Gary Wing Art

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

*Dimensions include the frame This French artwork from around 1940 exhibits a vivid, expressive style, reminiscent of Vincent van Gogh's post-Impressionist works. The robust, swirli...

Watercolour on paper by Henri Duhem depicting Ypres - also known as Leper - in Belgium, which was the centre of the Battles of Ypres between Germany and Allied forces in World War I....

Oil on paper laid on canvas. Signed & dated 1899 lower right. This work is included in Tome II of the Catalogue Raisonne by Denise Bazetoux- Ref: 159 This work is a plein air stud...

French Impressionist watercolour on paper of a road and buildings leading to a chapel in a landscape by Henri Clamen. The painting is signed and dated bottom left and titled bottom r...

French Impressionist watercolour on paper view of a park in a city, probably Paris, by Henri Clamen. The painting is unsigned but was acquired from the artists atelier with other sig...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

French Impressionist watercolour on paper view of a colourful forest and mountain landscape by Henri Clamen. The painting is signed bottom right. A charming view of a colourful moun...

French Impressionist watercolour on paper view of a colourful village, spanning a river and mountain landscape by Henri Clamen. The painting is unsigned but was acquired from the art...

French Impressionist watercolour on paper of a chapel in a landscape by Henri Clamen. The painting is titled and dated to the back of the paper. Though not signed it was acquired fro...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

French Impressionist watercolour on paper view of a canal scene by Henri Clamen. There is a location annotation to the back of the paper. The painting is not signed but was acquired ...