Jane Bauman Art

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Provenance: S. Spinelli Collection, Florence; their sale, Galleria Pesaro, Milan, July 11-14, 1928, lot 112 (unsold); reoffered Galleria Luigi Bellini, Florence, April 23-26, 1934, lot 132, as manner of Baldassare Peruzzi Dr. Giacomo Ancona, Florence, 1930s, and after 1939, San Francisco; thence by descent to his son: Mario Ancona, San Francisco; thence by descent to his children: Mario Ancona III and Victoria Ancona, San Francisco, until 1995; thence to: Phyllis Ancona Green, widow of Mario Ancona, Los Angeles (1995-2012) Literature: Donato Sanminiatelli, Domenico Beccafumi. Milan 1967, p. 170 (under paintings attributed to Beccafumi) Among the precious survivors of Renaissance secular paintings for domestic interiors are several unusual and particularly attractive panels painted in Siena at the end of the fifteenth and beginning of the sixteenth centuries. These paintings depict exemplary figures from antiquity—heroes or heroines, as well as allegorical, literary, and mythological figures. For the most part, these panels have survived in groups of three, although it is possible that some of these works were painted either as part of larger series or as individual projects. One such trio by Beccafumi consists of two paintings now at the National Gallery, London (Marcia and Tanaquil) and a third in the Galleria Doria-Pamphilj, Rome (Cornelia). These were commissioned around 1517–1519 for the bedroom of Francesco di Camillo Petrucci in Siena and were most likely placed together as elements in the wall decoration (spalliere) or installed above the back of a bench or cassapanca. Another, earlier (ca. 1495–1500), set of three—Guidoccio Cozzarelli’s Hippo, Camilla, and Lucretia (Private Collection, Siena) survives with its original wooden framework—a kind of secular triptych. Judith, Sophonisba, and Cleopatra in the collection of the Monte dei Paschi, Siena, are by an anonymous artist close to Beccafumi called the “Master of the Chigi-Saracini Heroines.” Girolamo di Benvenuto’s Cleopatra, Tuccia, and Portia are dispersed (homeless, Prague, Chambery), and Brescianino’s Faith, Hope, and Charity are in the Pinacoteca Nazionale in Siena. The present painting first appeared in the Spinelli sale in Florence in 1934, at which time it was sold with two panels of identical size and format. Each was catalogued as being by the “manner of Baldassare Peruzzi” and of unidentified subject. Of these, the painting depicting a male figure turned to the right has recently reappeared in a private Italian collection, while the location of the third work, portraying a cloaked figure turned three-quarters left, remains unknown. Our panel depicts the allegorical figure of Fortune. Here she is represented in typical fashion as a nude female figure balanced on a wheel (sometimes called the Rota Fortunae), her billowing drapery indicating that she is as changeable as the wind. The appearance of the Virgin and Child in the cloud at the upper right is an unusual addition to the iconography. The subjects of the two pendant male...

the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. At the Mirror...

A Palatial and Opulent Belle epoque giltwood & oil on canvas three-panel screen, circa 1890. "Allegory of Youth" Comprising of three exquisite hand-painted triptych oil on canvas panels of cherubs and putti amongst a peacock, all by Ferdinand Wagner II (German, 1847-1927). Each panel depicting different playful and joyous scenes of putti and cherubs. All three-in-one panels within individually carved giltwood and upholstered frames. One panel signed at the lower left: Ferd.Wagner. A truly magnificent and one of a kind piece, perfect for any room in the home. Overall: 101" high 85" wide x 5" deep Very good condition. Ready to place. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld. Wagner II was influenced by the Munich School of master painters and by his art teacher, Karl von Piloty, who had been teaching at the Munich Art Academy since 1856. Piloty’s approach to historical paintings was influenced by the French art academic Paul Delaroche and by the fine artworks by Rubens and the Venetians. After his return to Germany he was commissioned to decorate the former the Tenormayer Wine Tavern in Munich, subsequently he received numerous other commissions as a decorator. Ferdinand Wagner II wall paintings and ceiling frescos...

