Louis Touchagues Prints and Multiples

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Original Lithograph by Jean Cocteau Title: He ! He! Toro 1961 Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffusion Artistiq...

Lithograph after a drawing by Jean Cocteau Title: The Toreador 1971 Signed in the plate Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" published by Soc...

Photo Opportunity (Tourists, Garden of the Gods, Colorado Springs, Colorado; edition of 30 is a lithograph circa 1935 by Charles Wheeler Locke (1899-19...

Leonor Fini - Surrealist Portraits Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

Original Lithograph by Jean Cocteau Title: Antigone From "Théâtre" Portfolio, 1957 Edition: 207 / 8800 Dimensions: 22.5 x 15.5 cm Jean Cocteau Writer, artist and film director Jean Cocteau was one of the most influential creative figures in the Parisian avant-garde between the two World Wars. “The poet never asks for admiration; he wants to be believed.” —Jean Cocteau Synopsis Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France. He spent most of his life in Paris, where he became part of the artistic avant-garde and was known for his variety of accomplishments. Over a 50-year career, he wrote poetry, novels and plays; created illustrations, paintings and other art objects; and directed influential films, including The Beauty and the Beast and Orpheus. He died on October 11, 1963. Early Life and Literary Debut Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France, a village 12 miles outside Paris, to Georges and Eugénie (née) Lecomte Cocteau. He and his two older siblings were brought up in comfortable household in Paris, where they were introduced to the arts by their parents. Their father, a lawyer and amateur artist, committed suicide in 1898. After his father's death, Cocteau was raised by his mother and his maternal grandfather. He attended school at the Lycée de Condorcet in Paris and he showed an early talent for writing. When he was just 18, his poetry was read aloud in performance arranged by the well-known actor Edouard de Max, and he became the toast of literary Paris. His first book of poems, La Lampe d'Aladin (Aladdin's Lamp), was published a year later, in 1909. Cocteau and the Parisian Avant-Garde In the 1910s, Cocteau formed friendships with many prominent members of the Parisian avant-garde, including writer Guillaume Apollinaire and artists Amedeo Modigliani and Pablo Picasso. He was so impressed by seeing the dancer Vaslav Nijinsky perform with the Ballets Russes that he met the company's founder, Sergei Diaghilev, and asked to work with him. Cocteau designed posters for the Ballets Russe, and in 1917 he was one of the collaborators on the ballet Parade: Cocteau wrote the story, Erik Satie composed the music, Léonide Massine choreographed the dance and Picasso designed the set and costumes. Cocteau's activities of the 1920s were remarkably varied. He composed opera libretti for several composers. He published collections of poetry and illustrations as well as a novel inspired by his experiences during World War I. He staged a ballet called Le Boeuf Sur le Toit (The Ox on the Roof) and directed modern adaptations of several classic dramas. He promoted the work of young writer Raymond Radiguet...

Self Portrait is an etching realized After Rembrandt Van Rijn in the early 20th century. Good Conditions. The artwork is depicted through free stroke...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

Lucille Fink creates densely drawn compositions, often a little off-beat. Signed and titled. Dated on the reverse.

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on laid paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbered in ...