Leonard Baskin Abstract Prints

Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...

Stanton Macdonald-Wright Woodblock on Laid Paper 1966-67 Departing Spring Hesitates Appears to be an artist proof. The pencil text and signature a...

Czestochowski 31. 11 3/4 x 8 7/8 (sheet 12 x 18). Edition 100. Presentation print for the Chicago Society of'Chicago Fair 1933. A rich impression with t...

Stanley William Hayter, 'Danse du Soleil (Danseuse du Soleil; Sun Dance; Sun Dancer)', color engraving, soft-ground etching and scorper; 1 of 10 artist's proofs, edition 200, 1951, Black & Moorhead 197. Signed and annotated 'Epreuve d’Artiste II/XII' in pencil. Inscribed 'Pour Nesto Jacometti avec amitié' in pencil, in the artist’s hand. A superb, richly-inked impression, with fresh colors, on handmade Arches cream wove paper; full margins (2 3/4 to 4 inches), in excellent condition. Image size 15 7/16 x 9 7/16 inches; sheet size 22 1/4 x 15 inches. Matted to museum standards, unframed. Printed by Hayter and Atelier 17. Published by La Guilde Internationale de la Gravure, Geneva. Impressions of this work are in the permanent collections of the British Museum and the Yale University Art Gallery. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

’Susan's Delight’ By Alan Davie Medium - Woodcut Edition - 6/200 Published by The Tate, St Ives Signed - Yes Size - 505mm x 570mm Date - 2003 Condition - Excellent. 10 out of 10. ...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Four trees. Paper, wood carving, 29x29 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing. Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed. The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...

Alexander Calder- Seascape Color lithograph on creme Arches paper, 1974 Edition of 150 Signed in pencil, lower right Numbered (105/ 150) in pencil, lower left With blindstamp, lower ...

Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings...

Woodcut on red tinted paper by Erich Buchholz ( 1891-1972 ). Exemplar no. 155 out of an edition of 157 by the estate of the artist. Stamped signature at the lower right: Erich Buchho...

Jill Moser, Luna, 2021 Woodcut print on Khadi 100 % cotton paper Signed and numbered by the artist on recto Paper size: 8.25 x 8 in Edition of 18 Published by Eminence Grise Editions, New York Printed by Andrew Mockler...