father, the family moved to Colorado, living first in Colorado Springs and then in Denver. He was a proud supporter of their artistic ambitions but died suddenly 1932, a heavy blow to both of them. They attended East High School in Denver, where they found a mentor in their art teacher Helen Perry. She had studied at the Art Institute of Chicago but had later abandoned a career as an artist, making her all the more determined to help the Magafan twins succeed artistically. While still in high school, the twins impressed artist Frank Mechau, and Helen Perry paid for their lessons with him. He subsequently invited them to apprentice with him at his Redstone studio. In 1936, Jenne won the Carter Memorial Art Scholarship and shared it with her sister so that they both could attend the Broadmoor Art Academy in Colorado Springs. Once they ran out of money, Mechau, now teaching there, hired them as assistants. Through their involvement at the Academy, the twins entered into careers as muralists, working at first with Mechau and then with Peppino Mangravite. From 1937 to 1943, Ethel was commissioned to paint her first of seven government sponsored murals. Located in the US Post Office in Auburn, Nebraska, this commission made Ethel (at age 26) the youngest artist in America to receive such an honor. Denver Art Museum director Donald J. Bear once commented that “[Ethel and Jenne's] study of local detail makes them appear as little Bruegels of ranch genre – natural and unforced.” As mural painting commissions diminished, Ethel began to do more easel painting for which she used a palette knife and tempera paints to great effect. After settling in California for five years, the twins permanently relocated to Woodstock, New York in 1945, where the sisters lived apart for the first time. Ethel developed an increasing focus within her work, particularly for horses and abstract landscapes. She met fellow artist Bruce Currie...

Laura Federici lives and works in Rome. However, she traveled often to Syria, where she participated in exhibitions and workshops held in Damascus and Aleppo. She has exhibited widel...

Framed Dimensions: 17 x 20 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...