Gieler Portrait Paintings

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop cu...

Gele is essentially a type of head tie worn by women in the Western African country of Nigeria. In contrast to the head ties worn in some other African countries, like Ghana, Gele is...

Contemporary pastel pop art portrait of Edward Scissorhands and Kim Bogs by Texas artist Robert Sandman. Posed in the style of the iconic "American...

Abstract contemporary painting of Swedish environmental activist Greta Thunberg by Austin, Texas artist Ed Booth. Large blue, yellow, and black vectorized por...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

This brilliant original oil and acrylic painting on canvas measures 30x64" and is painted in Ceravolo's classic Urban Pop style. Ceravolo's Large scale paintings have received international acclaim and his art in in numerous art collections worldwide. His art came to popular attention when he was commissioned to create 5 large scale paintings for The Palladium Theatre in New York City of Linda Ronstadt, Jackson Browne, Frank Zappa, Neil Young and Hall and Oates. In addition to those, his paintings are in many influential corporate and private collections worldwide, including: SIR ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. We have included a photo of Ceravolo with some of his famous collectors. This painting titled "Lucky Girl...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

JOSÉ PALACIOS Spanish, 1970 - MAJA signed "JAPALACIOS" (lower right) signed again "JAPALACIOS" and inscribed "MAJA" (on the reverse) acrylic, spray, wax and graphite on canvas 65-1/4 X 47-1/2 inches (165 X 120 cm.) unframed. Palacios's admiration for Goya and his Nude Maja, or Matisse's odalisque made him create this work that was an interesting play of color and alteration of the human figure. José Palacios was born in 1970. Influenced by the Spanish artists of the 80s belonging to the Madrid Movement, he began his artistic career linking the world of Painting and Illustration. Years later, Palacios developed a figurative style combining neo-cubism and pop art. His current work is based on a combination of abstraction with pop art winks made with a palette of refreshing and bold colors. His works are present in different private collections in Europe, United States and Asia José Palacios work has been exhibited at Wanrooij Art Gallery (Amsterdam, Holland), Bridge Gallery (Beijing, China), Art Angler Gallery / New York, USA), Plastique Art Gallery (Madrid), Actual Arte Contemporáneo & Galería Luis Carvajal...

"Hockney" Acrylic on canvas Painting 36" x 36" inch by Ty Joseph From 7 L's series 2018 acrylic on canvas 36" x 36" * * * The meaning of L series * * * Although influenced by Pop...

"Selbstportrait Und Der Sonne" This work is part of a series of alligator paintings Brock made in 2007. All are painted in a somewhat similar and brash style, and are based on an incredibly vivid dream of an albino alligator with sunglasses. There were about ten in the series. Most were traded away to other artists, though one larger one was purchased from a gallery exhibition with the now defunct Buia Gallery in 2008. Kadar Brock (born May 28, 1980) is a casualist artist. He graduated in 2002 with a BFA from Cooper Union School of Art in New York City. He lives and works in Brooklyn, New York. Brock’s work has been reviewed in The New York Times, The Village Voice, Artforum, Bomb Magazine, The Brooklyn Rail, Interview Magazine, White Hot Magazine and Dazed and Confused, W Magazine, Bloomberg News, and Cultured Magazine. Brock first creates relatively conventional large abstract paintings, which one commentator describes as "happy". These are then "negated and disenchanted" by a long process including adding layers, scraping, puncturing, and slicing. The results of this process are what Brock exhibits. He also incorporates fragments of such canvasses into the surfaces of other works. W Magazine wrote that Brock was "... best known for his unorthodox approach to abstract painting, in which he creates frenetic, gestural images and then renders them unrecognizable with the help of a razor blade and a power sander." Marina Cashdan wrote: "His studio is an ecosystem—and an efficient one—in which the artist’s methodical and ritualistic process makes for a consistent upcycling of materials across the space: when he spray-paints, he uses a canvas as the drop cloth; that canvas becomes the start of a painting; and that painting has two fates: one sliding door is going under the razor and the industrial sander, before being coated with layers of pigments and primed, sanded, and primed, a process repeated until the desired effect is reached; the other fate is to be martyred into chips or dust." Stephan Cox, in Hunted Projects: In Dialogue wrote: "What’s fascinating is that Brock’s works are the product of an artist who aims to demystify the gesture in painting through creating rituals that in effect eradicate the didactic artist-viewer scenario. Brock doesn’t aim to create works that are easily read as being a by-product of an artist’s expression; Brock has created a set of rituals, a rolling of dice, where he, in effect has his actions directed for him. This could be through the number of brush strokes to apply or the number of cuts to make, in all, his intuitive approach to painting is not present or discernible to the viewer." In Kadar Brock’s large-scale abstract paintings, a discordant combination of techniques, styles, and colors comes together in clashing tension. By turns described as a post-graffiti and “casualist” artist, Brock riffs on the history of abstraction, employing old tropes and marshalling simple patterns and crude geometric forms into his works, while also inviting an element of chance to determine his markings. He has explored the loose, gestural, and expressive idea of abstraction in the works of German painters like Albert Oehlen and Gerhard Richter, and He has been known to roll a Dungeons & Dragons dice to dictate marks in his paintings according to the die’s symbols and numbers. In repetitive compositions, Brock allows accidents in their production (such as heavy downward paint drips) to differentiate. In 2013, Brock had his breakout solo show in New York, at The Hole, entitled “dredge.” The entire main gallery space was filled with new paintings. The show very quickly sold out. He has exhibited at galleries internationally, with solo shows at Vigo Gallery...

"Star Hailing L's" Painting 48" x 48" inch by Ty Joseph From 7 L's series 2017 * * * The meaning of L series * * * Although influenced by Pop Art, with i...