Louise Liljencrantz Table Lamps

1970s pink travertine lamp by Maison Barbier. France

The Bola sphere table series fuses an elegant blown opal glass sphere with a mirrored disc reflector in polished stainless steel to give the illusion of a ...

A brass coated pewter lamp by Josef Frank for Svenskt Tenn. Model #2332. Conical wicker shade of later vintage. Two available. Only one shade.

A charming sculptural vintage table lamp in solid pine. Made by a Swedish cabinetmaker in the 1960s. A great addition to any modern interior.

Table lamp model 2467 designed by Josef Frank. Produced in Sweden by Svenskt Tenn. designed in 1938, this piece of a later manufacturing. Brass and original shade re-sewn with single...

1980’s Italian travertine with a polished chrome shade table lamp in the manner of Karl Springer. The travertine is polished on the front and back, the sides are left natural rough...

Pair of 1960s Swedish modern table lamps in solid marble and in very good condition. Manufactured by Bergboms in Sweden. Model B-10. A Single lamp also available please see listing. ...

Beautiful midcentury table Lamp in travertine, chrome and octagonal lampshade in silk by the Italian design Fratelli Mannelli. Made in Italy in the 1970s. The original label ...

Brass. Table Lamp Model 2552 Designed by Josef Frank for Svenskt Tenn, Sweden, 1950s Measures: H 49.5 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Large 'Gravity' marble table lamp by Space Copenhagen for Gubi in Gray. Executed in solid marble with a canvas or white textile shade perched atop its stem, the Gravity table lamp...

It is produced with the bozzolo technique, which consists in applying threads of molten glass that create an organic texture. Due to its versatility, it is one of our most successful...

Wonderful table lamp in brushed brass and leather by Boréns, Sweden. This lamp will work fine as an office lamp or will be a great addition o giv...