Gordon House Abstract Prints

Robert Indiana Purim: The Four Facets of Esther (I) Sheehan, 36, 1966 Color silkscreen on off white wove paper Printed by Stephen Poleskie, Chiro...

Title: Portrait of a Poet Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on hand-made 100% cotton paper. Signed, titled and numbered in pencil. In excellent ...

ROBINSON , Geoffrey (b.1945) Three Fishes c.2011 Silkscreen Print 35.0 × 56.0 cm 13 4/5 × 22 in Geoffrey Robinson trained at Bournemouth College of Art...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

ROBINSON , Geoffrey (b.1945) On Two Tables c.2011 Silkscreen Print 47.0 × 57.0 cm 18 1/2 × 22 2/5 in 2 APs Geoffrey Robinson trained at Bournemouth C...

ROBINSON , Geoffrey (b.1945) On A Kitchen Table c.2011 Silkscreen Print 47.0 × 57.0 cm 18 1/2 × 22 2/5 in Geoffrey Robinson trained at Bournemouth College of Art in the 1960...

ROBINSON , Geoffrey (b.1945) Winter Still Life c.2011 Silkscreen Print 37.0 × 48.0 cm 14 3/5 × 18 9/10 in Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, be...

ROBINSON , Geoffrey (b.1945) On A Dining Table c.2011 Silkscreen Print 47.0 × 57.0 cm 18 1/2 × 22 2/5 in Geoffrey Robinson trained at Bournemouth College of Art in the 1960’...

Felix LABISSE Three Nudes Original lithograph Handsigned Numbered / 100 ex On vellum 70 x 50 cm (c. 28 x 20 inch) Excellent condition

A fine Raymond John 'Jack' Coutu (1924-2017) ARE, ARCA. color lithograph/ engraving. 'Tree Root'. 6th of a 50 handmade edition by the artist.. circa 1959. Well listed Modern Artist. Signed and presented in the original framing. Raymond John "Jack" Coutu ARE ARCA (13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art.Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School.[ On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore. At the end of WWII, he was in Kure, Japan, in the Hiroshima Prefecture. From 1947 to 1951, Coutu studied at the Farnham School of Art, followed by the Royal College of Art in London from 1951 to 1954 and the Central School of Art from 1951 to 1955. At the Central School of Art, Merlin Evans was an influence on Coutu's printmaking. Coutu taught printmaking at the Central School of Art from 1957 to 1965 and then at the West Surrey College of Art and Design in Farnham from 1965 to 1985. In 1968, he started to carve netsuke (as practised in Japan) and he joined the Netsuke Kenkyukai Society, based in the United StatesHe is also a member of the Royal Society of Painter-Etchers and Engravers and the Printmakers Council. Jack Coutu has exhibited at the Royal Academy in London, netsuke conventions, jointly with Michael Rothenstein...

Hand signed. One of 100 copies. In this lithograph, dated 1970 ca. and characterized by a horror vacui decoration, Campigli reproduces a multiform crowd of female figures. Image Dim...

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...