Jean Rivier Table Lamps

Georges Pelletier is famous Belgian ceramist who was active in Paris most of his career. His lamps are based on earth colouration with free standing elements that create a decorative...

Amazing midcentury wicker and rattan table lamp. This fantastic piece was designed in Italy during the 1960s. Having a wicker lampshade, the light diffusion is incredibly warm and...

2 well sized brown table lamps in ceramics signed Les Grottes Dieulefit. Originally candleholders wired as a table lamps. They are painted woo...

Midcentury French ceramic lamp by Marcel Giraud - Vallauris - 1960s. It is a beautiful handcrafted table lamp both raw and elegant that can blend either in a country chic atmosphe...

Beautiful example of the work of the ceramists Jean and Juliette Rivier is this oval table lamp with with glaze and different decors with hints of ligh...

Danish Mid-Century Modern ceramic blue table lamp by Nis Stougaard (1906-1987). Smooth cylinder shape with crackle glaze in blue nuances. Manufactured in...

Decorative white ceramic lamp base is 15.5" high, circa 1960. Round, tall base. The shade is not included.

Ceramic Vallauris shell table lamp, 1960s, France.

Totem table lamp sculpture in ceramic terracotta by the french ceramist artist Georges Pelletier for the manufacture Accolay in France. Rare and unusual color, Early production from ...

Fine and large handmade Danish Mid-Century Modern stoneware table lamp. Various brown colors. Unknown artist. A great vintage lamp well suited for the Modern interior or Scandinavi...

A standing large floor lamp from the studio pottery Accolay with a large rope and resin lampshade attributed to George Pelletier. Double lighting up to...

Unique hand decorated Swedish mid-century modern ceramic lamp attributed to Tilgmans Keramik. One yellow, one rose colored bird sitting on a branch with light green leaves on blue/black sgraffito striped background. Black and white top and bottom part. Signature on a leaf. Beautiful vintage condition. Sweden, 1960s. Paul Harald “Harry” Tilgmann was born in Dresden, Germany in 1904 and emigrated to Sweden during WWII where he started Tilgmans Keramik (= Ceramics) in 1948 in the small town of Utbynäs close to Gothenburg. Tilgman had 16 employees working for him and when he hired the Polish refugee Marian Zawadzki (1912-1978) as artistic director in 1953, Tilgman Keramik started experimenting with the distinct sgraffito technique. The sgraffito technique consists of carving fine lines into the background of a design through a light colored glaze down to a dark grey clay slip. This created a unique textured ground which has become a style associated with Tilgmans Keramik in particular. The decorative elements also appear to be outlined with a carved line and then hand painted with overglazes where birds, fish, flowers, butterflies and other animals were a common theme. This type of work was the most popular in midcentury Sweden alongside Tilgmans small animal figurines...