Emiel Veranneman Cabinets

Large Vittorio Dassi Credenza in Wood, Glass and Brass from Italy, ca the 1950s. This is a true eye-catcher. It has five doors with shelves behind it and three original keys availabl...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...

A timeless vintage piece, this mid-century cabinet bar sideboard feels imposing and glamourous, with thick, straight lines of brass adorning its exterior of reflective black lacquer. Glossy black lacquer, paired with bright brass accents, feels crisp and luxe. Its boxy, simple style, featuring four doors and one drawers, is typical of both the 1970s and designer Jean Claude Mahey for Roche Bobois design. The two external doors...

A Chinese Qing dynasty period red lacquer compound cabinet from the 19th century, with gilded Chinoiserie décor, drawers and carved apron....

Gorgeous warm walnut rolling cabinet by Custom Woodwork and Design. C. Late 1970’s through early 1980’s. The 2 doors open wide for ample storage and one adjustable shelf. The back is vented for cords and air flow...

Our artisan-made Lake Credenza is an extra-wide storage piece with a lower overall height, making it ideally suited for use as a credenza or media cabine...

Two tone oak graphical door brutalist (bar) cabinet. Stately piece of furniture which offers plenty of storage space and made out of high quality oak panels. Good condition. 1970s...

Booleanos Tv Cabinet, Media Unit, Credenza in Warm Wood Veneer by Joel Escalona Booleanos collection reflects the concept of involuntary interactions and unexpected intersections.  ...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century with four doors, two drawers and hand-painted butterfly and foliage motifs. Created in China during the Qing...

Beautiful midcentury low credenza cabinet with sliding doors by Paul McCobb circa 1950 planner group #1513 - solid maple construction has a Blonde maple finish. All original Wood sliding front doors with brass finger hole pull sits on 4 tapered maple legs. Good vintage condition. Normal wear on top surface. No inside shelves. Wire hole in back and center dividers for stereo equipment...

Designed by Richard Thompson for Glenn of California, this walnut cabinet has four doors which conceal an upper and lower cabinet. The upper cabinet is fitted with a vintage McIntosh mac 4100 stereo receiver/ amplifier, an ADS compact disk player, and a dual 1219 turntable. The lower cabinet houses a Sony 400 disk CD player...

A beautiful French Provincial Louis XV style lighted breakfront bookcase or dining cabinet By Karges USA, Circa 1960s Carved cream lacquered walnut, with original brass hardware. ...