Felicie Howell Paintings

Artist/ School: French Impressionist early 1900's, most likely an unfinished sketch hence not signed. Title: Dreamy garden view, looking out of the window over a deep green and vib...

Josep Marfa Guarro (1928-2014) Cadaques Spain Oil Oil on canvas glued to cardboard. Oil measures 22x27 cm. Frameless. Josep Marfa Guarro (1928-2014) Josep...

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

Serene landscape of athe Merced river and El Capitan by California Artist Marjorie Russell (20th Century). A calm river winds through the bottom portio...

This beautiful early 20th-century oil painting by British artist Arthur Ellis (1856-1918) depicts children in a cornfield before a distant view of the sea. Ellis was first and forem...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

English School, circa 1990/2000 signed 'H. Taylor' oil on canvas, framed framed: 23 x 30 inches canvas: 15 x 22 inches provenance: private collection, UK the painting is in overall v...

Grass Acrylic, canvas, oil, 40x50 cm The artist's use of a light color palette conveys a sense of freshness and brightness, emphasizing the natural beauty of the grass. The strokes...

Joaquín Asensio Mariné (1890-1961) - Beach - Oil on canvas Oil measures 65x81 cm. Frame measures 81x96 cm. Asensio Mariné (Barcelona, 1890-1961) was a painter who specialized in lan...

Signed lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928

Laura Hoernig New Mexico Landscape with Houses and Figures Original Oil Painting c.1930s Original oil on canvas Dimensions 20" wide x 16" high The distressed frame measures 22.5" ...

Colorful mid-century landscape of Pacific Grove by Edda Maxwell Heath (American, 1874 - 1972). Signed and dated '51 lower right corner. Presented in a giltwood frame. Image, 16"H x 2...