Kristy Chettle Art

Hand signed and dated by the artist lower right. Includes a beautiful contemporary wooden gilded frame. In excellent conditions. References: - Catalogo della mostra di Pio Semeghini...

Spring-Memory Landscape features Magnolias, among the first flowers to grace the Spring Equinox after the long, cold winter, symbolising regeneration and vitality. These early Magnol...

Primary Colour Series- White Butterfly ( It's just Another Stage of Life) is Shizico Yi's latest project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition....

David van der Linden 'Don't let the sun blast your shadow'' 100 x 100 cm Oil on canvas framed in a black wooden frame (included in price) 115x115 cm David van der Linden is a Dutch...

Yellow Dahlias in Blue (Sunlit Series) is one of Shizico’s latest works. The series is a continuation of “Sunlit Series", an artistic exploration with and around the colour of yellow...

"Untitled (View of Provincetown Harbor)", is an oil on panel work made by Hans Hofmann circa 1937. The work is stamped verso by the estate of Hans Hofmann. The artwork size is 17 1/4...

A large abstract seascape painting dedicated to the magic of the Mediterranean. An opening, moving, dancing wave. In a palette of bright greens...

"Emergence in Azure" is a captivating artwork that invites contemplation of the ephemeral beauty and tranquility of nature. Against a backdrop of azure blue sky, verdant and golden-h...

Edward Avedisian ( 1936-2007 ) 7 X 13 Oil paint on wood panel with pink, red and green abstract. This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

Woman in red is an original artwork realized by anonymous Italian artist in the late 20th Century.. Original oil on plywood Hand-signed on the lower left margin. The artwork repre...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

"Untitled" is an oil on canvas painting made by Ray Parker in 1965. The piece is signed verso, "R. Parker, 30 x 24, 1965". The art size is 30 1/8 x 23 1/4 inches. The framed size is ...