Jean-Auguste-Dominique Ingres Art

Bobby Dowler (b. 1983, London) studied Filmmaking at FH Salzburg and Southampton Institute/Solent University and Art and Design at Camberwell College, London. Bobby is a painter work...

19th century Italian school drawing. Academic study of the figure of the young naked man. Drawing made from two sides of the sheet of paper On the other side two feet and an arm are ...

French painter (19th century) - Four erotic scenes. 17 x 24 cm without frames, 21.5 x 28.5 cm with frames. Antique ink drawings on paper, in wood...

Figurative Sketches Italian School, mid 18th century circle of Pompeo Batoni (1707-1787) charcoal and pencil, heightened with white chalk, unframed...

Charcoal drawing on light gray-blue colored paper. The drawing depicts a young man sitting with the hand on forehead. the position is probably meant to express the feeling of regret,...

Charcoal on paper, 60cm x 42cm, (74cm x 60cm framed). The picture is framed behind museum quality non-reflective UV glass. Drawings and paintings of the nude were central to academ...

Neo classical school, France, end of the 18th Century Allegory of Time, Pen and black ink on paper, gray ink wash 30.5 x 19 cm irregularly shaped In g...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

Self Portrait is an etching realized After Rembrandt Van Rijn in the early 20th century. Good Conditions. The artwork is depicted through free stroke...

The Boys by Celso Castro-Daza Carbon Pencil on archival paper Image size: 47.5 in. H x 39 in. W Sheet size: 59 in. H x 42.5 in. W Unique 1996 Drawing on paper is his basic work to...

This is an etched portrait of a pensive woman wearing a detailed cloth head scarf by George Woolliscroft Rhead (1854-1920). It may be entitled "A Fisher Wife", but this can not be co...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...