Jais Nielsen Art
Danish, 1885-1961
Born in Denmark, Jais Nielsen initially studied at Kristian Zahrtmann’s art school and exhibited for the first time at the 1907 Autumn Salon in Copenhagen's Charlottenberg Palace. He participated in the ground-breaking The Group of Thirteen modernism show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907–11, his use of 'primitive' Fauve colors reinforced his clear departure from traditional Danish painting. In 1911, Nielsen moved to Paris where he settled in the Latin Quarter near the Musée de Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, from which the present work dates, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and began to incorporate distinct, yet subtle, Cubist elements into his work. At the outbreak of World War One, Nielsen moved back to Copenhagen, taking his Parisian Modernist style with him. Sports, dance and circus life were the themes that interested him and he painted many canvases in the best tradition of the early Cubists, of which he became the earliest Danish exponent. Neilsen exhibited widely and with success and was the only Danish artist represented in the landmark Futurist exhibition, “Futurismo & Futurismi” in Venice, Italy in 1986. A retrospective of his work was also held at the Galerie 1900–2000 in 1986. Nielsen is recognized as a founding pioneer of Scandinavian modernism and his works are held in private and public collections worldwide including the permanent collections of the National Art Museum in Copenhagen and the National Museum in Oslo. He is well-listed in all art historical reference works including Thieme-Becker and in Benezit, which gives a signature sample.
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Artist: Jais Nielsen
'The Agony in the Garden', Paris, Salon d’Automne, Section d'Or, Gethsemane
By Jais Nielsen
Located in Santa Cruz, CA
Signed lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-1961) and dated 1938.
A powerful figural work showing a view of Jesus kneeling in the Garden of Gethsemane on the evening before his trial and execution.
Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.
With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...
Category
1930s Post-Impressionist Jais Nielsen Art
Materials
Graphite, Charcoal, Paper, Gouache, Watercolor
'Joan of Arc', Paris, Salon d’Automne, Section d'Or, Group of Thirteen, Benezit
By Jais Nielsen
Located in Santa Cruz, CA
Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1923.
In a later, giltwood swept frame. Framed dimensions: 34.25 x 1.75 x 24.75 inches
An early-twentieth century figural gouache showing Joan prior to her execution, kneeling and holding the communion chalice. She seems oblivious to the jostling crowd of captors and weeping supporters that surround her. An armored soldier stands at right, firmly grasping his scabbard and the hilt of his sword. A second solder draws aside the tent door...
Category
1920s Post-Impressionist Jais Nielsen Art
Materials
Cardboard, Gouache
'Roses with a Quimper Plate', Paris, Salon d’Automne, Fauve, Section d'Or
By Jais Nielsen
Located in Santa Cruz, CA
Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913.
An early twentieth-century, oil still-life of pink dog-roses shown loosely arranged in a cobalt blue glass vase, set beside two Breton tin-glazed earthenware plates, resting on an azure-turquoise tablecloth and contrasted against a coral-ochre background. An elegant, early work by this foundational Danish Modernist.
Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.
With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...
Category
1910s Post-Impressionist Jais Nielsen Art
Materials
Oil, Canvas
'Young Bretonne', Paris, Salon d’Automne, Section d'Or, Post-Impressionist Oil
By Jais Nielsen
Located in Santa Cruz, CA
A vibrant, early 20th century oil study of a young Breton girl shown regarding the viewer with a stern and penetrating gaze.
Signed lower right 'Jais' for Jais Nielsen (Danish, 1885...
Category
1910s Post-Impressionist Jais Nielsen Art
Materials
Oil, Canvas
'Woman Sleeping', Early Paris Post Impressionist Oil, Salon d’Automne, Fauve
By Jais Nielsen
Located in Santa Cruz, CA
Signed lower left 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated "51".
Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtma...
Category
1950s Post-Impressionist Jais Nielsen Art
Materials
Oil, Paper
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EXHIBITIONS
2023 New Work, Gallery VICTOR, Chicago, IL
2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL
2020 Realities, Gallery Victor Armendariz, Chicago, IL
2018 Liberation, Gallery Victor Armendariz, Chicago, IL
Blood Sport, Gallery Victor Armendariz, Chicago, IL
Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY
SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL
Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL
2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL
Modern Metaphors, Rockford Art Museum, Rockford, IL
2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL
Vice + Virtue, Northern Illinois University Museum of Art
2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN
2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN
Uncensored, Ann Nathan Gallery, Chicago, IL
2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN
2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR
Creative Imaginings, Mobile Museum of Art, Mobile, AL
Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL
2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL
2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Group Show, Arcadia Gallery, New York, NY
Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA
Armory Show, New York Armory, New York, NY
2003 Paintings & Drawings, College of Lake County, Grayslake, IL
The Art Show, New York, NY
Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL
Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL
2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA
Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL
1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI
1995 Bruno Surdo: Recent Works, College of Lake County, IL
AIDS in Our Society, Loyola University, Chicago, IL
Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL
1999 Group Show, Ann Nathan Gallery, Chicago, IL
1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL
1995 Spiritual Inquiries, Struve Gallery, Chicago, IL
1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL
Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL
SELECTED COLLECTIONS
The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art
Arkansas Art Center, Little Rock, AR
College of Lake County, Greyslake, IL
Flashpoint Academy, Chicago IL
John Robert Wiltgen Design
Shoemaker Ruud Collection
Julie & Thomas Danilek
Michael Vozzella and Mike Silver
Benjamin Fernandez
Tom Braake
Betsy Colburn
Michael Diemand & Lor LaRose
Michael Staab & Kathy Brock
Bruce Leep
Frank Tzurect
Mary Foley
Rosalyn Carlson
Mimmy Turney
Janet Long Halstead
Billy Hunt
Carol Galli
Myles Kerrigan
Honorable & Mrs. Edwin Berman
Theodore Gage
Northrop Art Museum
Past Present & Future Company
Dr. James & Peggy Kemmler
Salvatore Monastero
Nix & Virginia Lauridsen
Joel Miller
David & Marlene Zerkel
Ann & Andy Abel
Claudia Rush
Marc Miller
Leonard Goldberg
Lawrence Pucci
Howard Tullman Collection
Susan & Manny Kramer
James Rinnert
Richar Interiors
Michael & Nancy Colt
Khalid Altijir
Dr. Joe Grodman
Beryl & Jack Gore
Larry Wolf & Eric Naegle
Chuck Wolandi
Jack Schwab & David Sandelin
Thomas Kaczmarek
Marti Dinerstein
Craig & Michael Golden
Mike & Jill Rose
SELECTED PUBLICATIONS
Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog
An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment
“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
“Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002
Review by Dennis Raverty, Art Papers Magazine, July 2001
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21st Century and Contemporary Contemporary Jais Nielsen Art
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1910s Impressionist Jais Nielsen Art
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Jais Nielsen art for sale on 1stDibs.
Find a wide variety of authentic Jais Nielsen art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange, pink and other colors. You can also browse by medium to find art by Jais Nielsen in paint, oil paint, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Jais Nielsen art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Karl Larsen, Mogens Erik Christien Vantore, and Leon Herbo. Jais Nielsen art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,800 and tops out at $18,500, while the average work can sell for $9,000.