Henry Horenstein Black and White Photography
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Artist: Henry Horenstein
Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
10 x 8 inches, sheet
(Open Edition, Unsigned)
$1400.00
20 x 16 inches, sheet
(Edition of 25)
$3500.00
30 x 30 inches, sheet
(Edition of 5)
$12,000.00
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry in its heyday, as well as the rough-and-tumble dive bars...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jukebox
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Beluga Whale (Delphinapterus leucas)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Fishnets, New York Burlesque Festival, Southpaw
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Brown Sea Nettles (Chrysaora fuscescens)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jerry Lee Lewis
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Cownose Ray (Rhinoptera bonasus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, loc...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Domestic Great Dane (Canis lupus familiaris)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Ronnie
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Christine
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
TV, Kitchen
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Drunk Dancers
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Loretta Lynn
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Domestic Pig (Sus scrofa domestica)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Amber Ray
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 15)
30 x 40 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Hosts, Charity Party
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jackie Beat, California Institute of Abnormalarts (CIA)
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Waylon Jennings
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Chammie and Uncle George
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
11 x 14 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Emperor Penguin (Aptenodytes forsteri)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Last Call
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Lovers
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Waiting Backstage
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Harmonica Player
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Prince Poppycock
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Wanda Behind the Bar
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
White-cheeked Spider Monkey (Ateles marginatus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Melody Sweets, New York, NY
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed in pencil, verso
22 x 17 inches, sheet
15 x 15 inches, image
This photograph is offered by ClampArt, located in New York City.
The series, "Show," is photographer Henry Horenstein’s long-anticipated look at modern burlesque. The photographs were made from 2001 to 2009, and serve as an homage to the neo-burlesque resurgence of the last several years.
The noir-styled images in "Show" are variously amusing, sexy, and harsh — true reflections of the world they document. The book covers a myriad of burlesque-style performance, including drag, fetish, and sideshow. Horenstein says, “These performers are today’s version of the ‘starving artist’ — living on the margins and delivering their personal expression through song, dance, comedy, and narrative — charged sexually and often highly political.”
"Show" includes portraits of many of burlesque’s most recognizable performers, including Dita Von Teese and Catherine D...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
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Photographic Film, Black and White, Silver Gelatin
Henry Horenstein black and white photography for sale on 1stDibs.
Find a wide variety of authentic Henry Horenstein black and white photography available for sale on 1stDibs. You can also browse by medium to find art by Henry Horenstein in silver gelatin print, archival pigment print, pigment print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Henry Horenstein black and white photography, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of James Whitlow Delano, Burt Glinn, and Lynn Goldsmith. Henry Horenstein black and white photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,400 and tops out at $2,500, while the average work can sell for $2,500.