José Emilio Fuentes Fonseca (JEFF) Art

A human face emerges from the intricately designed stainless steel mesh of this intriguing sculpture. Ottawa artist Dale Dunning views his work as “objects of reflection and contem...

Informed by a minimalist aesthetic, this elegant outdoor sculpture by Claude Millette speaks to the viewer's perception of balance and imbalance. Born in Saint-Hyacinthe, Millette studied at the École de sculpture de Saint-Jean-Port-Joli and apprenticed with sculptors Robert Poulin and Jordi Bonet...

Reminiscent of the great statues of the ancient world, Jason Kime’s ‘Bathsheba’ is named for the beautiful wife of King David and the mother of King Solomon. According to the story in the Hebrew Bible...

This stunning outdoor sculpture by American artist Jason Kimes was inspired by the remarkably complex and beautiful shape of a bird’s nest. Forged from polished stainless steel; each...

Stainless steel sculpture Liechennay was exposed to the creative process from a very young age through his mother’s artistic pursuits as a designer of gold jewelry in Indonesia, his...

A stainless steel cube is laser cut on three sides with the outline of a digital circuit board in this intriguing outdoor sculpture by Jake Goertzen. Beneath each of the three sides is a reflective coating of lively turquoise-green, sky blue and cerise. A former engineer, Goertzen pulls on his knowledge of mathematics in titling the work -- a platonic solid...

medium: found knives, steel, and wood Paul Villinski has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of...

Kamyki original decorative wall mirror (6 pieces), Zieta DImensions: Ø 7-20 cm Material: stainless steel. Color: Emerald Dimensions of the set : H. 40 cm W. 61 cm D. 6 cm About the...

Stainless steel sculpture

Kamyki original decorative wall mirror (18 pieces), Zieta DImensions: Ø 7-20 cm Material: stainless steel. Color: Emerald Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm About the Gradient collection: Mirrors by Zieta Studio cross the border between art and technology and reflect Oskar Zięta’s research on the physical qualities of steel. Their uneven surfaces, with artistic deformations suggesting softness...

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #2 Material: Stainless Steel Dimension: 92 x 104 x 48 cm Date: 2021 About the artwork: Bonsai (Potted landscape)...

AP 2 Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...