His Masters Voice Furniture

Viners, UK (manufacturer) ‘Love story by Viners′ cutlery, Presentation Set, boxed (44 pieces), 1970s 6 x Large knifes 6 x Small knifes 6 x Large forks ...

The HMV Model 101 portable Gramophone was originally introduced in about 1925. It was, and is, still considered to be one of the best portable wind-up gramophones ever produced. Sup...

HMV 'Standard Portable' Model 101 gramophone with No.4 soundbox, circa 1925. Manufacturer: His Master's Voice, UK Black Rexine leather-cloth, polished wood and chrome finished interior and fittings. Original turntable felt. Super original un-restored condition, having had a light service in recent years. The HMV model 101 portable Gramophone was originally introduced in about 1925. It was, and is, still considered to be one of the best portable wind-up gramophones ever produced. Complete with HMV record cleaning pad and 'Half Tone' (medium loudness) needle tin (the tin is approximately 1/3 full with original fresh needles). Also included is a couple of starter 78's, HMV recordings Cat. No. D.A.: 122: Enrico...

HMV portable gramophone, Model 102, introduced 1931, this is an early model dating from circa 1932/3. Manufacturer: His Master's Voice, UK Re...

Suitcase gramophone “La Voix de son Maître” (His Master’s Voice) model HMV 101 + 8 records. France, 1929. France, 1920s in working condition Brand: His Mas...

His Masters Voice porcelain sign. His Master's Voice (HMV) is a famous trademark in the music and recording industry and was the unofficial name of a major British record label. The name was coined in the 1890s as the title of a painting of a Jack Russell terrier dog named Nipper, listening to a wind-up gramophone. In the original painting, the dog was listening to a cylinder phonograph. In the 1970s, the statue of the dog and gramophone, His Master's Voice, were cloaked in bronze and was awarded by the record company (EMI) to artists or music producers or composers as a music award and often only after selling more than 100.000 sound carriers such as LPs. The painting The trademark image comes from a painting by English artist Francis Barraud and titled His Master's Voice. It was acquired from the artist in 1899 by the newly formed Gramophone Company and adopted by the Victor Talking Machine Company in the United States. According to contemporary Gramophone Company publicity material, the dog, a terrier named Nipper, had originally belonged to Barraud's brother, Mark. When Mark Barraud died, Francis inherited Nipper, with a cylinder phonograph and recordings of Mark's voice. Francis noted the peculiar interest that the dog took in the recorded voice of his late master emanating from the horn, and conceived the idea of committing the scene to canvas. The Logo In early 1899, Francis Barraud applied for copyright of the original painting using the descriptive working title Dog looking at and listening to a Phonograph. He was unable to sell the work to any cylinder phonograph company, but William Barry Owen, the American founder of the Gramophone Company in England, offered to purchase the painting under the condition that Barraud modify it to show one of their disc machines. Barraud complied and the image was first used on the company's catalogue from December 1899. As the trademark gained in popularity, several additional copies were subsequently commissioned from the artist for various corporate purposes. Emile Berliner, the inventor of the Gramophone, had seen the picture in London and took out a United States copyright on it in July, 1900. The painting was adopted as a trademark by Eldridge R. Johnson of the Consolidated Talking Machine Company, which was reorganized as the Victor Talking Machine Company in 1901. Victor used the image far more aggressively than its UK affiliate, and from 1902 most Victor records had a simplified drawing of Barraud's dog-and-gramophone image on their labels. Magazine advertisements urged record buyers to "look for the dog." In British Commonwealth countries, the Gramophone Company did not use the dog on its record labels until 1909. The following year the Gramophone Company replaced the Recording Angel trademark in the upper half of the record labels with the Nipper logo. The company was not formally called HMV or His Master's Voice, but rapidly became identified by that term due to the prominence of the phrase on the record labels. Records issued by the company before February 1908 were generally referred to by record collectors as G&Ts, while those after that date are usually called HMV records. The image continued to be used as a trademark by Victor in the US, Canada, and Latin America. In 1929, the Radio Corporation of America (RCA) purchased the Victor Talking Machine Company. In British Commonwealth countries (except for Canada, where Victor held the rights) it was used by various subsidiaries of the Gramophone Company, which ultimately became part of EMI. The trademark's ownership is divided among different companies in different countries, reducing its value in the globalised music market. The name HMV was used by a chain of music shops owned by HMV, mainly in the UK, Ireland, Canada, Singapore, Australia, Hong Kong, and Japan. In 1921 the Gramophone Company opened the first HMV shop in London. In 1929 RCA absorbed Victor, and with it a major shareholding in the Gramophone Company, which Victor had owned since 1920. RCA was instrumental in the 1931 creation of EMI, which continued to own the His Master's Voice name and image in the UK. In 1935, RCA Victor sold its stake in EMI but continued to own the rights to His Master's Voice in the Americas. HMV continued to distribute RCA Victor recordings in the UK and elsewhere until 1957, when EMI purchased Capitol Records as their distributor in the western hemisphere. The hostilities between the US and Japan during World War II led to RCA Victor's Japanese subsidiary, the Victor Company of Japan (JVC), to become independent, and today the company is still allowed use of the "Victor" brand and Nipper trademark in Japan only. In 1968, RCA introduced a modern logo and restricted the use of Nipper to the album covers of Red Seal Records. The Nipper trademark was reinstated to most RCA record labels in the Western Hemisphere beginning in late 1976 and was once again widely used in RCA advertising throughout the late 1970s and 1980s. The dog reappeared for a time on RCA television sets and was also used on the RCA CED videodisc system. EMI owned the His Master's Voice label in the UK until the 1980s, and the HMV shops until 1998. In 1967, EMI converted the HMV label into an exclusive classical music label and dropped its POP series of popular music. HMV's POP series artists' roster was moved to Columbia Graphophone...