Hiroyuki Tajima Art

This Kawase Hasui Block print is from the Showa era (1926-1989). This print was made in 1931. Kawase Hasui lived from 1883-1957. A Master of his Craft....

Mid-century wood block print of two owls known as "Three Eyes" by Kaoru Kawano, circa 1950s. The print has a red Kawano seal in lower right corner and is presented in a black wood frame with cream matte. Very cool MCM image! #1369 Kawano Kaoru...

Japanese Meiji period framed set of three woodblock prints from the 'Plum Garden' series, made by Toyohana Chikanobu (1838-1912). An example of this print is at the Kanagawa Prefecture Museum in Yokohama. The set dates from circa 1880. The first signature on the lower left corner is the publishers' name and address (Takegawa Unokichi), the second one in the upper right corner is the date 1889 and the third one in the lower right corner is 'Japanese Plum...

Original Japanese polychrome woodblock print "snowflowers" by Nishijima Katsuyuki. Signbed by the artist in pencil in the lower right corner. The subject in this artwork is the Honjin (Inn for Daimyô) in Kusatsu on a snowy day. Honkin was the most prestigious accommodation in Shukuba (post town) in the Edo period. Kasatsu-juku Honjin was the landmark of Kusatsu-juku for about 240 years from the early Edo period to the early Meiji period. The books of guest records are written about many famous historical...

Antique Japanese small table top four panel folding screen. Wood block print on paper. First quarter 20th century. Perfect to use as wall art.

This wonderfully designed, abstract work by esteemed Japanese printmaker Tadashi Nakayama. The print is pencil signed, numbered (13/80), dated 1963, stamped on the verso by the artist, and embellished with metallic pigments. It is an uncommon and hard to find work. Nakayama has exhibited internationally in cities such as Rome, Tokyo, Krakow, Milan, and his works can be found in museums around the world including: Art Gallery of New South Wales, Australia. Cincinnati Museum of Art, Ohio, USA. fine Arts Museum of San Francisco - Achenbach Foundation for Graphic Arts, USA. Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA. Honolulu Academy of Arts, Hawaii, USA. Library of Congress, Washington, D.C., USA. Philadelphia Museum of Art, Pennsylvania, USA. Western Australian Art Museum, Perth...

Face with a Mustache - Abstracted Lithograph by Cathleen Panttaja Hip Woodcut Print done at the height of the Flower Power 60s, of a man with a large Moustache. Cathleen Panttaja (Am...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

A Classic image by renowned Japanese printmaker Utagawa Toyonobu from his newly selected history of Toyotomi Hideyoshi series. A very good impres...

1960's Japanese woodblock print titled " In front of the garden" by Japanese asian and modern & contemporary artist Tomizaburo Hasegawa. The Art work is signed, titled and dated in ...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

This work is immediately recognizable as the work of Haku Maki (1924-2000). It is one of his well-known abstract compositions. The print is in very good condition, with no flaws noted on the surface. There is some very, very light toning in the margins, barely visible only under bright light. Maki Haku (巻白, 1924–2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He was a sōsaku-hanga artist in 20th Century Japan. During World War II, Maejima Tadaaki was trained as a kamikaze pilot in the Japanese air force, but the war ended before he was assigned a mission. Haku had no formal art training, but studied for two years with the sōsaku-hanga artist Onchi Kōshirō...