Harriet Holden Nash Art

Anne Russinof's newest works are part of a series in which she intimates baroque ceiling patterns. Having long been inspired by architectural forms and patterns because they provide ...

Colorful mid century vibrant abstract scene of boats in harbour. Signed and titled in Hebrew recto and titled and signed in Hebrew and English verso. Joseph Weiss, Painter, Sculptor, Woodcuts. b. 1916, Romania. Immigrated 1939 to Israel. Member of Kibbutz Evron. Studies: Klug, Romania, painting and graphics; advanced studies, Oranim Art Institute, Tivon; with Dada founder Marcel Janco and Zvi Mairovich. He was a Romanian-Austrian-Israeli painter producing mainly color woodcuts and sculpture, who was born at Romania in 1916. The First Exhibition of Israeli Graphic-Art, Museum for Modern Art, Haifa. 1967 Artists: Micha Ullman, Jakob Steinhardt, Jacob Pins, Noemi Smilansky, Miron Sima...

"Melody for the Ocean" by Luis Fuentes is an enchanting original still life-seascape painting that seamlessly blends surrealism and realism. This framed oil-on-canvas masterpiece, ad...

AUTUMN RHAPSODY Oil on board Size: 32 x 58.5 cm (including frame) A rich and captivating mid-century abstract painting, executed in oil onto canvas by Swedish painter Hans Osswald (...

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Mid-Century oil on board by 20th century artist Ahlan Achoy, signed bottom left. Ahlan Achoy was known for his figurative art and portraiture often in the cubist style. This colourf...

Abstract figure in pink by by San Francisco, California area artist Daniel David Fuentes (American, 1978-2016), (AKA, Xavier Lundt) (American, 20th Century). From a collection of hi...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

BREAK OF DAY Size: 35 x 43 cm (including frame) Oil on Canvas A dramatic atmospheric mid century modernist landscape, painted in oil onto canvas. In this semi-abstract composition ...

"Mystery needs to be part of the artistic production again. We don't need our egos to send powerful messages". Ed Warner builds from the ruins of the Western tradition, always with ...