Herbert Mears Art

This painting is bright and cheery and the jewel-tone colors are superb. "Jour d'Orage, La Garde (Var) (Stormy Day) 1921" Louis Pastour (France, 1876-1...

A beautiful, luminous landscape, cityscape painting. I believe this is oil paint. It might be acrylic. 17 X 13 with frame 16 x 12 sight. Juan Guzman-Mald...

Signed lower left, 'Sheri Lenz' (American, 20th century) and painted circa 2000. A substantial oil on canvas landscape showing a lyrical view of hills floo...

Signed lower left, 'F. Scalise' for Frank Scalise ( Italian-American, born 1891 ) and painted circa 1965. A fresh and breezy, Post-Impressionist harbor scene with figures standing on a dock among brightly colored fishing boats beneath clouded blue skies. This award-winning painter and designer was born in Palo Alto, California and studied at the National Academy of Design...

Mid-Century Modern abstracted landscape of autumn trees lining a red brick pathway by Charles Fuhrman (American, 1940-1995), c.1960s. Signed "Fuhrman" lower left. Unframed. Image, 36...

Signed lower right, "Cucaro" for Pascal Cucaro (American, 1915-2003). An icon of the Beat years in San Francisco's North Beach, Pascal Cucaro was the winner of numerous medals and a...

Abstract landscape, oil painting This is hand signed lower right dated 1947 There is also a hand written inscription in french lower left. Moussia Toulman ( 1903-1997), Artist and poet, was born in Uman Ukraine (famed as the tomb site of Chassidic Rebbe Nachman of Breslov) and came to Israel (British mandate Palestine) when she was 19 years old. Just a few months after her arrival she married, settled in Metula however, she didn’t forgo her ambition to study art. In 1923 she enrolled to study at the Bezalel Art Institute in Jerusalem and completed her studies there in 1926. Like Ziona Tagar, who preceded her a few years earlier, Moussia Toulmann chose to become an artist-woman in the full significance of the term. She wasn’t satisfied with the local studies framework that was available and chose to continue her studies in Paris, France which at that time was considered the art capital. From 1929 onwards Musia lived in Paris, studied art and joined the ‘Independent Salon’ society. She made contacts with artists and writers and exhibited during the 1930’s in a number of select group exhibitions. In 1936 Tolman visited Israel and forged bonds with artists she studied with at Betzalel, among them Aharon Avni, Gliksberg and Avigdor Stematsky. She exhibited at the Tel Aviv Museum of Art in 1936 in a group exhibition with Aharon Avni, Arie Aroch, Yosef Zaritsky, Mordechai Levanon, Eliyahu Sigad, Chaya Schwartz, and Yehezkel Streichman. She painted landscapes and portraits and presented one of the works she painted in Paris to the Tel Aviv museum. It was a portrait of the poet and art critic Gustave Kahn who had died the same year. Moussia returned to Paris and exhibited a one-man show just before the outbreak of the Second World War. During the war all the works she exhibited in this exhibition were lost without a trace and Moussia Toulman herself wandered around France moving from one hiding place to another. After the war, in 1946 Moussia Toulman continued painting but was reluctant to exhibit her works. She became a well-known public figure and volunteered for aid programmes for Holocaust survivors, especially orphans. Later on she founded together with Mane Katz, Jacques Atlan and other artists the ‘Art’ organization with the object of developing cultural ties with Israel and to aid Israeli artists during their stay in Paris. In addition to painting Moussia Toulman wrote poetry, published articles and was involved in art criticism. She was included in the rare publication of 'Association des artistes, peintres et sculpteurs juifs de France' in French and Yiddish. The School of Paris Jewish artists included Edmond Kayser, Abram Krol, Meyer Lazar, David Lan-Bar, Jacques Lipchitz, Jacques Loutchansky, Lubitch, Rene Mendes-France, Adolphe Milich, Lea Nikel, Jules Pascin, David Peretz, Camille Pissarro, Nathan Rapoport, Moussia Toulman, Roger Worms...

Compelling fauvist seascape with boldly colorful ocean waves and glowing sunset by Northern California artist John Ramm (American, 1879-1948), 1929. Impasto brush strokes add depth and interest to high voltage color palette. Signed lower right corner and dated on stretcher "29" . Condition: Good; minor edge losses professionally restored/in-painted. Signature slightly augmented to enhance readability. Image size: 22"H x 28"W. The son of German immigrants, John Henry Ramm was the son of German immigrants, and his father had been a Duke in his native land. Ramm moved to San Francisco in 1893 and worked as an apprentice to a photographer. He married Nettie Hoist in Sacramento and they lived in San Francisco. He was a close friend of painter Manuel Valencia...

signed oil on canvas, unframed canvas: 15 x 18 inches inscribed verso dated 1970 provenance: private collection, France condition: very good and sound condition

Solent No.25 is an oil on canvas showing a section of the landscape, painted from an aerial perspective by Artist & Musician John Illsley. The artwork comes signed and framed. As th...

A superb oil on canvas by listed British artist Peter L Field. It depicts an abstract landscape painted circa 1958. A rare, interesting and stunning work by a superb artist. From a c...

Artist/ School: French Post-Impressionist school, 20th century Title: titled verso, beautiful green landscape. Medium: oil painting on canvas, unframed canvas: 19.75 x 24 inches...