Günter Fruhtrunk Furniture

Friedensreich Hundertwasser, offset printing with foil embossing on laid paper, plate-signed and stamp numbered editon 3000 pieces. Print size 10x15cm  

Louis Icart , French/American, 1888-1950 "Speed II" (Vitesse) etching and aquatint on Arches paper signed lower right, Windmill blindstamp lower left, printed...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 14 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of 12...

UTAGAWA KUNISADA (TOYOKUNI III 1786-1865) - 'Nezumi Kozo' (Japanese 'Robin Hood') - Rare antique woodblock print - Ichikawa Kodanji IV acting as Nezumi Ko...

"STILL LIFE WITH FLOWERS AND BIRD'S NEST" AND "STILL LIFE WITH FLOWERS AND FRUIT" BY JOHANN PETER PICHLER AFTER JAN VAN HUYSUM Mezzotints on paper, housed in contemporary frames; Austria, created circa 1806 Item # C104030 A handsome pair of mezzotints by Austrian printer Johann Peter Pichler circa 1806 after the original painting on copper by Jan van Huysum. They remain in a nearly pristine overall condition. The same prints are carried in the permanent collections of the Winterthur Museum, the British Museum of Art and the National Galleries of Scotland; the original painting for the print with the bird's nest is also held in the permanent collection of the National Galleries of Scotland. Pichler's representation of van Huysum's iconic work was cherished for the exquisite tones and richly textured surfaces. They were completed in Vienna, Austria circa 1806 while the van Huysum paintings were still part of the Czernin collection. The pair are professionally hung in contemporary Dutch ebony...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 19 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of 12...

18th century George III set of six mezzotints depicting Lucretia, circa 1780, ‘Domestic Happiness’, ‘The Elopement’, ‘The Virtuous Parent’, ‘Dressing for Masquerade’, ‘The Tavern Door’, ‘The Fair Penitent’. Engraved by John Raphael Smith, (1751 – 1812) and painted by George Morland, (1763 – 1804). Engraved by John Raphael Smith, (1751 – 1812) was a British painter and mezzotinter, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Smith became a London publisher from 1781, including among his clients the radical writer and artist William Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group was J. M. W. Turner, Charles H. Hodges, William Ward, Thomas Girtin...

This beautiful engraving named La boudinière, is made by Jacques Philippe LeBas after the work of David Teniers II. This engraving represents a kitchen interior divided by partitions. In the foreground, there is the carcass of a half pig hanging. This carcass is placed in front of a bread oven...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 14 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of...

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 15 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of 12...

Cabin layout of a one design class by John Alden framed in silver. Overall dimensions: 27" x 44".

JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 22 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of 12...