Jovan Vulic Portrait Prints

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

DaVinci Tee Threesome is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson(1919-2010). DaVinci Tee Threesome was printed using hand lithogr...

JAPANESE TEMPLE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the Dutch artist Nico Vrielink printed using traditional hand lit...

This bold color lithograph is signed, dated and numbered in pencil by Peyton, from an edition of 350. Published by the Public Art Fund, New York.

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

OVID METAMORPHOSES - Metamorfosi di Ovidio is an original hand drawn lithograph by the Italian artist sculptor Marcello Tommasi (1928-2008). Printed...

BOPPING AT BIRDLAND(STOMP TIME) is a limited edition color lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free, in an edition size of 175 by the renowned African American artist Romare Bearden. A semi-abstract multicolor print in shades of red, yellow, blue, green, pink beige, white, gray and black - BOPPING AT BIRDLAND(STOMP TIME) is a lively jazz portrait...

NY STREET SCENE II is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed in black ink using hand lithography techniques on archival...

JEANE is an original, hand drawn, limited edition lithograph by the Dutch artist Nico Vrielink printed using traditional hand lithography techniques on archival Arches paper 100% acid free. JEANE depicts an energetic contemporary female fashion portrait of a standing young woman dressed in a tight fitting black skirt, deep V-cut turquoise blue top, light pink gloves and large dark sunglasses...

"Neptune Washington" is a large contemporary lithograph by Ron Adams (1934- ), created in 1996. It depicts a muscular African-American fisherman polling his fishing boat in a river in the rain. Adams distinctive rendering of Neptune conveys his great strength, as well as the grace, fluidity and balance of his body. He is barefoot and shirtless, dressed in striped overalls with his right shoulder strap undone. A bucket of fish sits next to his left foot, while fishing line, an open tin can and a frog are seen on a wet bench in front of Neptune. A long-necked white bird (crane) sits on a log floating by in the river near the opposite shore. Ominous storm clouds are present in the background over trees, brush and rocks along the opposite river bank. The lithograph is printed on handmade deckle-edged paper and presented with a museum style floating mount in a black wood frame with a thick cream mat and glazed with UV protected plexiglass. It is signed in pencil in the right lower corner along with the date, '96. The title "Neptune Washington" is inscribed in pencil in the lower margin in the center and initials HGI are in the lower left. The initials HGI may stand for Hand Graphics Institute, which Adams founded in New Mexico. The initials rather than the usual edition number (which consisted of 70), possibly signify an artist proof or possibly a Hors-Commerce (before trade) printing. The print is in excellent condition. The frame measures 38" x 30.25" x 1.25". Ron Adams is a prominent African-American master printmaker. His detailed depictions of African-American musicians, craftsmen, folk heroes and everyday people have made him one of the top figurative artists and printmakers in the country. He has worked with and taught many other well-known artists, including Frank Stella, Charles White, John Biggers, Robert Rauschenberg and Jasper Jones...

HAPPY MOTHER, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. Endearing figure study of a woman with a group of young children playing togeth...

SECOND GENERATION is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. SECOND GENERATION portrays a double portrait of a boy and girl in profile, bordered by bright yellow, orange and red flames with a row of turquoise blue silhouette figures marching in protest across the lower portion of this striking composition by Elizabeth Catlett. From the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "Let a new earth rise. Let another world be born. Let a bloody peace be written in the sky. Let a second generation full of courage issue forth; let a people loving freedom come to growth. Let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control." stanza from the poem FOR MY PEOPLE by Margaret Walker...