Maison Gripoix Multi-Strand Necklaces
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Creator: Maison Gripoix
Madeleine Riviere Rare Gripoix Glass Collar
By Maison Gripoix
Located in New York, NY
Unusual Madeleine Riviere rare Maison Gripoix bead and crystal collar. The two strand necklace has pendant drops which have hand poured mottled glass over each pate de verre topaz Gr...
Category
1950s French Artisan Vintage Maison Gripoix Multi-Strand Necklaces
Materials
Gold Plate, Brass, Bronze, Gilt Metal
Gripoix Floral Motif Drape Necklace
By Maison Gripoix
Located in London, GB
Designed by Gripoix in the style of Chanel, this unique vintage piece displays an array of red and white glass flowers set in gold-toned metal, fin...
Category
20th Century Maison Gripoix Multi-Strand Necklaces
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Previously Available Items
Vintage Maison Gripoix Green, Crystal, Red Faux Pearl Gold Necklace Circa 1990s
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Located in New York, NY
Vintage Maison Gripoix Green, Crystal, Red and Faux Pearl on Gold Chain Necklace with Dangling Green Piece. 3 Different Emblems On Gold Chain with Dangling Green Piece in the Middle. 22"-24" L. Dangling Middle is 3" L. Each Piece is 2" by 2". Looks like Chanel.
Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress.
However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”.
Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix.
Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons.
The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...
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1990s French Artist Maison Gripoix Multi-Strand Necklaces
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Mixed Metal
Vintage Maison Gripoix Pate de Verre Dangling Clear Pieces Necklace Circa 1990s
By Maison Gripoix
Located in New York, NY
Vintage Maison Gripoix Translucent with Gold Pieces and Dangling Pieces Necklace. 54" L. Can be Double and Triple wrapped. Can also add a Brooch for extra Look! Pate De Verre!
Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress.
However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”.
Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix.
Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons.
The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...
Category
1990s French Artist Maison Gripoix Multi-Strand Necklaces
Materials
Mixed Metal
Free Shipping
H 54 in W 1 in D 0.5 in Dm 1 in L 54 in
Wonderful poured glass and paste pearl multi row necklace, Maison Gripoix, 1950s
By Maison Gripoix
Located in Greyabbey, County Down
A sophisitcated multi row necklace made by Gripoix , attributed to Chanel, made from small ruby and black glass beads, small pearls, and fringed with tear shaped poured glass drops a...
Category
1960s French Vintage Maison Gripoix Multi-Strand Necklaces
Materials
Base Metal, Brass
Free Shipping
W 0.25 in D 2.5 in L 17 in
Maison Gripoix multi-strand necklaces for sale on 1stDibs.
Find a range of Maison Gripoix multi-strand necklaces available on 1stDibs. Each of these unique items was designed with extraordinary care, often using brass. We have 5 pieces in this collection as well as a number of other designs by this jeweler. While this collection reflects work that originated over various time periods, most of these items were designed during the 20th century. If you’re looking for additional options, many customers also consider multi-strand necklaces by and Yves Saint Laurent. Prices for Maison Gripoix multi-strand necklaces can differ depending upon gemstone, time period and other attributes. On 1stDibs, the price for these items starts at $1,750 and tops out at $4,648, while pieces like these, on average, can sell for $2,425.