Emiel Veranneman Case Pieces and Storage Cabinets

We are delighted to this lovely Victorian walnut with marquetry inlaid credenza with marble top and mirrored doors This piece is very decorative and sculptural, the timber patina ...

Large sideboard with nine modular wall elements in French walnut veneer from the WK-Satink series, designed in 1952 by Georg Satink, manufactured by WK Möbel, Germany. The WK-Satink ...

Gorgeous warm walnut rolling cabinet by Custom Woodwork and Design. C. Late 1970’s through early 1980’s. The 2 doors open wide for ample storage and one adjustable shelf. The back is vented for cords and air flow...

Large Vittorio Dassi Credenza in Wood, Glass and Brass from Italy, ca the 1950s. This is a true eye-catcher. It has five doors with shelves behind it and three original keys availabl...

A timeless vintage piece, this mid-century cabinet bar sideboard feels imposing and glamourous, with thick, straight lines of brass adorning its exterior of reflective black lacquer. Glossy black lacquer, paired with bright brass accents, feels crisp and luxe. Its boxy, simple style, featuring four doors and one drawers, is typical of both the 1970s and designer Jean Claude Mahey for Roche Bobois design. The two external doors...

Wall unit by Ib Kofod-Larsen for Faarup Møbelfabrik in Rosewood from Denmark 1960s. This unit consists of two elements that are not connected; a display cabinet and a cabinet with tw...

A beautiful French Provincial Louis XV style lighted breakfront bookcase or dining cabinet By Karges USA, Circa 1960s Carved cream lacquered walnut, with original brass hardware. ...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...

Here is a beautiful scandinavian modern secretary-desk-bookcase designed by Johannes Sorth manufactured by Nexxo Mobelfabrik in Denmark in the 1960's. This exquisite piece, recently...

Vintage Danish Mid Century Modern Drop Down Secretary Desk Cabinet by Domino Mobler. Circa 1970s. Features a beautiful teak wood grain, a work surf...

Handsome vintage Mid-Century Modern Mengel drop front secretary desk by Raymond Loewy. Comprised of an oak case, cerused oak drawer fronts, and blac...

Black & white tessellated marble and chrome storage cabinet by Ello, 1970s. Six doors open to reveal three compartments each with an adjustable height shelf. Very good overall condit...