Edward Loyal Field Art
Born in Illinois, Edward Loyal Field frequently painted in the Tonalist aesthetic, where the artist would imbue the entire scene with a certain color to suggest a mist or atmosphere. His landscapes frequently adopted a feeling of nostalgia and admiration for rural life. The Boat House does just this, though without the color of many Tonalist compositions. Even without this unifying hue, Field created a sense of atmosphere and depth by manipulating value and mark, as well as beginning to blur any objects in the far distance.
1870s Academic Edward Loyal Field Art
Watercolor, Archival Paper
1880s Realist Edward Loyal Field Art
Etching
19th Century Academic Edward Loyal Field Art
Watercolor, Pencil, Paper
Mid-19th Century Realist Edward Loyal Field Art
Etching
2010s Academic Edward Loyal Field Art
Charcoal, Archival Paper, Graphite, Conté
1930s Academic Edward Loyal Field Art
Watercolor, Pencil, Paper
1920s Academic Edward Loyal Field Art
Archival Paper, Watercolor, Archival Tape, Ink, Paper, Plexiglass, Rag P...
1920s Realist Edward Loyal Field Art
Etching
19th Century Academic Edward Loyal Field Art
Paper, Watercolor
1940s Academic Edward Loyal Field Art
Paper, Gouache
2010s Academic Edward Loyal Field Art
Archival Paper, Charcoal
19th Century Realist Edward Loyal Field Art
Etching
20th Century Academic Edward Loyal Field Art
Pastel, Watercolor, Pencil
John Charles Lamont ARSAScottish early 20th Century watercolour painting of a sitting girl by Lamont
1830s Academic Edward Loyal Field Art
Paper, Charcoal, Gouache