Erik Höglund Serveware, Ceramics, Silver and Glass

Jacob Bang White Glass Decanter / Bottle for Kastrup, Denmark, 1960s.

1960s Small Swedish paperweight, ashtray or trinket dish which is made from a thick piece of square coloured dark teal glass. The viking ship design is...

Mid-Century Green Glass Decanter, Empoli, Italy. Tall, tapered glass decanter. Hand-blown glass in the distinctive green color used by Empoli.

Unique blue and white stripes Murano vase or centrepiece. During this period, Italian glassmakers were at the forefront of the modernist movement in glass design, creating pieces t...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

Scandinavian glass vases, set of two, designed by Per Lutken for Holmegaard with mark engraved on the bottom, some signs due to normal use over time, 1960s.

Jugendstil polished pewter penguin-shaped decanter designed by Hugo Leven for Kayserzinn factory By: Hugo Leven, Kaiserzinn Material: pewter, copper, lead, tin, metal Technique: polished, metalwork, cast, hand-crafted Dimensions: 4 in x 8 in Date: 1900-1902 Style: Jugendstil, Art Nouveau Place of origin: Germany This piece serves as an Jugendstil (german Art Nouveau) style penguin-shaped decanter; with simple, minimalist lines and a smooth surface due its polished material, it has a lid resembling the bird's head at the top which is operated by a hammer-like mechanism that can be pushed down with the thumb to open it. It has a handle on one side to hold it. The Kaiserzinn factory seal can be seen underneath. Around 1890 Engelbert Kayser, then director of the biggest German pewter factory of the 19th century, Kayserzinn, hired designer...

This stunning sculptural vase base was realized by Göran Wärff for Kosta Boda in Sweden circa 1960. It features an ovoid body with an assymetrical cavern in the center- imbuing the p...

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Original glass.

Bertil Vallien Kosta Boda Minos Glass Vases, Sweden, 1984 Bertil Vallien's vases with a swelling body, and swirling white decor. It was traditionally mouth-blown, giving it a uniq...

A beautiful metal and cork bottle stopper. Some wear with a nice patina, but this is old-age. Made of metal and cork. A beautiful nice Barware item or just a display item in your collections of...

Vintage Alpaca Duck Mallard Figural Silver Plated Water Pitcher Decanter. Item features a nice heavy weight, remarkably detailed, original stamp, ...