Original Canvas painted with acrylic & spray paint Signed on the back of the canvas Size 11.8 x 15.75 (30 x 40 cm) with Frame 12.99 x 16.92 (33 x 43) Comes with a Certificate of A...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express emotions akin to silent poetry while drawing inspiration for her palette from the layered world around her. Her artworks include layered textures and playful details along the surfaces. She repeatedly uses words that come together to form a harmonious composition. This original graffiti-inspired painting measures 18 inches square. The sides are painted grey and it does not require framing. It is wired and ready to hang. This painting is signed and titled by the artist on the back. Convenient local Los Angeles area delivery. Affordable Continental U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Amber Goldhammer is best known for creating vibrant abstract paintings with a street art edge. She originally started painting with pigments, powders, and waxes and went on to experiment with different mediums and processes to keep evolving her artworks. As love and joy are paramount emotions in life, Goldhammer hopes her series incorporating the “I Love You” message expands to reach a wide audience. Connecting people through public art is one way she believes her street murals can impact lives, as it is impossible to view her work and not feel a sense of joy and love. Painting a convergence of color and emotion, she builds and layers bold colors organically, allowing the process to determine the outcome. There is no analyzing, conceptualizing, or judging that takes place. It all happens in the moment, as a union between her, the canvas, and the paint. Her original art can be seen on canvases, interior wall surfaces, outdoor facilities, furnishing elements, clothing, and accessories. Amber Goldhammer frequently draws inspiration for her palette from nature and the colors of the ocean, saying, “I get to take in the essence of the ocean every day, which fuels my creativity and brings me peace.” She draws a fascinating parallel between her highly coveted paintings and the diverse tapestry of the world around us. Just as a field of flowers may initially appear uniform, upon closer inspection, the intricate beauty of each unique blossom becomes evident. Her artwork mirrors this intricate beauty and complexity, offering a captivating journey for art enthusiasts in search of original, one-of-a-kind pieces that reflect the rich diversity of our surroundings. A worldwide collected young artist with ongoing concurrent exhibitions in galleries throughout the United States and Switzerland, Goldhammer's artworks have also been exhibited at major international art fairs. Her original paintings have been showcased in print and online publications and on such TV series as “Million Dollar Listing,” “Being Mary Jane,” “The Catch” as well as both multi-Emmy® nominated series, “Crazy Ex-Girlfriend”, and “Scandal.” Goldhammer’s art is also featured on Netflix’s original series, “G.L.O.W.” by “Weeds” creator, Jenji Kohan. REPRESENTATION Artspace Warehouse, Los Angeles, California SOLO EXHIBITIONS 2022 Christopher Martin Gallery, Dallas, TX 2022 Merritt Gallery, Washington, DC 2021 Artspace Warehouse, Los Angeles, CA 2020 Christopher Martin Gallery, Dallas, TX 2012 Meridian’s, Ventura, CA 2010 Healing Bodywork, Santa Monica, CA GROUP EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Christopher Martin Gallery, Dallas, TX Merritt Gallery, Washington DC MAC Fine Art, Ft Lauderdale, FL Clarendon Fine Art, London, England 2022 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Christopher Martin Gallery, Dallas, TX Merritt Gallery, Washington DC MAC Fine Art, Ft Lauderdale, FL Clarendon Fine Art, London, England 2021 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Christopher Martin Gallery, Dallas, TX Merritt Gallery, Washington DC MAC Fine Art, Ft Lauderdale, FL Clarendon Fine Art, London, England 2020 Kunstwarenhaus Zurich, Switzerland Artspace Warehouse, Los Angeles, CA Kevin Barry Fine Art, Las Vegas, NV Ethos Contemporary, Newport Beach, CA Christopher Martin Gallery, Dallas, TX 2019 Artspace Warehouse, Los Angeles, CA Kevin Barry Fine Art, Las Vegas, NV Ethos Contemporary, Newport Beach, CA 2018 Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland Kevin Barry Fine Art, San Francisco, CA 2017 Artspace Warehouse, Los Angeles, CA Jackson Gallery, Palm Springs, CA Kevin Barry Fine Art, San Francisco, CA Kunstwarenhaus Zurich, Switzerland 2015 Artspace Warehouse, Los Angeles, CA JCC Gallery, Santa Barbara, CA Kunstwarenhaus Zurich, Switzerland Michael Kate Design, Santa Barbara, CA 2014 National Peace Project USA 2014 Artspace Warehouse, Los Angeles, CA Burbank Creative Arts Center, Burbank, CA 2013 Artspace Warehouse, Los Angeles, CA 2012 Artspace Warehouse, Los Angeles, CA Artlife Gallery, El Segundo, CA Encino Community Center, Encino, CA ART FAIRS 2021 AAF New York, NY 2020 AAF New York, NY Art Palm Springs, CA LA Art Show, CA 2019 AAF New York, NY Art Palm Springs, CA 2018 AAF New York, NY AAF Hong Kong Art Palm Springs, CA 2017 AAF New York, NY 2016 AAF Hong Kong AAF New York, NY 2015 AAF New York, NY 2014 Love Art Fair Toronto, Canada 2013 Affordable Art Fair New York, NY Affordable Art Fair Seattle, WA PRESS 2023 Home and Design Magazine 2023 So Cal Design Magazine 2021 Art Daily Swagger Magazine Grey Journal 2020 Paper City Magazine, Dallas 2018 Architectural Digest Magazine 2018 LA Yoga Magazine 2015 Scene Magazine - Santa Barbara, Ca 2014 Avant Garde Magazine – Nationwide (USA) 2013 Blick Winter Catalog 2013 Fusionart, Rassouli 2011 Origin Magazine – Nationwide (USA) TV & FILM Insecure, HBO GLOW, Netflix L.A.’s Finest, Netflix Planet of the Apps, Apple TV The Catch, ABC Crazy Ex-Girlfriend, CW Scandal, ABC Million Dollar Listing LA, Bravo Being Mary Jane, BET Staged to Perfection, HGTV Beyond Hope, Al Diaz Silicon Valley, HBO The Laundromat (2019) Love, Simon (2018) REPRESENTATION Artspace Warehouse, Los Angeles, CA Kunstwarenhaus Zurich, Switzerland COLLECTIONS The STRAT Hotel, Las Vegas, NV Cooperative of American Physicians, Los Angeles, CA Casting Networks, Los Angeles, CA Capital One Headquarters, Los Angeles, CA Brentwood Country Club, Los Angeles, CA Ritz Carlton, Los Angeles, CA Meredith Baer...

