Johan Barthold Jongkind Landscape Prints

Jeanne Marguerite Frey-Surbek (Swiss, * 23.2.1886 Delémont, † 17.5.1981 Bern) Country Road near Gabés, Tunesia, North Africa • Etching • Platte, ca. 7 x 11 cm • Sheet, ca. 33 x 25.5 cm • Monogrammed lower right • Edition noted lower left 74/100 • Printed title lower right Looking through my stock, buyers will notice my liking of female artistes working in Switzerland and here I introduce you to another important heroine of Swiss artistes and present a sweet little Swiss School orientalist pre-war etching...

20th century lithograph copy of an original painting by British artist Douglas Adams (English, 1853-1920). Signature in the print. Copy under the im...

Eric Ravilious’s Dog II [2022] limited_edition Etching Edition number 33 Image size: H:21 cm x W:21 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Limited edition print of a man on a train with his hat blowing away. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty etching. Buy Mychael Barratt printmaker works with Wychwood Art gallery online. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

Engraved by Claudine Bouzonnet-Stella (French, 1636-1697) After Jacques Stella (French 1596-1657) The Wedding Procession - Le Cortege nuptial • Copper engraving on laid paper • Sh...

Kerr Eby 'Shipping' also 'Shipping, Connecticut', etching and sandpaper ground, 1932, edition 100, Giardina 171. Signed in pencil and titled 'Shipping' in the bottom left sheet edge. A superb, atmospheric impression, with skillfully controlled plate tone, on heavy, cream wove paper; the full sheet with wide margins (2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 3/8 x 17 1/4 inches (316 x 176 mm); sheet size 13 7/16 x 8 3/8 inches (341 x 213 mm). The scene depicted was on the Connecticut coast...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...

JOSEPH PENNELL (1857 - 1926) NEW FISH MARKET - (NEW YORK) 1921 (W 797) Etching, Signed in pencil, edition probably 50. 9 7/8 x 6 7/8 inches. Full sheet, ...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

Johannes Sadeler I (Flemish, ∗ 1550 in Brussels, Belgium – † 1600 Venice, Italy) Jonah thrown to the Whale (First Sheet) Engraved by Sadeler after an image created by Theodor Berna...

La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...

Albert Lorey Groll, 'Ship Rock, New Mexico', etching, c. 1910. Signed and titled in pencil. A fine, richly-inked impression on cream, wove paper, the full sheet with margins (1 to 1 3/8 inches); a slight paper defect in the center-left margin, away from the image, otherwise in excellent condition. Image size 7 7/8 x 10 inches (200 x 254 mm); sheet size 10 1/8 x 12 15/16 inches (257 x 329 mm). Scarce. Provenance: Ex. collection Kennedy Galleries, in their original gallery mat with label attached. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...