This beautiful painting was created in 1877 by the well-known French painter, Gustave Clarence Rodolphe Boulanger. Boulanger often produced work which combined the classical and Orie...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Original Canvas painted with acrylic gold chrome spray paint Signed on the back of the canvas Size 11.8 x 19.7 (30 x 50 cm) Edition of 5 Comes with a Certificate of Authenticity...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Julius EXNER (Copenhagen, 1825 - Copenhagen, 1910) Model stripping Oil on canvas H. 122 cm; L. 74 cm Signed and dated 1842 lower right Exhibition: most likely Charlottenborg Salon of 1845, under number 110, titled Modelfigur, awarded with a silver medal Provenance: Emilio Fernando Bolt (c.1860 - 1944), acquired from the artist around 1900, then by descent Our painting was produced as part of the summer sessions organized between 1839 and 1850 by Christoffer Wilhelm Eckersberg (1783-1853), the master of Danish painting of the first half of the 19th century, in his private studio-apartment on the ground floor. floor at the Royal Academy of Fine Arts in Copenhagen. The master brought together a few students there between June and September, rented one or two models for the season, which were painted from different angles, the artists (including Eckersberg himself) sitting side by side. Eckersberg used to paint a fairly small version, the pupils of the larger formats. The work fits more generally into the legendary context of the research and reforms carried out by Eckersberg concerning the studies of nudes and in particular of female nudes, to make this exercise a genre of painting in its own right. Following his two-year stint in Jacques-Louis David's studio in Paris in 1811, Eckersberg had been made aware of work on the nude and in particular on live models, in natural light, while in Denmark the drawings were then only made from casts of antique models or other mannequins. In 1822, when he had been a professor there since 1818, it was he who had the Royal Academy of Copenhagen authorize the study of nudes, no longer in the evening by candlelight, but in natural light; from 1833, it was still he who allowed students to work on nude female models, even if the official authorization of the Academy did not take place until 1839. It was this same year that he instituted his summer sessions, on a private basis, to orient his painting and that of his students towards a new conception of the representation of models: even if the nude remains the real theme, it does not however, this is more than just an academic exercise. The subject is placed in a contemporary interior, with a rather sophisticated decor, and occupied with an intimate activity (it is this type of intimate vein that we will find later in Degas or Cassatt for example); thus in our painting, the young woman is supposed to take off her clothes to wash. The objective is that the viewer forgets that the master and his students are painting a model during a posing session, and that he instead has the impression of being alone with the model, but invisible, almost like a voyeur in spite of himself. Moreover, in these paintings, the model never looks towards the spectator, inducing a psychological distance with him, whereas model and artist are actually physically very close. On the other hand, it is not a question of idealized nudes either, even if Eckersberg, proof of his debt to the antique, chooses fairly classic models and poses. The sensuality is real and very present, with dreamy, even innocent, and timeless expressions (the models do not seem to have a defined age), suave and slow attitudes and movements, and especially with clothes that hide or reveal skillfully parts of the female body: upper buttocks, pronounced hips... Made by an artist under 20, our sensual painting is probably one of the most beautiful and spectacular produced by the students of Eckersberg during these summer sessions. With a perfect balance between the firmness of an ancient statue (it recalls the Venus de Milo) and the softness of the feminine forms, highlighted by a harmonious palette, it captures the attention with many details: the almost photographic folds white clothing...

Original Artwork created with spray paint and ink on deep-edge canvas Size 16 x 16 inches 1/1 Comes with a Certificate of Authenticity